There is enough historical evidence by now that Indians since the days of the Indus Valley have indulged in dishes made with meat and poultry: zebu cattle (humped cattle), gaur(Indian bison), sheep, goat, turtle, ghariyal (a crocodile-like reptile), fish fowl and game.
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The Vedas refer to more than250 animals of whom about50 were deemed fit to be sacrificed and,by inference,for eating.The marketplace had various stalls for vendors of different kinds of meat: gogataka(cattle),arabika(sheep), shookarika (swine),nagarika(deer)& shakuntika (fowl).
There were even separate vends for selling alligator and tortoise meat (giddabuddaka). The Rigveda describes horses, buffaloes, rams and goats as sacrificial animals. The 162nd hymn of the Rigveda describes the elaborate horse sacrifice performed by emperors.
Different Vedic gods are said to have different preferences for animal meat. Thus Agni likes bulls and barren cows, Rudra likes red cows, Vishnu prefers a dwarf ox, while Indra likes a bull with droopy horns with a mark on its head, and Pushan a black cow.
The Brahmanas that were compiled later specify that for special guests, a fattened ox or goat must be sacrificed. The Taittireeya Upanishad praises the sacrifice of a hundred bulls by the sage Agasthya.
And the grammarian Panini even coined a new adjective, goghna(killing of a cow), for the guests to be thus honoured.
The meat, we learn, was mostly roasted on spits or boiled in vats.The Brihadaranyaka Upanishad has reference to meat cooked with rice.
Pic courtesy - @t_d_h_nair
Also the Ramayana, where during their sojourn in the Dandakaranya forest, Rama, Lakshmana and Sita are said to have relished such rice (with meat and vegetables). It is called mamsambhutdana.
In the palace at Ayodhya, during the sacrifices performed by king Dashratha, the recipes described are far more exotic with acid fruit juices being added to mutton, pork, chicken and peacock meat and cloves, caraway seeds and masur dal also being added to various dishes.
illustration of the Ramayana by Sahib Din, 1652. Kausalya is depicted slaying the horse (left) and lying beside it (right)
The Mahabharata has references to rice cooked with minced meat (pistaudana) and picnics where various kinds of...
roasted game and game birds were served.
Buffalo meat was fried in ghee with rock salt, fruit juices, powdered black pepper, asafetida (hingu) and caraway seeds, and served garnished with radishes, pomegranate seeds and lemons.
Then come the Buddhist Jatakas and Brahtsamhita (6th Century CE) that maintain the list of non-vegetarian food items, adding some more species. All in all, meat till then appears to have been deemed a nourishing food.
It is even recommended by the famed physician Charaka
for the lean, the very hard working and those convalescing from a long illness.
The Jains, of course, remained totally averse to devouring any form of life. But the Buddha did not forbid the eating of meat if offered as alms to Buddhist bhikkus, provided the killing should not
have happened in the presence of the monks. It was the responsibility of the giver of the alms to ensure this.
Ramayana: The Legend of Prince Rama 1993
-Anime film co-produced by Japan & India ,directed by Koichi Sasaki,Ram Mohan,Yugo Sako (also producer of the film).
Although it was banned in India during the #BabriMasjid riots. later dubbed in Hindi and aired on DD National.
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Here are the controversy
The Indian Express misinterpreted Yugo Sako's "The Ramayana Relics" documentary and published that he was making a new Ramayana. Soon thereafter, a protest letter based on the misunderstanding from the Vishva Hindu Parishad was received by the.....
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Japanese Embassy in Delhi, which said that no foreigners could arbitrarily cinematize Ramayana because it was the great national heritage of India.
After the misconceptions were cleared, Yugo Sako proposed the idea of an animated Ramayana to the VHP and the government.
SAPT RISHI /7 Sages
According to the Shatapatha Brahmana, these 7 r the 'authors' of the Vedic hymns. Their names r, Gautama, Bharadvaja,Vishvamitra,Jamadagni, Vashishtha, Kashyapa, and Atri. Here inscribed in the 'takri'script as the 'sons of Brahma,' r these very names.
THREAD
They sit surrounding a small pile of smoldering ash, much in the tradition of Shaivite saints. 1. At the center in the top row sits Jamadagni, with his head thrown back, and his hair reaching his thighs. With the right hand he holds a long rosary.
2. Next to him in the clockwise direction is Gautama, clad only in a loin-cloth, with prodigiously long nails, and similarly long hair under his armpits. He holds his hands above his head, in a tight, clasping posture.
#TamilNadu ear ornaments are generally of 22-karat gold. Goldsmiths there have developed an elaborate ear-ornament tradition, which often necessitates piercing the ear at several locations and distending the hole mode in the earlobe
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to accom modate them. The attention to detail evident in these ornaments, some of which are very small, illustrates the local goldsmith's outstanding skill
These drawings have been culled from thirty of the many volumes of Village Survey Monographs,published in connection
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with the Census of India, 1961, Madras (Tamil Nadu),60, part 45, 1963, in which, among other subjects, the traditional jewelry worn by women and men in each of the villages studied is discussed and illustrated. Ear ornaments have been arranged in horizontal rows by concepts.
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Amrita-Samudra Manthana-THREAD
Dhanvantari, the heavenly physician, emerged with a pot containing the amṛta, the heavenly nectar of immortality. Fierce fighting ensued between the devas and the asuras for its possession. Asuras took Amrit from Dhanvantari and ran away... 1/7
chased by Devas.
The devas appealed to Vishnu, who took the form of Mohini, a beautiful and enchanting damsel. She enchanted the asuras into submitting to her terms. She made the devas and the asuras to sit in two separate rows, distributing it among the devas, who drank it.
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An asura named Svarbhanu disguised himself as a deva and drank some nectar. Due to their luminous nature, the deities of the sun and the moon, Surya and Chandra, noticed this disguise. They informed Mohini who, cut off his head with her discus, the Sudarshana Chakra.
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This lithograph 'Birth of Shakuntala' was the first print to be produced in the Ravi Varma Fine Art Lithographic Press on 12th July 1894. The painting alongside that belongs to a collector now, is of the exemplar used to create this lithograph. 1/4
Do note the print line below the lithograph - it states 'Competition Edition'.
Though it is not from the 'first' lot created in the press, this print is definitely more than 100 years old.
Do keep in mind that there is never an 'original' lithograph. It is a print, and they
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were produced in lots of 100 or more from each exemplar created.
The second and third lithographs created in the Ravi Varma Fine Art Lithographic Press were those of Goddess Lakshmi and Saraswati.
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THREAD on Rukmini Varma's Painting
In a time when India was still a land of splendid Maharajahs and fabulous courts, Rukmini Varma was born in 1940 into one of its most ancient royal houses, with an unbroken dynastic lineage of over 1200 years.
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🎨The Rape of Rambha,1980s
Titled Her Highness Bharani Tirunal Rukmini Bayi Tampuran, Fourth Princess of Travancore, Her great great grandfather, Raja Ravi Varma, is considered the Father of Modern Art in India.
🎨 Woman with fan
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Her grandmother, the last Maharani of Travancore, was a patron of many artists, while her father trained under court painters in the 1940s. Rukmini never studied art formally but developed her own style of realist painting through the 1960s
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🎨Nala Damayanthi Early 1980s