Lisa Fagin Davis Profile picture
Apr 11, 2021 16 tweets 5 min read Read on X
I don’t know if this is a serious question or not, but I’m going to give it a serious answer. Here’s a thread on “So, you think you’ve solved the #Voynich Manuscript. What next?” Image
1) Have you done the reading? If not, you’d better. There are actual factual things known about this manuscript, and if you’re solution isn’t consistent with those facts, then forget it. Here come some facts:
a) Materials testing has shown that the parchment dates from the early 15th century and that the pigments and inks are consistent with medieval techniques and recipes. beinecke.library.yale.edu/sites/default/…
b) Paleographical analysis shows that the manuscript was written by at least five different scribes who employed different linguistic patterns associated with different sections of the manuscript:
c) The manuscript has a fairly well-established history that leads from Prague (where it was apparently acquired by HRE Rudolph II in the late 1500s) to Rome to London to New York to New Haven. beinecke.library.yale.edu/collections/hi…
To do the reading, start here: amazon.com/Voynich-Manusc…
Or, for a quick intro, see my blogpost: manuscriptroadtrip.wordpress.com/2015/01/17/man…
2) Are you sure your idea hasn’t been tried (and rejected) already? 100s of people – including expert linguists and cryptologists – have studied this manuscript since Voynich started publicizing it around 1920. To find out, start on René Zandbergen's site: voynich.nu
Or look here, of the best Voynich discussion boards: voynich.ninja/forum-25.html
3) So is your idea both new and consistent with the facts? Great! Now check your logic. Is your theory grounded in assumptions that you turn into facts? That’s going to be a problem when the experts get after it...
Be certain that your theory makes a logical argument that isn’t based on hypotheticals. More on that here: washingtonpost.com/outlook/2019/0…
4) Pro tip: Do NOT contact the Beinecke Library to tell them about your theory. Their (very sensible) policy is to not respond to Voynich correspondence or to express an opinion about proposed interpretations. They won’t respond, so don’t try it.
5) If your idea is new, consistent with the facts, AND makes a logical argument that follows the principles of scientific method, that's great! Put it out to the world and see how it goes. Write a blog, post a video, promote it on the message boards, call the press.
6) If you’ve done the reading and checked the facts and reviewed your logic, you’re more than welcome to send your idea to me for review. I’d be happy to take a look at it confidentially if/when I can (I do have a day job that has nothing to do with the Voynich Manuscript).
Just remember that while I am a medievalist/ paleographer/ codicologist with a particular interest in the Voynich and who happens to teach at Yale at the moment, I don’t work for the Beinecke Library. I can’t open that door for you.
Good luck! Image

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More from @lisafdavis

Dec 28, 2022
I know we're all obsessed with the stream of discoveries about #receptiogate, the revolving-door website updates, & Rossi's doubling-down claims of innocence that are easily disproven, but I also want to talk about her #fragmentoogy work, which is troubling in several respects...
As many of you know, I have been working closely with @FragmentariumMS and many other scholars for decades to develop best-practices for cataloguing, data-modeling, and digital reconstructions of dismembered manuscripts, i.e. #fragmentology
To her credit, Rossi is doing that too, working to recontruct recently-dismembered Books of Hours, transcribing them to allow for deep analysis of the recovered liturgy. This is a very worthy goal, & the transcriptions, while not always correct, are useful. So that’s great! But…
Read 18 tweets
Dec 27, 2022
One of the astonishing parts about this update is that Rossi admits to "colourising" b/w photos! Plaigerism aside, & whether the "colourising" really happened in this case or not, the idea of taking a b/w photo and quietly colorizing it is incredibly misleading! ImageImage
Tacitly editing images of fragments seems to be her MO: adding borders where there are none, cropping for consistency of size, inserting a mis=matched binding, adding fake flyleaves, colorizing b/w images. How can readers trust such a deceptive author?
I've never encountered anything quite like it in the digital realm. It is analogous to the tacit "restoration" work 19th-century forgers practised on illuminated mss, like the one I describe here (a forgery Peter identified!): manuscriptroadtrip.wordpress.com/2019/08/28/man…
Read 5 tweets
Dec 25, 2022
Look, people, it's not that hard. The rules of #Fragmentology are simple and finite. 1) If you are going to piece a dismembered manuscript back together online, do it with intellectual honesty.
2) If there's are missing leaves, show us where it is by indicating lacunae, as in this screenshot of my own work on the Beauvais Missal:
3) If there's no binding, don't photoshop the reconstruction into one. Digital reconstructions aren't about "fixing" physical imperfections by adding elements to make it look pretty.
Read 5 tweets
Aug 18, 2022
Spending the afternoon @BeineckeLibrary photographing Wilfrid #Voynich 's scrapbook of press clippings heralding the "news" of the manuscript's decoding and attribution to Roger Bacon, and found this marvelous bit of editorial snark from the Providence Tribune, April 22, 1921:
Am now looking for an excuse to use the expression "I don't give two whoops in a rain barrel!"
Here's another good one, from the New York Evening Post, May 3, 1921. Apparently it is bad form to snort with laughter in the Beinecke Library reading room.
Read 6 tweets
Aug 9, 2022
OK, people, you worked hard to get me to 10K followers, so here is your reward! An epic 62-Tweet thread about the #Voynich manuscript coming your way, starting NOW!
1. First things first. The #Voynich manuscript (VMS from now on) is a real object. Please always keep that in mind! It is a medieval manuscript (more on that in a minute) that belongs to the @BeineckeLibrary at Yale University, where it has been MS 408 since it was given in 1969.
2. I have seen it on multiple occasions and can confirm this. It is not imaginary. It is not fake. It is not a gift from aliens. But what IS it?
Read 67 tweets
Jul 28, 2022
Remember a few weeks ago when I gave a lecture @imc_leeds about my reconstruction of the Beauvais Missal & announced that leaf no. 113 had landed in my inbox the day before? Now that I’m caught up on other things, I can work on placing it in the reconstruction. Here’s how…
Step 1: identify recto & verso. Generally a straightforward task…look for the binding holes (i.e. the gutter), which, in a manuscript that reads left -> right will be on the left of the recto side. In this case, the leaf is heavily trimmed on all sides, so no binding holes!
No binding holes, no problem. Just look at the text, and figure out which side continues the text from the other. In this case, though, the leaf is framed and only one side is visible! How to tell recto from verso, then? Is it impossible? Certainly not!
Read 13 tweets

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