If you use news websites then you will already be familiar with the 12 step process for reading a news article online. If not, I've summarised them below.
Please follow all steps carefully and don't skip any...
Step 1: accept cookies.
Step 2: close the window thanking you for accepting cookies.
Step 3: wait for text and images to load as if it was 1998 and you were on dial-up.
Step 4: close pop-up videos that you never wanted in the first place.
Step 5: close news notification pop-ups, as your phone already pings nineteen times a minute due to Twitter notifications.
Step 6: close requests to install apps as you have no memory left on your phone after your last WhatsApp update installed itself.
Step 7: close window notifying you that you are reading the article for free. You didn't come here for a guilt trip.
Step 8: close window requesting you to register to read more articles. You haven't the mental stamina to remember any more passwords.
Step 9: close window opened by accidentally clicking on sponsored content when closing other windows.
Step 10: close breaking news pop-up, as three other pre-installed apps you can't delete have already told you the same thing.
Step 11: carefully scroll through other sponsored content links that have pushed paragraph two of the news story halfway down the page (take care to avoid step 9 again).
Step 12: when you've finished reading delete all browser cookies, meaning you have to go through all these steps again when you read another article.
News costs, and pop-ups are the price you pay for information.
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Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.