Age 737: While the lovey pineapple-haired Nappa looks on, young Vegeta plays with his favorite toys, the latest new and improved cultivated men. But where does he get such wonderful toys? #HistoryofEver
Toriyama’s original explanation is that the Saibaimen were created by Saiyan scientists via biotechnology. This comes from one of the memos he provided the anime staff to help with filler, the same source as his Tsufruian designs and other tidbits. kanzenshuu.com/animation-prod…
The Saibaimen’s Daizenshuu 7 bio references Toriyama’s memo on their biotech origins, and also notes that the ones currently in use are enhanced versions from Age 737 (this factoid is mentioned in the timeline too, and comes from the mook’s description in the Bardock special)
Interestingly, the strategy guide for the SNES game Legend of the Super Saiyan describes the Saibaimen class of enemies as a type of “alien lifeform that evolved from plants” which were then “enhanced via biotechnology”.
Then in the 2018 Saiyan Special Q&A (the same source as all that Yamoshi stuff), Toriyama says that the Saibaimen are “a lifeform discovered on a certain planet”, whose rare and valuable bulbs were harvested by the Saiyans. kanzenshuu.com/translations/s…
So Toriyama gave two explanations decades apart that ended up contradicting each other. Shocking, I know. The oddd part is how the strategy guide description which came out in the years between sounds like an attempt to reconcile Toriyama’s “biotech” and “alien lifeform” versions
Speaking of “Saiyan scientists”, Toriyama explains elsewhere in the Saiyan Special Q&A how Saiyan technology was ahead of Earth in terms of spaceships and combat equipment (did they have nukes?), plus all the stuff they got from Cold and co
DBS: Broly shows us a group of Saiyans who certainly seem to be scientists, the hardworking staff of the baby capsule chamber. Naturally, they seem to spend most of their time measuring power levels.
But elsewhere in 737, something else is growing. A child destined to alter the fate of the entire multiverse and at least three timelines. A friend to both the highest of gods and lowliest of turtles. A fierce competitor and an eternal student. His name: Zero the Wonder Boy.
(Also, apparently he’s called “Goku” or some shit in the Japanese version, but whatever)
On Tuesday: the nativity!
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41
Rewatching the DBS panel, there’s a few things I want to note about the subtitles. They’re fine overall but there’s a few things I think are oversimplified or left out. Going through roughly in order of importance…
When discussing the artwork for New Character 1 and 2, in Japanese Hayashida says how it’s Toriyama’s original artwork, unlike the Piccolo/Pan/etc images that have been developed into full-fledged anime designs. The subtitles instead say it was made before movie production began
Now, it might indeed be true that Toriyama would’ve made the initial artwork before movie production began, but that’s not really what Hayashida is talking about. He’s contrasting this image with the earlier ones shown of Piccolo and co, which weren’t Toriyama’s original artwork