Sitting in isolation on a knoll in rolling open countryside is St Lawrence’s, Hutton Bonville. It closed in 2007 and has lain empty since then. A picture of timeless, relentless melancholy.
Last October, we took this little church into our care.
St Lawrence’s is a small medieval church that was much altered in the 18th and 19th centuries.
The story of this Yorkshire church is told in its stonework: the variety of colour, tooling, lichen, carving, joints … and of course, cracks.
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In this location, the church really only makes sense in relation to Hutton Bonville Hall, which was demolished in 1962. The only physical neighbour this church now has are the Hall’s two abandoned 18th-century gate piers, swathed in nettles and cow parsley.
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Despite being deeply rural, the pastoral peace is broken every so often when the East Coast Main Line thunders past. It’s often quite welcome – a relief to know that time hasn’t completely forgotten you out there.
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There’s a lot of work to rectify the destruction of dereliction. We are just getting started but hope, in the next twelve months, to be able to welcome people back to this church after many, many years.
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Bonus tweet: lonely old churches aren’t all romance, here’s how I’ve been spending my Sundays - cleaning out decades of dirt and dust and dead insects.
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Nestled in the centre of a small village in the Welsh countryside, St Mary's, Derwen is renowned for its wondrous collection of medieval woodwork.
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The church is entered through a charming late medieval wooden door, with iron studs and fleur-de-lys decorated hinges, set in a surround of gorgeous South Cheshire sandstone.
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Naturally, the medieval wooden treasures of this Denbighshire church continue inside. Foremost is the the fine late 15th-century rood screen and loft that dominate this interior.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.