Inside: Robot Artists & Black Swans; Klobuchar on trustbusting; Pharma's anti-generic-vaccine lobbying blitz; Unpack the court with judicial overrides; Lexmark's toxic printer-ink; and more!
Next Thursday, I'm helping Bruce Sterling launch "Robot Artists & Black Swans," a book of sf short stories in the Italian "fantascienza" mode, at Austin's Book People!
"Every pirate wants to be an admiral." That is a truism of industrial policy: the scrappy upstarts that push the rules to achieve success then turn into law-and-order types who insist that anyone who does unto them as they did unto others is a lawless cur in need of whipping.
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This is true all over, but there's an especial deliciousness to see it applied to printers and printer ink, always a trailblazer in extractive, deceptive and monopolistic practices of breathtaking, shameless sleaze.
Pierre Beyssac, a director of Internet Europe, recounts his campaigns in the Printer Wars, which start when he ordered a non-wifi-enabled @lexmark printer but got shipped the wifi version.
One of the GOP's tells is that it accuses Democrats of its own sins. Take "packing the court," a process we watched unfold with Trump's appointments of Gorsuch, Kavanaugh and Coney Barrett.
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A Supreme Court filled with Federalist Society sociopaths chosen by Donald Trump is scary, for two reasons: first, they are apt to take up extreme Constitutional interpretations, and second, because they will distort Congress's intent to serve the wealthy.
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There's not much we can do about the former, but the latter is fully addressable through lawmaking. Take SCOTUS's recent ruling that the FTC doesn't have the authority to extract cash penalties from predatory lenders to compensate their victims.
2.5 billion people in the Earth's 125 poorest countries have received zero vaccine doses. The 85 poorest countries are projecting full vaccination in 2023 or 2024. This isn't just a form of racist mass-killing, it's also a civilizational and species-wide risk.
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Every infected person, after all, makes billions and billions of copies of the virus, and these copies are imperfect, producing mutations. Eventually, there will probably be a mutation so contagious that it bypasses vaccine-based defenses.
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Worse still, if the virus circulates widely enough for enough time, the likelihood that a mutant strain will emerge that is both more infectious AND more deadly goes up and up.
A half-vaccinated world is like a swimming pool where only one end has a "no pissing" rule.
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When @amyklobuchar introduced her Competition and Antitrust Law Enforcement Reform Act (CALERA), I called it a "big fucking deal," because it would do away with Ronald Reagan and Robert Bork's "consumer welfare" standard for antitrust action.
Prior to the Reagan years, US courts and prosecutors went after monopolies because monopolies were considered harmful on their own - they gathered too much power into too few hands, to the detriment of workers, suppliers, the environment, policy, and consumer pricing.
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But Robert Bork - a Nixonite criminal whose actions were so odious the Senate refused to confirm him for the Supreme Court - promoted a bizarre Qanon-like theory that if you looked hard enough at the laws, that's not what they said at all.
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"Fantascienza" is the Italian word for science fiction, but fantascienza has its own tropes, rhythms and conventions that set it apart in hard-to-summarize ways; these unique characteristics have fired the Italian imagination for generations.
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Very little fantascienza (or any other foreign literature) gets translated to English. There's a kind of circular reasoning behind this: there's so much stuff produced in English that there's no market for foreign works, and no one reads foreign works so why translate any?
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Which brings me to a very odd, very wonderful book: ROBOT ARTISTS AND BLACK SWANS, @bruces's collection of fantascienza stories originally published under his Italian pseudonym, "Bruno Argento."