The line “j-hope doesn’t follow the beat; he is the beat.” provides context for how Time functions in Dance - as tempo, rhythm, pattern, accents. How to engage muscles & limbs to follow a beat, highlight accents or flow into the next phrase lies at the heart of dance. 1/8 #JHOPE
In team dance, the emphasis is on precisely landing each move exactly on the beat. Tricky with a fast tempo and choreo that has a move hitting every whole & half beat. In DNA, j-hope’s every move & gesture is synced to the tempo like clockwork. 2/8 #JHOPE
Showing electric boogaloo in his #HopeOnTheStreet, j-hope lands on & moves through the beat, combining popping w/sharp angles, fluid waves & isolations. Popping requires contracting body muscles to create a pop/jerk, in time with the rhythm. 3/8 #JHOPE
j-hope’s verse in ON is unique in that his moves match his syncopated vocals, which are on the 8th & 16th notes. Since much of the verse doesn't fall on the downbeat, it requires planning ahead to engage muscles to coordinate to the rhythm. 4/8 #JHOPE
Adding a move requires skill & planning. In BOM, j-hope plays with timing to add excitement & texture: delaying the spot into the first turn, to then accelerate into the second one; the head dip accent on the 16th note that only he does. 5/8 #JHOPE
In Fire, at :31 and 1:01, j-hope throws in an extra soutenu turn, creating an exciting visual & rhythmic accent. He has to exactly time the turn to get around to make the downbeat of the next phrase. He always hits his mark. 6/8 #JHOPE
j-hope utilizes his freestyling skills to play with the start of Mic Drop. He follows the rhythm & adjusts his flow in the moment, often using popping moves to highlight the upbeats, or adding footwork shifts to match every down & upbeat. 7/8 #JHOPE
At MMA 2019, j-hope showed brilliantly in real time how he understands, masters & utilizes timing to enhance the impact of his dancing. 8/8 #JHOPE
🙏Thanks to the following content owners:
Content credit:
@kookhopegifs, @BTS_EVEY, @BTS_twt, @JHOPE_EUROPE, @hobijoaa, @20nuna_, @Hope00100, @our_wings613
Apologies for any confusion. Here is the correct Fancam:
#JHOPE

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More from @jhopesdance

1 Jun
Hips don't lie, but coordinated placement of shoulders, arms & hands are critical for dance excellence, seamless flow & overall grace. In the Butter stages, reh & MV, j-hope’s positioning & balance of these parts bring style & beauty to his dancing. 1/11 #JHOPE CR: @bbearshs
Critical to effortless dancing is the alignment of shoulders to pelvis - too far forward or back disrupts balance & transitions. See how j-hope keeps his shoulders over his hips while fully extending his arms & legs to add sweep & length to movement. 2/11 #JHOPE CR: @hobinemo
But j-hope also knows when & where in the choreo to contain his arm movement. In a quick pivot turn, he keeps his biceps connected & close to his torso to stay centered & add a pop, saving time & energy from having to draw fully extended arms back. 3/11 #JHOPE CR: @kookhopegifs
Read 11 tweets
24 May
It was thrilling to see dance return to the forefront for a BTS performance. Even better was seeing dance leader j-hope front & center initiating the Dance Break for the inaugural performance of Butter at the BBMA21. #JHOPE #TheDanceBreak #제이홉 @BTS_twt
The Dance Break choreo focuses on deep, sultry hip movements accented with bold hand gestures, alternating between sharp and sinuous. With his long arms wrapped around his body & expressive fingers spread across his torso, j-hope embodies smooth, sensual dancing. #JHOPE #제이홉 ImageImage
j-hope's emotive hands & fingers also give the dance needed flavor. The Butter Dance Break moves (small, isolated & tight to the body) feel similar in flavor to the choreo of Bob Fosse, which emphasizes precise isolations to syncopated beats. #JHOPE #제이홉 ImageImageImage
Read 6 tweets
23 May
j-hope freestyled more than one version of his now iconic Butter MV elevator solo.
The longer one in the MV shooting vid shows him stepping over into deep croisse going into a turn, instead of the second reach left & body roll sequence as seen in the official MV.
1/4 #JHOPE Image
In the longer version of his freestyle solo, j-hope adds a a “running man” sequence and moves into some glides, taking up as much physical & visual space in that elevator as possible.
2/4 #JHOPE ImageImageImageImage
j-hope ends with a hybrid step-up turn: starting the turn on his right foot, he then transfers the 2nd half of the turn onto his left so that he can extend his right leg into a rond de jamb a terre before pulling back to center. 3/4 #JHOPE ImageImageImageImage
Read 4 tweets
21 Apr
Our ongoing explorations into the creative connections between j-hope's Blue Side and other artistic genres continues in this look at painter Pablo Picasso and the multilayered works he created in his Blue Period. Part 1/7
#JHOPE #제이홉 #BlueSide #BlueSidebyjhope Image
Read 8 tweets
5 Oct 20
Boy Meets Evil Live Performance at SMA 2017- J-Hope shows the ability to translate this routine to a live setting, and captivate the audience with dance technique, stage presence & acting. It is significant as BME functions as buildup to the main group performance. #jhope #제이홉 Image
The performance was executed without the usual theatrics of 'idol' stages. There are little of the fancy sets, props, special effects, elaborate costumes, backup dancers etc. to create visual impact & quick thrill. The minimal staging is reminiscent of contemporary dance pieces. Image
It is a bold, calculated choice that places the focus squarely on J-Hope's technical precision & expression. We also don’t see many of the random close-ups or jarring cutaways favoured in K-pop camerawork to create shock factor.
Read 15 tweets

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