I used to half joke that Oikawa ended up in the Argentina team because Frdt-sensei accidentally created too many great setters, so they had to put him Somewhere. Now I truly believe Argentinian Oikawa has always been the endgame.
The reason is that one of the very main
themes of HQ is "to connect", and it's not just about the connection between players on the same team. The series has gone out of its way to show that volleyball is about connection between teammates, between players on the court and coaches who watch over
them from the sidelines and supporters who watch over them from the bleachers, between fathers and sons, brothers and sisters, between one generation and the next and the next, and, not least if not one of the most important, between players on different sides of the court.
So
for the Olympics, the biggest stage, it would for the Olympics, the biggest stage, it would not do for the protagonists to face a team of strangers. The theme "to connect" demands that the main opponent in the Olympics be someone familiar, someone who has significant connection
to the protagonists, whose presence at the Olympics is the fruit of those connections. This is essentially a role built for Oikawa, who was the first opponent of the main duo and has always meant to be the final one, because Frdt-sensei, to my utmost delight,
loves book-ends.
How does Oikawa's preordained role fit into his character development? I have no idea, please check back later.
PS: The one quote Oikawa has in 402 is also all about connections, which might explain why I was so obsessed with it when
it first appeared.
PPS: This post is brought to you by me listening to stage play Nekoma chanting "tsunage" 繋げ (connect) for the past 3 hours. Please check out the stage plays. Especially The Tokyo Battles.
PPPS: Please check out The Tokyo Battles stage play soundtrack. I looped it for the entire summer of 2019 and I just detected the main theme of all the stage plays weaved into the opening. Needless to say I once again swooned. Wada-san....
PPPPS: You can’t blame me for this. Whenever I watch The Tokyo Battles I always get distracted by Takato
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Out of the three OSTs I got in the past few weeks (Heaven's Feels spring song, HQ S4, JJK S1), JJK turns out to be the one with the biggest number of strong tracks (admittedly the novelty factor does help, but Hollow Purple is a ridiculous banger, and Occult Club is a surprise
delight).
HF and HQ win out in terms of how well themes and leitmotif is used, which is almost not a thing in JJK. I also don't think the sound direction in JJK S1 was the best, but it certainly makes up for this in the individual tracks.
HF reigns supreme in epicness, simply
because I have a forever bias for Kajiura Yuki, and the four rings drips holy war vibe. I wasn't entirely sold on the whole track of EMIYA remix, but I can never fault Kajiura in good faith. But the best sound coming from the HF franchise is Kajiura x Aimer trio of songs. They