Being going through a tough time of late & work, like everything, has been so hard. There are a few tricks & tools I've held onto for dear life which have helped get me through & now I'm (hopefully) coming out the other side I thought I'd share them #WritersSurvivalTips...
#WritersSurvivalTips 1. Here's an easy one. At the end of the working day (working hour? 20mins) I've learnt to leave myself a clear task to start the next session. Might be a warm-up exercise, dialogue exchange, a stack of index cards to do some beats or a timeline.... 
....also means my subconscious brain is still working and prepping stuff for the next writing session even if my thinking brain is switched off. XX
#WritersSurvivalTips 2. find a Writer Pal to hold you accountable. If I'm not strict with myself I'll work with big themes & ideas & leave the actual WRITING bit to the last min. Commit to an amount of writing you will DEFO complete & tell a writer pal when you'll send it....
.... @jonbrittain has been my legend this week. Sent him a full page of prose a day. Some of it drivel. They don't need to comment, or even read, it's just so they can hold you accountable. & have writer friends - It helps! Come to #CreativeCheckin to meet more writers :)
This one is simple but game-changing (in life & work). #WritersSurvivalTips 3 Be An Observer In Your Life. You don't have to sit in discomfort or stress. I've been trying to step to the side & just observe. I am not my thoughts. It helps. Thank you @yogawithadriene for this tip!
#WritersSurvivalTips 4 - this one's wild. If you're working on something based on a real event / person / time in history -when you're really deep into it take time to go back to the most basic source material. The wiki page. The original article. The "for dummies" website.....
.... Read the 1st few hits on google. It's amazing how you can process this material in a different way once you're deep in a project rather than the start. It can be a great reminder of what you love about it if you've lost that. It can help ground you if you've gone off on....
...a bit of a tangent & now you're an expert it's exciting how you see much more in it. I've done this for my last couple of projects & it's incredibly helpful. Same for returning to original pitch docs. Try it. :)
#writerssurvivaltips 5 light a candle even when it’s daytime.
#WritersSurvivalTips 6 - These are on my board. (think these are from the wonderful John Yorke book - correct me if wrong I don't have it here) Types of #conflict: If a scene/situation feels low drama what sort of conflict my characters are experiencing? Can I add to it? ....
.... I like to think I am always thinking instinctively and intuitively and from my characters POV but sometimes you need to be a bit more logistical / thorough about things.
They're either from John Yorke's Into The Woods waterstones.com/book/into-the-… or Stephen Jeffreys Playwriting nickhernbooks.co.uk/playwriting - Both I dip in and out of regularly and I recommend
#WritersSurvivalTips 7 - I do this exercise from @KateClanchy1 's wonderful book #HowToGrowYourOwnPoem for all my key characters now. You can write your character's version of Table by Edip Cansever. Or write your own. You can discover a lot.
https://twitter.com/KateClanchy1/status/1373606004353593350?s=20
#WritersSurvivalTips 8 - this is my favourite. THIS IS MY STORY. For each character I do a short synopsis of the story from their point of view - starting with "My name is NAME and this is my story". I've always done this for theatre as it makes sure each character is rounded...
....has a full journey, has wants and dreams of their own and is not just there to serve other characters - but for telly it's a game changer as it can unlock loads and loads of STORY. :) :)
#WritersSurvivalTips 9 - I'm spending a lot more time on my own now & I find my negative chatterbox voice is on overdrive. ("Where's the conflict in this scene you twat?" "Oh, a great big fuck off pie, good choice:") Sometimes I just say to myself WHAT IF IT WAS OK?....
....What if it was OK that I need to work the scene a bit before I find the conflict? What if it was OK to eat a great big fuck off pie for dinner? What if it was OK to rest / eat / cry / work at a glacial rate / not change pants? What if it's all just OK?
(Checked at the weekend - They're from Stephen Jeffreys Playwriting - a wonderful book) X
#WritersSurvivalTips 10 - bit complex this one. Everything is Work and Nothing Is Work. Part 1- Everything is work. You are not only working when you are typing words at your laptop. Work includes thinking & dreaming, staring into space, research,watching films, reading books...
...anything that informs & helps grow the world, characters & story of your project. If you keep a diary/log of the different types of work you do on a project you might stop thinking your so lazy because you didn't do a full five hours at the laptop....
Part 2 of this: Nothing is Work - Do stuff that doesn't feel like work! Scribble in gorgeous notebooks with a sexy pen, on index cards in different colours. Walk & talk, use your voice recorder or dictation app. Move from your desk. Stand. Do freewriting, Pomodoro...Change it up.
#WritersSurvivalTips 11 - last one for a bit. In these uncertain times, particularly while theatre has been dark, I think it makes sense to think about yourself as a storyteller, rather than a playwright or screenwriter. What's at the heart of all good theatre/telly is story...
...even though it's told in v different ways often. We can can focus on telling great stories with glorious flawed characters and perhaps the medium comes later. Stay open and adaptable. I try to think about "my story" rather than "my play" or "my film"....
...I know that the demands are v different but the truth is complex rich characters in interesting situations & relationships are the foundation of every good story. We're still in flux - I've heard of lots of people repurposing theatre for short film or tv - it makes sense....
A little PS for this. I'm often asked about writing for theatre and TV & how they are different or how to make the transition. It's a big question with a complex answer but for those playwrights who are keen to write for telly I will say this: Don't feel as playwrights...
...you have to change what's at the heart of your work or conform to some sort of TV blueprint. There's huge interest in the work of playwrights in TV, the inventiveness & playful thinking we bring, & great execs & editors will be able to guide you to make work translate....
....You don't have to come to the table with it all worked out. Just think about the story. XX
Here's a good one I forgot. Do a TIMELINE. Play, film, telly ep - it doesn't matter. Working out what period events occur over not only helps with structure but can help you work out what happens in between scenes or eps - great for character & story too. #WritersSurvivalTips
.... the humble timeline has helped me many times when I've been stuck. And they change of course so even if you've created one at the beginning of a project it's always useful to revisit and update further down the line.
@SadieLeylaClark thought of this when you tweeted earlier
@_KieranSpiers_ XXX
#WritersSurvivalTips 12 - REJECT WRITERS BLOCK - The reason I don't like the term “blocked” is because it is reductive, binary: you're either blocked or you’re not. Which means to solve that you’re looking for a golden unblocking moment. This creates huge pressure and anxiety....
….And maybe it’s just semantics, but language matters. Saying “I’m blocked” brings that paralysis into existence & feeds that myth of the tortured artist which I think we need to reject. You might be challenged on a particular project, but you can still write. So. What to do?...
....Work on something else. Do Morning Pages. Freewriting. Use yr voice recorder. Run. Walk. Make a brew. Have sex. Change your environment. Talk to someone. It’s not a locked door with only 1 key. There are shit loads of keys. Or actually, fuck it, the door isn't locked at all
#WritersSurvivalTips 13 NAMING YOUR CHARACTER
So much to think about & draw on here. Heritage, religion, social status; clumsily named characters can be offensive and show ignorance. Area. Age. What names were popular the year they were born? I spend ages googling this….
So much to think about & draw on here. Heritage, religion, social status; clumsily named characters can be offensive and show ignorance. Area. Age. What names were popular the year they were born? I spend ages googling this….
...What about the meaning? Why did their parents choose it? We called our son Gryff because of it's connection to strength & fight; he came after a long journey of loss. What does it reveal about their parents hopes and dreams for them? Or who are they named after?...
...What about nicknames? Are their names shortened? What were they called at school & why? Did they love it or hate it? Do different people call them different things? I’m Anna but my family call me Ani. Did they change their name? If so, why? Are they known by their surname?...
...These are defo tools not rules. It’s not essential to know all the answers. But they can help develop the characters on the page in a joyous way - help them reveal things to you about their family, identity, heritage, childhood, relationships & sense of self. I love it. :)
PS: Also sometimes you just know the name, right off the bat. Just because, and that's thrilling.
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