There have been many people pointing out that the proliferation of dancing nurses and doctor videos since the onset of global COVID19 policy has been...well...tacky. I agree, but also think there may be more going on.
🧵...
Several months ago, while still a Twitter newbie, I wrote a thread about an artist named Meyerhold. (Here it is:)
He was a large influence on the performance art piece I created as well. The way movement impacts and inspires people beyond just the emotional impact to the viewer isnt something that is discussed often, however we can see it throughout history.
While watching the seemingly endless dancing nurses videos, I was suddenly struck a few weeks ago by a memory; I’d seen this before...many times.
My mother is both a victim and survivor of communism. She was a performer and an actress. I have a degree in the theater arts. I have, over the years noted the ways that the performing arts are both influenced by and influence authoritarian regimes.
Performance is at its most simplified a form of story telling; even when the performance may appear to simply be something else.
It’s been over 14 months since those videos of dancing as part of the COVID19 crises began. So what story are we being told and telling? This is the question I keep asking myself. This thread is a study of that.
While patients are seen in the videos out of Wuhan, note that they are absent in the videos streaming into our homes in the west. D
There is a disconnection between the “essential workers” and everyone else.
Only a select few are encouraged and able to join each other and through music, movement and even humor find comfort in a sense of unity.
Only a select few may joyfully gather.
It’s difficult for those deemed “inessential” to understand how a crises allows the time for large choreographed and filmed dance routines.
Or why only some people are allowed to create for themselves and each other a ritualized time, space and actions.
Why only some are celebrated for celebrating.
Remember. These are “patients.”
They are not well enough to care for themselves. They are not responsible enough to care for each other without strict rules of confinement.
I’ll leave you with one more thought. It’s our time to dance.
🧵THREAD: What Really Happened in World War I The Great War
Not the story you were taught. A tale of broken empires, ritual inversion, and the memory war that never ended.
🕯️ On this day, August 3rd, Germany declared war on France. But the real story started long before…and it’s still unfolding.
1. The End of a Sacred Order
World War I was not just a geopolitical accident.
It was a ritual dismemberment of the old world monarchies, lineages, and sacred patterns of time and memory.
Czar Nicholas. Emperor Franz Joseph. Kaiser Wilhelm.
All related. All gone by war’s end.
This was not chance.
2. A War Against the West
What collapsed in 1914 wasn’t just empires.
It was faith itself—the covenant between the individual, the sacred, and the real.
It wasn’t only Christendom that fell,
but the very promise of religion:
That life had meaning.
That suffering had dignity.
That the soul stood before God - not the State.
THREAD 🧵 | Why some media outlets may shut down instead of reporting the truth: The hidden history behind the Smith-Mundt Act, intelligence-media networks, and the rise of the information-industrial complex (2012 to 2025) - a study.
1. They call it the Great Narrative. We call it what it is: weaponized consensus built by midwit technocrats, intel cutouts, and corporate priests.
You’re not watching collapse.
You’re watching controlled reconstruction through chaos.
Let’s name it all.
Let’s ✨Zachor what we learned from Covid.
2. It started in 2012. Quietly.
Congress passed the Smith-Mundt Modernization Act, buried in the NDAA. It repealed a Cold War rule that banned the U.S. government from deploying propaganda against its own citizens.
The firewall came down. The machine turned inward.
1. In Oct 1944, Stalin and Hitler helped a fringe paramilitary party — the Arrow Cross — seize power in Hungary in 1944 - A Catholic priest, András Kun, used religion to justify mass executions.
2. The Arrow Cross Party began in the 1930s as a minor extremist movement in Hungary.
They called themselves “Green Shirts”, copying the uniform tactics of militant groups in Europe.
The color “green” was meant to signal renewal, nationalism, and peasant identity as a branding move to appeal to “the people.”
Something changed in us after the lockdowns. Not just mentally. Not just emotionally. Deeply. Spiritually. Here’s what I’m seeing—and why we may be living through the long echo of mass psychological programming. 🧵
1/ After the mandates, lockdowns, and messaging loops, I’ve been watching people. And what worries me most isn’t fear.
It’s this:
People no longer seem moved to act just because something is good.
Only if it is “effective,” “impactful,” or “productive.” This inverts Hope.
2/ Rather than Hope being relational and personal it’s mechanized, institutionalized, made into something determined by a system. Vaclav Havel said this about Hope.
What the Talmud really says—and why misunderstanding satire leads to dangerous distortion.
Let’s talk about Peter Schäfer, “Yeshu,” and why misreading rabbinic humor is like thinking A Modest Proposal advocated cannibalism. 🧵
1/ @RealCandaceO here cites Princeton scholar Peter Schäfer to claim the Talmud says disgraceful things about Jesus.
That’s not just incorrect—it’s a misreading of satire, of literary context, and of Jewish interpretive tradition. Remember what Robin Williams said about killing all the funny people?
@RealCandaceO 2/
In Jesus in the Talmud, Schäfer analyzes stories about “Yeshu” (a figure some associate with Jesus) in rabbinic texts written centuries after his death.
These stories are not creeds…they’re literary, often satirical, and encoded for a reason.