According to Ayurveda, our entire universe comprises of five elements : Ether, Air, Fire, Water and Earth. Vata, pitta and kapha are combinations of these five elements that are present in all that exists. These are called doshas, the ayurvedic constitutions.
Just as everyone has a unique genes, each person has a unique combination of physical, mental and emotional characteristics—which comprises their own constitution. All people have the qualities of vata, pitta and kapha, but one is usually most dominant than others.
The cause of disease in Ayurveda is viewed as an imbalance of the doshas or by the presence of ama, anything undigested (food, feelings, thoughts). Auyrveda seeks to remove the harmful ama and restore the balance in our doshas.
Kapha is the energy that forms the body’s structure — bones, muscles, tendons — and provides the “glue” that holds the cells together. In balance, kapha is expressed as love, calmness and forgiveness. Out of balance, it leads to attachment, greed and envy and may manifest as
symptoms such as constipation, edema, tiredness, breathing difficulties and foggy mind. Vata is all about the movement. It governs breathing, blinking, muscle and tissue movement, and pulsation of the heart. In balance, vata is expressed as creativity and flexibility. Out of
balance, vata produces fear and anxiety and can manifest in symptoms such as dry skin, cold extremities, hoarse throat, restless legs, hiccups, stiff muscles and joints, vertigo, tinnitus, memory problems, fearful dreams, and tremors.
Pitta expresses as the body’s metabolic system. It governs digestion, absorption, assimilation, nutrition, metabolism and body temperature. In balance, pitta manifests as understanding and intelligence. When out of balance it provokes anger, self-criticism, jealousy and can
manifest in symptoms such as diarrea, nausea, heartburn, agitation, teeth sensitivity, excess sweating, blushed nose, cheeks or ears, yellow eyes, acne, liver issues, burnout, inflammation and problems with digestion.
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Vishnu extends his hands to the human to give him moksha/ Ascension/ Rainbow body and release him from this cycle of Misery of rebirth... (The wheel of Samara)
But the human is so engrossed in the dripping honey/nectar that he fails to see the extended hand of Mahavishnu
1. Elephant represents past[Sanchita] karma
2. Snake represents Future[Kriyamana] karma
Remember karma meaning "doing" your past and present all exist in this moment (Here and Now). 3. Tree branch is present life 4. white and black rats, day and night - eating away present life
5. Honey comb is Maya and material Life. He is under attack by the bees but yet is lost in his lust for honey.
Enjoying Sense pleasures are like putting the Ghee (clarified butter) in the fire of desires, it increases the desires but never decrease. Worldly person's [Bhogi]
Have you ever wondered how our ancestors knew about Navgraha? Navgraha are the nine heavenly bodies (as well as deities) that exist in the solar system and influence life on earth in the Sanatan Dharma. The term is derived from Nava (Sanskrit: "nine") and
Graha (Sanskrit: "planet"). Note that Bhudevi (Earth), Uranus, and Neptune are not mentioned. The telescope was discovered in 1608, but the roots of Sanatan Dharma embarks long before the discovery of the telescope. These sculptures of the Navgraha are currently kept in the
British Museum of London. The sculptures were originally discovered from The Konark Sun Temple situated in Orissa, which was built in the 13th century by King Narsimha I. The temple is mainly dedicated to the Sun god Surya.The Navagraha also falls under the Sanatan Astronomy and
Kakudmi's daughter Revati was so beautiful and so accomplished that when she reached a marriageable age, Kakudmi, thinking no one upon earth was worthy of her, went to the Creator himself, Lord Brahma, to seek his advice about a suitable husband for his daughter. When they
arrived, Brahma was listening to a musical performance by the Gandharvas, so they waited patiently until the performance was finished. Then, Kakudmi bowed humbly, made his request, and presented his shortlist of candidates. Brahma laughed and explained that time runs differently
on different planes of existence and that during the short time they had waited in Brahma-Loka to see him, 27 Chatur-yugas (a cycle of four yugas, totaling 108 yugas) had passed on earth. Brahma said to Kakudmi, "O King, all those whom you may have decided within the core of
Agastya Rishi is one of the incredible sages. The basic formula for creating electricity is based on the ancient principles of Rishi Agastya. The code composed by him covered the tremendous knowledge of subjects including a formula for making a battery.
In the code, Agastya has mentioned several theories to create clean energy thereby providing electricity with natural resources. Furthermore, similar theories are even followed by the advanced batteries we use today. Sage Agastya composed a book called 'Agastya Samhita'.
There is a lot of discussion about this book. Surprisingly, the sources related to power generation are found in this book. His text says :
The Triyuginarayan temple in Triyuginarayan village located at the confluence of the Sone-Ganga and Mandakini rivers in the Rudraprayag district is of considerable significance because it was the venue chosen for Lord Shiva and Parvati's marriage. The ancient temple is dedicated
to Bhagwan Vishnu. Triyuginarayan consists of three words - Tri + Yuga + Narayan. The word Tri denotes Three, Yuga means era and Narayan refers to Lord Vishnu. This temple has been in existence since Satyuga, followed by Treta Yuga and Dwapar Yuga.
The Satyuga was the Yuga of Lord Vishnu, while Treta and Dwarapa were the Yugas when he reincarnated as
Rama and Krishna respectively. The celestial marriage of Bhagwan Shiva and Mata Parvati took place in the presence of Lord Brahma, who turned a priest to conduct the ceremony
The chorus of this song uses the shlokas taken from Sundarkand of Ramayana.
It is a series of Sanskrit shlokas recited by Jambavant to Hanuman to remind Him of his true potential.
1. धीवर प्रसार शौर्य भरा: The brave persevering one, your bravery is taking you forward.
2. उतसारा स्थिरा घम्भीरा: The one who is leaping higher and higher, who is firm and stable and seriously determined.
3. ुग्रामा असामा शौर्या भावा: He is strong, and without an equal in the ability/mentality to fight
4. रौद्रमा नवा भीतिर्मा: His anger will cause new fears (in his foes).
5.विजिटरीपुरु धीरधारा, कलोथरा शिखरा कठोरा: This is a complex expression seen only in Indic language poetry. The poet is stating that Shivudu is experiencing the intensity of climbing a tough peak, and