Did you know the verb canter comes from Canterbury? It was coined to describe the easy galloping pace of pilgrims as they rode into Canterbury to St Thomas Becket’s shrine.
Pilgrimage to Canterbury began in 1172, and one of the most popular routes was the Pilgrim’s Way.
The Pilgrim’s Way is a 153 mile journey from Winchester to Canterbury. Along it, you’ll find the ruined church at St Mary’s, Eastwell in Kent.
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It’s on the Charing to Chilham leg of the journey, which Donald Maxwell summarises, “In which is much water, first in well, West and East, then in a Lake, and finally in a River.”
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Pilgrims would come thro Charing and first encounter Westwell, where a spring burst out of the hill above the church.
Eastwell is also an area gurgling with springs. In the 19th century the owners of Eastwell Park took advantage of this topographical feature to create a lake. 4/
The lake is very large, covering 400 acres, and on a clear day, it casts a crisp reflection of the flint and rubble ruin.
From here the route wends towards Godmersham, where pilgrims could bathe their weary feet in the River Stour... on to Chartham and finally, Canterbury.
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For those who want to learn more about the nuts and bolts of medieval Christian pilgrimage, I can highly recommend this episode of @BBCInOurTime : bbc.in/3nNGIyj
Nestled in the centre of a small village in the Welsh countryside, St Mary's, Derwen is renowned for its wondrous collection of medieval woodwork.
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The church is entered through a charming late medieval wooden door, with iron studs and fleur-de-lys decorated hinges, set in a surround of gorgeous South Cheshire sandstone.
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Naturally, the medieval wooden treasures of this Denbighshire church continue inside. Foremost is the the fine late 15th-century rood screen and loft that dominate this interior.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.