kViN 🌈🕒 Profile picture
May 13, 2021 5 tweets 4 min read Read on X
Bakuten #06 was outsourced to Studio WIT and their younger sibling St Kafka. Interesting not because of the quality of their work (good enough!) but because it proved that the rhythmic gymnastics performances have a production line of their own, keeping the same specialized team
Shout out to Shingo Yamashita's camerawork as usual. Even in performances where he's not getting crafty to hide transitions between 2D&3D within the same shot, he's still carefully enhancing the flow, adding more dynamism to the presentation, and even hiding rougher edges
As a whole, Bakuten's still very much Bakuten. Kuroyanagi has had to lower his crazy acting standards, but he's still personally supervising its identity: naturalistic presentation of most aspects, which only makes the moments of abstraction & fantastical elation stand out more ImageImageImageImage
Also got around to watching last week's episode since I hadn't yet and that one *is* an amusing departure from Bakuten's norm. Keeps some of the show's usual qualities like the excellent sound direction but it fully commits to the horror presentation for a gag episode (or is it?) ImageImageImageImage
So really it's just flexing by being this well directed of a horror anime just as a joke to have the cast bond. (Also another outsourced episode, to Snowdrop this time, turns out that isn't a problem when well planned, who'd have thought) ImageImageImageImage

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More from @Yuyucow

Apr 2, 2023
Been really looking forward to the Tengoku Daimakyou adaptation - out of excitement due to its interesting high-profile team, but also because I was curious how they'd navigate such a tricky series to adapt. So far, the anime's qualities far outweigh the compromises. Great start!
TDM is a dense series with maniacal foreshadowing, but at the same time a breezy and comfortably paced read. The manga balances the page-turner side with laid-back postapocalyptic adventures very well, and with just 1 cours for this long arc, the anime has to shift the approach
That makes me appreciate the involved series composition over just speeding through the manga as it was. The way they're finding new points to connect the two storylines & coming up with very effective cliffhangers of their own tells me they do get (at least part of) the appeal
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Feb 5, 2023
Vibrant start to Hirogaru Sky Precure, one of the most energetic intros in the franchise at a time when you can't take that for granted. Wealth of amusing scenarios, witty irreverent script, and a bunch of neat animation that culminates in this cool & loosely expressive setpiece
Brought to mind Ryunosuke Kingetsu's older anime works, when he came up with many off-kilter worlds where surreal nonsense passes as their own normality - hope his wild ideas don't clash too much with Precure's rigid formula. For now they're letting him be a nasty freak, lol
I think the series has the right ingredients for the staff to offer genuinely diverse scenarios weekly, like how Sora is a parkour master so they'd be able to have her solve issues without her Precure powers. Pls let them have fun, o merch overlords
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Dec 21, 2022
The stunning Yama no Susume Next Summit finale explains the unusual structural choices they made. Early recaps even at the cost of runtime, switching to full eps at the end, all for the sake of the conquest of the mountain Aoi painfully lost to *8 years ago*. Now, sweet revenge
The scenery alone is enough to move you to the core if you've been watching this far - for what it signifies, and because it makes it easier to tell that they put everything they had into this. Their own experiences, their own photos, carefully tweaked to fit YamaSusu's worldview
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Nov 29, 2022
Yama no Susume (Mama no Susume?) NS #09-B was led by the opening team of Irei Eri direction x Yusei Koumoto supervision. The former's processing is the show at its prettiest & the latter offers the most lavish art, so it's no wonder they got called *2 years later* to make the OP ImageImageImageImage
Hinata's view of Aoi's back as they climb brings to mind all the POV shots in that sequence. Irei's camera's movement emulates the eye so in this case it's got rhythmic swaying, while in the OP there's a wider variety with appropriate tracking, more stationary takes, etc
The most impressive aspect has to be the animation direction. There are many valid approaches to YamaSusu's design work and the show embraces that, but this is the most fully-realized one, obscenely detailed and still not compromising the usual expressiveness. Sasuga Yusei....... ImageImageImageImage
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Nov 29, 2022
A month ago, Yuki Kamiya / uki directed his first Chainsaw Man ending sequence so I pointed out how much he loves the orange & blue contrast

You're not going to believe who directed this week's ending
Beautiful sequence regardless, a bit of an alternative retelling of the relationship the episode is all about. The looming Makima eye in their moment of intimacy got me good
She
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Nov 28, 2022
Checked credits to see which of KyoAni's new hires are already officially part of their productions, and which department they're in for that matter

Yuri Taniguchi, Mizuho Masaki, Kou Tsunashima, and Haruka Sato are all doing animation at the studio, as in-betweeners for now
Ayaho (?) Harashima was credited as an in-betweener in the Tsurune movie as well. No surprise in her case since it's not even a new role and her extravagant training arc as an animator is well-documented. High expectations for her career
Sou (?) Nojiri was also credited as in-betweener. Missed the chance to watch the student film he had a huge hand in, but the animatics are around and his public art is very analog so I feel he might've worked on the fun sequences where you can see traditional layouts in the back
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