As we all know a good title is essential if you're trying to make a potential reader pick up your book. But in the world of pulp the title has to do a little more than this.
First it has to confirm the genre. Pulp is very much a genre-based business and readers need to know what kind of story they're getting into.
Secondly it has to tell the reader whether this is a character led novel or a plot led one.
Finally it needs to signal the author's tone of voice and attitude. Is the book serious or lighthearted for instance?
Having read several thousand pulp novels over the years (don't thank me, it's what I do) I've also noted several key words that frequently appear in the titles. Each is a sure sign that you are holding a pulp novel, rather than something long and unreadable by Jonathan Franzen.
Firstly does the title involve a sword? If it does then it's probably pulp.
Is any form of storm occurring? Again, this is a sure sign you are looking at a pulp novel rather than a weather forecast.
Is anyone or anything borne at all? Borne is a peculiar word that only appears in pulp literature or the occasional Seamus Heaney poem. Yes, those two things are different.
Common motifs from pulp plots also appear in their titles. For example the midnight hour...
...things being in webs...
...and brides of various descriptions.
Pulp titles also lean heavily on atmosphere and description. The world of pulp often involves shadows for instance.
And any mention of Satan is a sure giveaway that you have wandered into a pulp world.
Pulp colours are very basic. Things are either black...
...or they're golden.
Place names are populat in pulp titles: the more exotic the better.
Or if it's domestic pulp you can always just set it in the gutter.
There are of course no prizes for guessing what the most popular word is for a pulp book title...
...but bonus pulp points if you get sex and witchcraft onto the same cover.
The most important point is this: don't be boring! People read pulp for thrills, excitement and weird kicks, so make sure your title lets them know that's your bag.
More writing tips another time...
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Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.
Today in pulp I look back at the publishing phenomenon of gamebooks: novels in which YOU are the hero!
A pencil and dice may be required for this thread...
Gamebooks are a simple but addictive concept: you control the narrative. At the end of each section of the story you are offered a choice of outcomes, and based on that you turn to the page indicated to see what happens next.
Gamebook plots are in fact complicated decision tree maps: one or more branches end in success, but many more end in failure! It's down to you to decide which path to tread.
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.