As we all know a good title is essential if you're trying to make a potential reader pick up your book. But in the world of pulp the title has to do a little more than this.
First it has to confirm the genre. Pulp is very much a genre-based business and readers need to know what kind of story they're getting into.
Secondly it has to tell the reader whether this is a character led novel or a plot led one.
Finally it needs to signal the author's tone of voice and attitude. Is the book serious or lighthearted for instance?
Having read several thousand pulp novels over the years (don't thank me, it's what I do) I've also noted several key words that frequently appear in the titles. Each is a sure sign that you are holding a pulp novel, rather than something long and unreadable by Jonathan Franzen.
Firstly does the title involve a sword? If it does then it's probably pulp.
Is any form of storm occurring? Again, this is a sure sign you are looking at a pulp novel rather than a weather forecast.
Is anyone or anything borne at all? Borne is a peculiar word that only appears in pulp literature or the occasional Seamus Heaney poem. Yes, those two things are different.
Common motifs from pulp plots also appear in their titles. For example the midnight hour...
...things being in webs...
...and brides of various descriptions.
Pulp titles also lean heavily on atmosphere and description. The world of pulp often involves shadows for instance.
And any mention of Satan is a sure giveaway that you have wandered into a pulp world.
Pulp colours are very basic. Things are either black...
...or they're golden.
Place names are populat in pulp titles: the more exotic the better.
Or if it's domestic pulp you can always just set it in the gutter.
There are of course no prizes for guessing what the most popular word is for a pulp book title...
...but bonus pulp points if you get sex and witchcraft onto the same cover.
The most important point is this: don't be boring! People read pulp for thrills, excitement and weird kicks, so make sure your title lets them know that's your bag.
More writing tips another time...
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In the shadowy corners of the shortwave spectrum lurk the Numbers Stations: strange radio broadcasts of mysterious blocks of numbers in creepy monotone voices!
It's actually an old form of spycraft which is still in use today. Let's take a listen...
A Numbers Station is a type of one-way voice link for sending information to spies in foreign countries. Operating on Short Wave radio bands they transmit a secret code of spoken numbers.
Use of Numbers Stations peaked during the Cold War, but some are still operating today.
Numbers Stations are operated by various national intelligence agencies. At set times on a pre-arranged frequency a musical tone is played, followed by a speech synthesised voice reading out blocks of numbers. To most listeners it sounds both creepy and meaningless.
Today in pulp I revisit a mystery of the recent past: did ‘John Titor’ really travel back in time from 2038 to the year 2000 to warn us about an apocalyptic future? And why was he so keen on getting his hands on a 1975 IBM 5100 computer?
Let’s find out...
In 1998, US radio talk-show host Art Bell read out a fax from a man claiming to be from the future. Two years later the same man, calling himself Time_Traveler_0, left similar messages on the Time Travel Instutute’s internet forum.
They told a strange tale…
“Greetings. I am a time traveler from the year 2036. I am on my way home after getting an IBM 5100 computer system from the year 1975.”
For the next two years Time_Traveler_0, now calling himself John Titor, would leave many similar messages on internet forums.
The Bawdyguard, by John Dexter. Nightstand Books, 1971.
'John Dexter' didn't actually exist. It was a house alias - along with J X Williams - for a range of writers knocking out cheesy sex pulp for Greenleaf publishing. At least 20% of each novel had to be sex scenes with the other 80% titillation, voyeurism or padding. Not much space for character arcs or a hero's journey...
Greenleaf initially specialized in sci-fi magazines, until they discovered sex was selling better. A number of writers were quietly supplying novels for both scenes. Robert Silverberg, Harlan Ellison and Donald E Westlake all provides pseudonymous sex novels for the publisher.
Case 32: High Marks For Malice (1989). Nordic knits always work and they're great for detectives. Pastels are very flattering but you'll need a good lint roller if it's a long case you're investigating. This is a clear fashion win.
Case 51: A Model Crime (1990). Gold is a hard colour to pull off, but the details are on point here: single button and shoulder pads make it a power look and Nancy has sensibly avoided the '90s waitcoat trend. Another win.