As we all know a good title is essential if you're trying to make a potential reader pick up your book. But in the world of pulp the title has to do a little more than this.
First it has to confirm the genre. Pulp is very much a genre-based business and readers need to know what kind of story they're getting into.
Secondly it has to tell the reader whether this is a character led novel or a plot led one.
Finally it needs to signal the author's tone of voice and attitude. Is the book serious or lighthearted for instance?
Having read several thousand pulp novels over the years (don't thank me, it's what I do) I've also noted several key words that frequently appear in the titles. Each is a sure sign that you are holding a pulp novel, rather than something long and unreadable by Jonathan Franzen.
Firstly does the title involve a sword? If it does then it's probably pulp.
Is any form of storm occurring? Again, this is a sure sign you are looking at a pulp novel rather than a weather forecast.
Is anyone or anything borne at all? Borne is a peculiar word that only appears in pulp literature or the occasional Seamus Heaney poem. Yes, those two things are different.
Common motifs from pulp plots also appear in their titles. For example the midnight hour...
...things being in webs...
...and brides of various descriptions.
Pulp titles also lean heavily on atmosphere and description. The world of pulp often involves shadows for instance.
And any mention of Satan is a sure giveaway that you have wandered into a pulp world.
Pulp colours are very basic. Things are either black...
...or they're golden.
Place names are populat in pulp titles: the more exotic the better.
Or if it's domestic pulp you can always just set it in the gutter.
There are of course no prizes for guessing what the most popular word is for a pulp book title...
...but bonus pulp points if you get sex and witchcraft onto the same cover.
The most important point is this: don't be boring! People read pulp for thrills, excitement and weird kicks, so make sure your title lets them know that's your bag.
More writing tips another time...
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Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.