Thread about Sardinian traditional jewels. Prepare for plenty of silver and gold 🤩🤩 #FolkloreThursday
The very first jewels we found in Sardinia were Prenuragic and Nuragic artifacts, such as necklaces with animal teeth or bones (1st picture). We then have Phoenician and Carthaginian jewels (2nd picture) and golden bugs, very similar to Egyptian's. We found Roman things too-
- but the most interesting are jewels of Byzantine taste. We've been officially a Byzantine province for 4-5 centuries, but under local rule which led to the autonomous government of the island in Middle Age. Strangely enough, we don't have jewels of the period of Judicates.
Sardinian traditional jewels actually derive from the Spanish ones of 16th-17th century, same period of the formation of our traditional clothes as we know them today. These are typical Spanish jewels of Baroque taste, the major taste in the Europe of that time.
These are instead Sardinian, of an early period dating to the Spanish rule, clearly visible in the eagle of the Hasburg ruling house. These are of 17th century.
The main techniques which are still used in Sardinia are filigree and granulation, which is another symbol to wish fertility. These jewels are still done today with the same methods and Sardinia's richness in precious metals and stones was an incentive.
The main push was given by religious jewels: ex-voto like the 1st picture, reliquaries like the other 3, charms containing sacred pictures, sacred pieces of fabric or wax Agnus Dei, usually in a heart shape.
There was a huge production of jewels for statues of Spanish taste, crowns, amulets... Rosaries were a must for all Sardinian people, especially women who always showed them at hand. They melt religious characteristics and pagan-like amulets. Their style remained the same.
Amulets have a great importance in Sardinian culture. We don't know how their history starts for certain but we have any kind of them, mostly against evil eye and to assure fertility. They can be stones, corals or shells, usually in silver frame and with little bells.
The most famous of them is the spuligadentes, meaning teeth cleaner. Made in silver and heavy decorated with grains and stones, it was meant as an adornment. The point is for cleaning teeth and the little spoon to clean the ears. It wasn't used for that but it's rather ancient.
The other Sardinian famous is su kokku. It's a single stone enclosed in silver frame. It was black obsidian against evil eye, white for new mothers and red for who was searching a husband. It's still the most appreciated one, I have mine too and it's meant to only be gifted.
Even the traditional button can be considered an amulet. It could be gold or silver, pomegranate-shaped or disk-shaped. The shape recalls that of a breast because it's a symbol of fertility. It was used by both men and women to close the shirt at throat and sleeves.
The most famous buttons are those of the traditional dress of Ittiri, which has a long line of huge buttons (called sa buttonera), for both men and women, but men's were smaller.
In Ittiri and Uri (last picture), women also used a huge gold necklace, called sa cadena, held in M shape with brooches.
📸3: Carlo Marras photography
Another accessory is sa gancera, silver chain used by men to close their coats and by women to close their corsets or head piece (especially in Lanusei, Seui, Villagrande and Jerzu, in Ogliastra).
Women wore necklaces of many types, usually done with brooches. Buttons could be simple brooches too. Sardinian women used many of them at the same time, especially down in the Campidano of Cagliari. Many involved coral, stones, gold and so called -
📸 Sinnai, Tortolì, Dorgali
-cammei, head shaped engraving on stone.
Su lasu is the typical necklace: a velvet ribbon, black or red, with ribbon-shaped brooches attached, recalling the original Spanish fashion. Red and green stones are often used, and cammei too. One can put even just a simple button.
Sa zoiga is the typical necklace of Dorgali, starting with a ribbon shaped part in gold and red and green crystals, and ending with a cross. In the second picture there are also the typical gala earrings, with two medal shaped parts and coral elements.
Brooches were very common, to close shirts, pin veils or just for decor. The flower one is very common and the other two can be used as brooches or as necklaces. With proper hook they could be used as earrings.
Here is a pair of earrings with the recurring grape theme🍇🍇
Corals were very common in places near the sea, like Alghero, Dorgali and upper Sardinia like Ittiri and more. Sardinians made necklaces, earrings and also rings. The ones with grape theme, especially the ring, is thought to have Neapolitan influences.
Rings were much loved. They usually had stones or cammei in them & every woman had them. Travellers of 19th century tell women filled their fingers with rings so much they had to tie them to avoid losing them. This applies especially to the rich but the poors had their jewels too
Traditional Sardinian wedding bands had a little golden plaque with the initials of the husband and wife. Later, a purely granulated ring took its place. The last ring, called maninfide and used in other places too, was given by the groom to symbolise the engagement promise.
And here is a quick look at how all of them were used in a complete outfit.
📜Extemporary thread about the art of poetry in Sardinia, especially the poetic contests 🎶
Oral tradition in Sardinia has always been a strong component of the conservation of memory. Most people were illiterate, but they could still create poetry. This is a particular characteristic of shepherds, which also relates to the traditional singing technique.
A tradition that remained for long in Sardinia is that of poetic contests. People (usually men, but also women could make poetry) would challenge each other in improvised rhymes centering a topic. They could be 2 people, or 4, or more. Poetic contests were typical of village -
Thread about, you guessed it, the festival of Saint Antiochus, patron of Sardinia.
Antiochus was born in North Africa and was likely a doctor. He was raised in the Christian faith, in a period in which Romans still persecuted Christians. The hagiography says he was pretty vocal about his faith and for this reason the Roman governors tried to kill him, -
-eventually forcing him at sea on a boat. This boat is said to have reached the Sardinian island of Sulci (today, Sant'Antioco), where Antiochus carried on his preaching. He was found by the Romans again, who sentenced him to death, but Antiochus miraculously and peacefully died-
🌊 Thread about the archaeological remains of an important centre of Punic and Roman Sardinia. 🌊
Nora is located in the South Sardinia, today in the municipality of Pula, at close distance from Cagliari. It is famous for being the site of the martyrdom of Sant'Efisio and back in the day, it was probably even more important than Karales (Cagliari).
The archaeological site was known already in the 16th century but it was mostly covered by the sand. In the 19th century, a strong sea-storm uncovered part of the mosaics, arising interest and leading to a series of excavations that revealed what was underground.
✨Today is the launch day of SONG AMONG THE RUINS!✨
My little YA historical gothic book set in Sardinia officially releases today (Amazon link below ⬇️). So, I wanted to say a couple of words.
As you might know by now, the main setting is Cuglieri, a village in the Montiferru. Today is the 1st anniversary of the fire that burned down large part of the forest and destroyed the millennial oleaster. Exactly one year ago, I was preparing to begin-
-drafting when this all happened. I am now working on the Italian translation of the book, for which I have different plans regarding publication, but in one way or another it will be out eventually.
Thread about the still surviving and recognisable castles of the Middle Age.
Sardinia had a different medieval history than the rest of Europe. By the 1000s, we had 4 different kingdoms, likely born from the division of an original single entity. The subdivision meant also a different kind of local administration. Differently than the rest of Europe, -
-castles in Sardinia developed along the confines of the kingdoms (as watchtowers towards the neighbours) and not in the countryside as a creation of a local feudal power. This means castles are relatively few (~120 in the whole Island for ~350 towns/villages).