In the UK, there are more churches dedicated to Mary than any other saint.
The cult of the Blessed Virgin Mary really took hold in the Middle Ages. Mary was adored by monastic orders, who promoted stories of her miracles. By 1066 she had six annual feasts.
Mary came to be depicted as the Queen of Paradise surrounded by red and white rosebushes: red for love and martyrdom, white for purity. (Later the white roses were ditched and the lily was adopted as the symbol of purity.)
But where did it all come from?
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The rose first appears as a romantic symbol in Hellenic poetry. Roman legends connecting Venus with roses establish two enduring connections with the God of Love and the blood of a divine martyr. Mary has been compared to the mystical rose since the Church’s earliest days.
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It wasn’t long before Mary began to be hailed as the Flower of Flowers. Nor was it long before she began to appear in the lives of saints, in particular intervening directly to help her faithful - sometimes taking the form of miraculously appearing roses.
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Monastic burial grounds were planted with rose gardens in prefiguration of the Paradise garden to which it was hoped the departed had gone.
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(Please excuse the cable.)
The connection between Christian rosary beads and the medieval rose garden was made in Europe in 12th-13th centuries. The beads include five decades of prayers to Mary. Rosary beads became one of the most popular forms of prayer and meditation in Europe, particularly England.
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A fifth of all the churches in our care are dedicated to the Virgin Mary. And all the images featured in this thread are from St Mary’s churches.
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Bonus tweet from everybody’s 12th-century Benedictine monk:
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A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.