Thread: Impression from a cylinder seal from Babylonia, 8th century BC; in the Pierpont Morgan Library, New York City themorgan.org/seals-and-tabl… Here is the official description of the scene depicted on the seal:
"A demonic lion faces a winged superhuman hero. The lion's threatening gesture and the tension of his sharp claws suggest his evil power. But the hero will prevail. Taller than the lion, he calmly dominates it, and the bull—the victim of the contest—remains in his power"...🙂
What does this seal really depict?
Well, it depicts Nergal, the Mesopotamian god of death, war, and destruction, who was most often depicted holding a scimitar...
Example: Old Babylonian cylinder seal from Larsa, depicting the underworld (the god of death) Nergal, holding his distinctive scimitar and the double lion headed scepter. The Inscription is a dedication to Nergal by Abisare, perhaps the king of Larsa at that time...
Yeah right. How do we know that the winged dude on the original seal is Nergal?
Because, in his earliest incarnation, in the Early Dynastic Period (c. 2900-2700 BC), this god of death "represented the high summer sun which scorched the earth...which hindered crop production"...
Sooo???
So, the climatic year in Mesopotamia is divide into two halves: cool, wet season (Oct/Nov-Apr/May) and hot, dry season (Apr/May-Oct/Nov)...
The hot dry season spans summer (symbolised by bull) and autumn (symbolised by lion). I talked about the animal symbols of the seasons in this article:
And the hottest and driest part of the dry at the moment when bull meets lion. At the end of summer, beginning of autumn. This moment is "marked" by all those "lion killing bull" images, like this one from Persepolis...Lion (autumn) killing (ending) Bull (summer)...
Which is why, on our original seal, we don't see hero defending the bull from the lion...We see Nergal, deadly sun, standing at the end of summer, symbolised by upside down bull whom he is holding by the hind leg, and the beginning of autumn, symbolised by the attacking lion...
This is the seat of Nergal, the god of death, the destructive sun of the middle of the hot, dry season...In Leo... Which is why Nergal holds double lion headed scepter...
Eeee, what? What about precession? Leo I am talking about has nothing to do with constellations. It is an ancient animal calendar marker, marking the beginning of the main mating season of the Eurasian lions. Which has nothing to do with stars and is not affected by precession...
Nergal, the Burning sun, the Dragon. This cylinder seal from Ur III, is dedicated to Meslamtaea, the earliest name of Nergal. docplayer.hu/47106522-Nerga…
It shows Meslamtaea/Nergal, holding his scimitar, and a "mythical beast", winged lion, both holding onto a scepter which looks very much like the two lion headed scepter of Nergal...
Now the winged lion is the evolution of the "lion with sun rays coming out of his back", which is the symbol for the hot, dry half of the year in Mesopotamia, and particularly the hottest, driest part of the year, Leo... oldeuropeanculture.blogspot.com/2021/05/nude-w…
So is the scene depicting "Nergal and the dragon fighting over the scepter" a symbolic way of telling us: "Nergal is the dragon"...
Guess who else is standing "between the lions" or "on a lion"? In Leo...The Old Utu/Shamash, the Old Sun of the end of summer...The destructive sun that dries the rivers and canals...And kills people...
The Sumerian poem "Enki and the World Order" exclaims: Young Utu/Shamash (the sun), father of the Great City (the realm of the dead, underworld)...Equating Utu/Shamash with Nergal, the god of the Underworld...
Thread: Have you ever heard of shepherd's stick calendars? Here's one from Bulgaria...
In the mountains of the Balkans, up until the end of the 20th century, shepherds carried with them calendar sticks...
It was a stick with a notch cut into it for every day of the year and a cross or some other symbol for major holy days, which in Serbia are all linked to major agricultural events and major solar cycle events...
At the end of every day a piece of the stick up to the first notch, representing the previous day, was cut off from the stick. When the last piece was cut, the year was over...
Thread (a quite long one, sorry, but I think worth reading to the end): A while back @another_barbara posted this 1865 beehive panel image with this description: An interesting Shrovetide tradition from Slovenija "babo žagajo" (sawing of an old woman)...
The other day wanted to write an article about this custom, and while looking around the net for more info on the subject, I came across 1960 paper by Niko Kuret "BABO ŽAGAJO, Slovenske oblike pozabljenega obredja in njegove Evropske paralele" etno-muzej.si/sl/etnolog/slo…
In which he presents all the different versions (he knew of) of the "SAWING OF THE OLD WOMAN" ritual found in Slovenian lands, and its European parallels...
Here I will translate the most interesting bits from this paper, and will then give my interpretation of the ritual...
Thread: The žirgeliai (little horses), are common motifs on Lithuanian rooftops, placed there for protection of the house...
They are a symbolic depiction of the Ašvieniai (), Baltic counterparts of Vedic Ashvins, who are said to pull the chariot of Saulė (the Sun Goddess) through the sky. As depicted on this rooftop of a house in Nida... en.wikipedia.org/wiki/A%C5%A1vi…
Both names, Lithuanian ašva and Sanskrit ashva, mean "horse" and are derive from the same Proto-Indo-European root for the horse – *ek'w-...
Maruts came (to earth) along with Agni (fire) from above...
The other day I read a very interesting paper "Comets and meteoritic showers in the Rigveda and their significance" by R.N. Iyengar () academia.edu/7324390/COMETS…
Most Vedas interpreters agree that Maruts are deified moisture laden monsoon storm winds, turned into rain bringing deities armed with thunder and lightning. Even I agree with that and I even wrote a thread talking about this:
But, the Mysore Palace edition of the Rigveda, which gives in 36 volumes an exhaustive introduction, the text, traditional meaning, ritual application, grammatical explanation, and the Sanskrit commentary of Sâyan says that: Vâyu (winds) and Maruts are distinctly different...
Thread: A lyre player from "The Standard of Ur" (), a Sumerian artefact found in one of the largest royal tombs in the Royal Cemetery at Ur, associated with Ur-Pabilsag, a king who died around 2550 BC. Now in the British Museum... en.wikipedia.org/wiki/Standard_…
These instruments were not ordinary instruments. They were ceremonial instruments. This is obvious from the fact that the Sumerian sign for lyre also means "to praise." But praise who?
Thread: Marble Throne of Apollo, Roman, late 1st c. AD. Currently in the Los Angeles County Museum of Art
Whoever made this, knew who Apollo really was and wanted to show Apollo in his true shape (serpent, dragon), sitting on his throne. Let me explain: collections.lacma.org/node/230211
Official description of the throne: "Despite its elaborate decoration, the artfully decorated legs terminating in lion's paw feet...[this throne] could hardly have been sat upon..."
Of course. Apollo is already depicted sitting on it. In a shape of a serpent/dragon...
"...A snake weaves its way in and out of an archer's bow, below which is a quiver full of arrows...The bow and quiver are associated with the god Apollo and the snake might refer to the fearful serpent Python, guardian of the oracle at Delphi, which Apollo slew in his youth..."