Now, I am a sloooooow critter and have not made it this far in the podcast eps so I don’t know most of these, but MAN, the imagination and craftsmanship is impressive. They’re gorgeous.
Let’s look!
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Expert #Critters, please jump in and tell me what I’m looking at!
Here we go...
First, Monsters of Wildemount, Set One!
Sorry the pictures kinda suck, but WOW!
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And here’s Monsters of Wildemount Set 2...
Again, the photos aren’t great, but these are some of the best pre-painted minis I’ve every seen. The little dragon-like thing is AWESOME.
All right, so this will take a bit, but this is a thread I have wanted to do for a while.
This is it, the X-MEN: FROM THE ASHES mega-thread!
Interested in the upcoming X-books but a little overwhelmed by the new characters, creative teams, and titles?
Well, I had an idea!
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In this thread, I am going to give an unapologetic personal opinion about each of the upcoming titles, starting with tomorrow's X-MEN #1.
I admit up front I am biased, okay? These are MY opinions, I have not consulted with the creative or editorial teams.
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I have read all the issues of all these books so far. They are all creative teams I like. They are all pushing for the best books they can. And I am on a bit of an X-Men high and don't deny my OBVIOUS enthusiasm.
I have a @jimlee story. Legendary comics writer John Ostrander needed eye surgery. A couple others and myself went all around SDCC to ask artists for an art donation to raise the funds to literally save not just his eyesight, but his eyes.
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It was for John Ostrander. And so I asked legendary artists that normally I would be intimidated just to talk to. We got pieces from Neil Adams, Matt Groening, and lots more.
Again, because it was for John, I worked myself up to ask the giants.
Everyone was lovely.
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But it was still intimidating. Asking legends whom I know get asked for stuff ALL THE TIME.
At the time, just as now, Jim was the biggest artist in comics. Not to mention…
DR. PHIL: Now, I’m just an impartial observer, okay?
PENNYWISE: Heh heh heh we all float slobber drool heh
DR.PHIL: You’re an entertainer, You do great work with kids.
PENNYWISE: come down into the sewers Georgie heh heh hee
DR. PHIL: You have a great smile, you know that?
DR. PHIL: I want to thank you for agreeing to an interview, but I warn you, I won’t be pulling ANY punches.
ZOMBIE: …
DR. PHIL: Zombie, why don’t people like you?
ZOMBIE: BRAINS
DR. PHIL: You have a thick skin.
ZOMBIE: SKIN YUM YUMMERS
DR. PHIL: Well, I’M sold.
DR. PHIL: Dr. Lecter, I’m just gonna say it. I think you got railroaded by a ‘woke’ court system and the lamestream media who focused on the word ‘cannibal,’ and—
LECTER: Excuse me.
DR. PHIL: Pardon?
LECTER: My agent set this up. You disgust me. (Leaves)
I have a Roger Corman story. It’s fun, but weird, as I am gathering most Roger Corman stories tend to be.
I was a fan of his movies and his legend and legacy.
At the very beginning of my comics career, his office contacted me.
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I was very new to writing professionally. I didn’t become a writer to make films, comics were not a stepping stone. And I had mostly been drafted, so my sense of value in myself as a writer was a bit shaky and tinged with a lot of, ‘how did I get here? What’s happening?’
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The idea that a legendary movie guy would contact me for anything made no sense. I still had my hair salon. I hadn’t even written very many comics, and I was pretty sure it was all going to go away very quickly.
I remind everyone of this each year, apologies for repeating myself.
This Saturday, May 4th, is @Freecomicbook Day! Please go and enjoy and have a wonderful time. Some great shops have sales, cosplay, events, guests, even treats planned for you, PLUS FREE COMICS!
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Howerer, this is just a gentle reminder that, unlike what many think, the stores DO have to pay for the comics they give away for free. They pay for them in bundles. This year there are dozens of individual comics being given away...imagine how much that might cost!
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But that's not all. They also pay (often outrageous) shipping on all those books.
Stores often pay for extra employees, decorations, advertising, cosplayers, guests, and lots more. It is EXPENSIVE.
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Here is my central core thought while writing Deadpool.
It is no secret that I don't like endlessly 'zany' Deadpool. He was described as 'serial killer Daffy Duck' to me early on, that's the version I don't care for.
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I also don't care for endlessly bleak, 'nothing matters,' kill everyone Deadpool.
I think that could be a thousand other characters, and it's far from the magic potion that makes Deadpool fun.
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So the Deadpool is a subverted version of both of those.
He is a goddamn loudmouth, whose humor comes from tragedy.
But he's so endlessly high energy that it saves him from being insufferable and dreary.
And ALSO so internally sad and broken that he's not a constant punchline.