Thread: This is a very interesting seal from the Babylonian period (I presume first half of the 2nd millennium BC), currently in the Penn museum. penn.museum/collections/ob…
It is one of several seals kept in this museum which show "the judgment of the birdman"...
The birdman, who has head, arms, chest of a man and the body, legs, feet, wings and tail of a bird, is led by a divine officer, with clasped hands, wearing a long skirt. From behind, he is pushed by the second divine officer, who carries a club, and short skirt...
At the end of the procession, a human worshiper, with bare head, short hair, long beard and plaited skirt brings a kid (baby goat) as an offering...
He is probably a king. I explained why here:
The birdman is brought before the seated Enki/Ea, who is surrounded by streams, with fish swiming along the stream towards him...He is holding a round vase in his left hand....Above him is a crescent moon pointing upward and stars...
Very cool...What does this mean? To figure this out, we need to look at another, much older and much cooler seal. This one, apparently from Nipur, and dated to before 3000BC depicts "the judgment of the bird, not the birdman"... penn.museum/sites/journal/…
The eagle is captured by two divine attendants and probably brought in judgment before Enki/Ea. The bird – this time not a birdman – is fighting with claws and wings to free himself...
One attendant has caught him by the leg and kneels down as if to avoid his wings and beak. The other stands up and grasps one flapping wing while striking him with a short club...
A third officer leads in front with a club on his shoulder. All have the horned mitre, the symbol of divine officers, their hair tied in a loop behind, and flounced skirt leaving bare the upper body...
In it, I talked about Ninurta/Ningirsu, Sumerian thunder god, who was in the earliest times imagined as a huge black bird, with outstretched wings...An eagle (vulture)...The Thunderbird....
"...and when Gudea sees the god Ninurta/Ningirsu in a dream the god still has the wings of his old form, the Thunderbird..."
And I then talked about the evolution of the eagle (thunderbird), into the eagle man (birdman), and then further into a thunder god (who can transform into an eagle, can ride on an eagle or has eagle as his sacred animal, avatar)...
Could the birdman on the Babylonian seals be Ninurta/Ningirsu in his old birdman form? And could this bird on the Nipur seal be also Ninurta/Ningirsu in his oldest, thunderbird form?
There is a "weird" Sumerian text called "Ninurta and the turtle". In it, the Rain god Ninurta contemplates to overthrow the Flood god Enki. Enki gets the wind of it, and then unleashes a deadly turtle, which digs a huge hole and drags Ninurta into it...
This apparently nonsensical story makes a lot of sense, when you look at Ninurta, Enki and the turtle as calendar markers.
The climatic year in Mesopotamia is divided into two halves: summer, hot and dry half (Apr/May-Oct/Nov) and winter, cool and wet half (Oct/Nov-Apr/May)...
The winter starts in Oct/Nov, with the rain, brought by the rain god Ninurta...And right at that time vultures start their mating season...Huge eagles with outstretched wings gliding below the gathering clouds performing their mating ritual flights...
And it ends in Apr/May...With the flood, brought by the flood god Enki...And right at the end of the rains season, at the peak of the flood, the Mesopotamian softshell turtles start digging huge holes in river and canal banks to lay their eggs...
The rain season starts with the beginning of the vulture mating season and ends with the beginning of the flood and the turtle mating season...Turtle drags eagle into the hole in the ground...Rain season ends. Flood starts...Enki overpowers Ninurta...
This is what "Ninurta and the turtle" story symbolically depicts. So "imprisoning" of the the bird and the birdman, and bringing them to be judged by Enki/Ea, is another symbolic depiction of Enki/Ea overpowering Ninurta/Ningirsu...
The moon pointing up is another sign that we are talking about winter, the rain season...I talked more about this here. oldeuropeanculture.blogspot.com/2020/06/7-star… I think, that moon points up between Ninurta (beginning of rain season) and Enki (end of the rain season). Hence moon being so important
So my hunch, that the names of all these "Per" thunder gods: Slavic Perun, Baltic Perkūnas/Pērkons, Finnish Perkele, Albanian Perëndi, Indian Parjanya, Thracian Περκων/Περκος, are derived from PIE "*perH-" meaning feather, wing, to fly, just got more support...Amazing really...
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Thread: Strap in. This is going to be fun. In this thread I am going to talk about the first raw of panel from the 1st c. AD Roman monument known as the "Pillar of the Boatmen" found in Paris, France... en.wikipedia.org/wiki/Pillar_of…
I was prompted to look into it by the posts by this great account @Michssspp82096 about this panel which depicts a bull standing under a willow tree, with 3 cranes perched on his back. The inscription reads "TARVOS TRIGARANOS" or "Bull and Three Cranes" in Gaulish...
@Michssspp82096 This is a coloured version of this image. It looks cool, but the colours are wrong...The only cranes native to France are Common Cranes and their feathers are grey not white and their legs are black not orange... en.wikipedia.org/wiki/Common_cr…
Thread: Late Sassanian depiction of a deity on a column capital now held in Taqe Bostan , which @persiaantiqua identified as Mehr (Mithra) based on the fact that he is surrounded by blooming lotuses... en.wikipedia.org/wiki/Taq-e_Bos…
Mithra was directly associated with lotus, to the point where on the most famous relief of Mithra, the one from Taqe Bostan, he is actually depicted standing on a lotus flower, radiating light, while witnessing Ahura Mazda giving ring of power to king Ardashir II...
Why Lotus? Mitra originates in India. Where he was, in the earliest times, directly associated with Varuna, the old Monsoon good whose Vahana was a crocodile, an animal calendar marker for the monsoon season in India....
Thread: Two Sassanian wall relief slabs dated to the 5th-6th c. AD, depicting rampant ibex goats flanking "the tree of life"...
This is an ancient symbol found throughout Iran, Mesopotamia, Central Asia, Levant, Crete. The reason for that is that in all these regions, year is divided into two halves:
Thread: 900-700 BC Syro-Hittite relief from Carchemish which everyone believes depicts the ancient Sumerian Hero Gilgamesh as master of animals, holding the horn of a bull and the leg of a lion. Museum of Anatolian Civilizations (Ankara, Turkey). Who is this dude really?
If we interpret the animals as animal calendar markers, which they always are in compositions like this, The Dude (with big D) stands in the moment when bull (summer) ends and lion (autumn) begins (end of Jul start of Aug)...
Thread: Poseidon, Greek god of the sea was associated with waves (obvious), horses (not so obvious, unless you know about animal calendar markers and the link between the horse mating season and the sailing season in eastern Mediterranean) and earthquakes (???)...
Why earthquakes? Look at this: Map of the Greek region showing the epicenters of the intermediate depth earthquake activity...
Big earthquakes trigger tsunamis. If you lived on these islands, observing this for millennia, you would eventually start believing that it is the god of waves, Poseidon, that is also creating earthquakes, as the big earthquakes are always accompanied with big waves...