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May 28, 2021 23 tweets 8 min read Read on X
Thread: This is a very interesting seal from the Babylonian period (I presume first half of the 2nd millennium BC), currently in the Penn museum. penn.museum/collections/ob…
It is one of several seals kept in this museum which show "the judgment of the birdman"...

penn.museum/collections/ob…
The birdman, who has head, arms, chest of a man and the body, legs, feet, wings and tail of a bird, is led by a divine officer, with clasped hands, wearing a long skirt. From behind, he is pushed by the second divine officer, who carries a club, and short skirt...
At the end of the procession, a human worshiper, with bare head, short hair, long beard and plaited skirt brings a kid (baby goat) as an offering...
He is probably a king. I explained why here:
The birdman is brought before the seated Enki/Ea, who is surrounded by streams, with fish swiming along the stream towards him...He is holding a round vase in his left hand....Above him is a crescent moon pointing upward and stars...
Very cool...What does this mean? To figure this out, we need to look at another, much older and much cooler seal. This one, apparently from Nipur, and dated to before 3000BC depicts "the judgment of the bird, not the birdman"... penn.museum/sites/journal/…
The eagle is captured by two divine attendants and probably brought in judgment before Enki/Ea. The bird – this time not a birdman – is fighting with claws and wings to free himself...
One attendant has caught him by the leg and kneels down as if to avoid his wings and beak. The other stands up and grasps one flapping wing while striking him with a short club...
A third officer leads in front with a club on his shoulder. All have the horned mitre, the symbol of divine officers, their hair tied in a loop behind, and flounced skirt leaving bare the upper body...
Soooo??? Remember my article about ferns, feathers, lightning, feather/fern like lightning scars and thunder gods? oldeuropeanculture.blogspot.com/2019/09/pero.h…
In it, I talked about Ninurta/Ningirsu, Sumerian thunder god, who was in the earliest times imagined as a huge black bird, with outstretched wings...An eagle (vulture)...The Thunderbird....
"...and when Gudea sees the god Ninurta/Ningirsu in a dream the god still has the wings of his old form, the Thunderbird..."
And I then talked about the evolution of the eagle (thunderbird), into the eagle man (birdman), and then further into a thunder god (who can transform into an eagle, can ride on an eagle or has eagle as his sacred animal, avatar)...
Could the birdman on the Babylonian seals be Ninurta/Ningirsu in his old birdman form? And could this bird on the Nipur seal be also Ninurta/Ningirsu in his oldest, thunderbird form?
But why would Ninurta/Ningirsu be arrested and brought before Enki/Ea to be judged? Well, remember my article about Ninurta and the turtle? oldeuropeanculture.blogspot.com/2021/05/ninurt…
There is a "weird" Sumerian text called "Ninurta and the turtle". In it, the Rain god Ninurta contemplates to overthrow the Flood god Enki. Enki gets the wind of it, and then unleashes a deadly turtle, which digs a huge hole and drags Ninurta into it...
This apparently nonsensical story makes a lot of sense, when you look at Ninurta, Enki and the turtle as calendar markers.
The climatic year in Mesopotamia is divided into two halves: summer, hot and dry half (Apr/May-Oct/Nov) and winter, cool and wet half (Oct/Nov-Apr/May)...
The winter starts in Oct/Nov, with the rain, brought by the rain god Ninurta...And right at that time vultures start their mating season...Huge eagles with outstretched wings gliding below the gathering clouds performing their mating ritual flights...
And it ends in Apr/May...With the flood, brought by the flood god Enki...And right at the end of the rains season, at the peak of the flood, the Mesopotamian softshell turtles start digging huge holes in river and canal banks to lay their eggs...
The rain season starts with the beginning of the vulture mating season and ends with the beginning of the flood and the turtle mating season...Turtle drags eagle into the hole in the ground...Rain season ends. Flood starts...Enki overpowers Ninurta...
This is what "Ninurta and the turtle" story symbolically depicts. So "imprisoning" of the the bird and the birdman, and bringing them to be judged by Enki/Ea, is another symbolic depiction of Enki/Ea overpowering Ninurta/Ningirsu...
The moon pointing up is another sign that we are talking about winter, the rain season...I talked more about this here. oldeuropeanculture.blogspot.com/2020/06/7-star… I think, that moon points up between Ninurta (beginning of rain season) and Enki (end of the rain season). Hence moon being so important
So my hunch, that the names of all these "Per" thunder gods: Slavic Perun, Baltic Perkūnas/Pērkons, Finnish Perkele, Albanian Perëndi, Indian Parjanya, Thracian Περκων/Περκος, are derived from PIE "*perH-" meaning feather, wing, to fly, just got more support...Amazing really...

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More from @serbiaireland

Aug 26
Thread: Few posts about the Bronze Age bull leaping ritual...
Map of the distribution of bull leaping motifs found on seals and amulets, mid 3rd millennium BC to mid 2nd millennium BC. Eagle headed dudes and bull leaping dudes 🙂 From: "Myths of ancient Bactria and Margiana on its seals and amulets" scribd.com/document/47027…
Image
Read 7 tweets
Aug 20
Thread: The other day I posted this article and it went completely unnoticed??? In this thread I want to present the full analysis of all 4 sides of this sarcophagus. Honestly this is as cool an example of symbolic religious calendar art as they come.

First, I definitely don't think that these panels depict funerary rituals, which is the most common interpretation of the scene ancientworldmagazine.com/articles/agia-…
I think that they could be depicting religious rituals related to Proto Demeter, Persephone and Poseidon. The "two queens and the king" mentioned In the Mycenean Greek tablets dated 1400–1200 BC.

They are also a religious calendar closely linked to the climatic calendar.
Read 36 tweets
Aug 4
Thread: Years ago, anthropologist Margaret Mead was asked by a student what she considered to be the first sign of civilisation in a culture. The student expected Mead to talk about fishhooks or clay pots or grinding stones.

But no... Image
...Mead said that the first sign of civilisation in an ancient culture was a femur (thighbone) that had been broken and then healed. Mead explained that in the animal kingdom, if you break your leg, you die...
...You cannot run from danger, get to the river for a drink or hunt for food. You are meat for prowling beasts. No animal survives a broken leg long enough for the bone to heal...
Read 5 tweets
Jul 3
Thread: Have you ever heard of shepherd's stick calendars? Here's one from Bulgaria...

In the mountains of the Balkans, up until the end of the 20th century, shepherds carried with them calendar sticks... Image
It was a stick with a notch cut into it for every day of the year and a cross or some other symbol for major holy days, which in Serbia are all linked to major agricultural events and major solar cycle events...
At the end of every day a piece of the stick up to the first notch, representing the previous day, was cut off from the stick. When the last piece was cut, the year was over...
Read 8 tweets
Jun 3
Thread (a quite long one, sorry, but I think worth reading to the end): A while back @another_barbara posted this 1865 beehive panel image with this description: An interesting Shrovetide tradition from Slovenija "babo žagajo" (sawing of an old woman)... Image
The other day wanted to write an article about this custom, and while looking around the net for more info on the subject, I came across 1960 paper by Niko Kuret "BABO ŽAGAJO, Slovenske oblike pozabljenega obredja in njegove Evropske paralele" etno-muzej.si/sl/etnolog/slo…
In which he presents all the different versions (he knew of) of the "SAWING OF THE OLD WOMAN" ritual found in Slovenian lands, and its European parallels...

Here I will translate the most interesting bits from this paper, and will then give my interpretation of the ritual...
Read 64 tweets
May 27
Thread: The žirgeliai (little horses), are common motifs on Lithuanian rooftops, placed there for protection of the house... Image
They are a symbolic depiction of the Ašvieniai (), Baltic counterparts of Vedic Ashvins, who are said to pull the chariot of Saulė (the Sun Goddess) through the sky. As depicted on this rooftop of a house in Nida... en.wikipedia.org/wiki/A%C5%A1vi…
Image
Both names, Lithuanian ašva and Sanskrit ashva, mean "horse" and are derive from the same Proto-Indo-European root for the horse – *ek'w-...

I talked about Ashvins here
Read 10 tweets

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