NĀRÂYANAPURAM:
A TENTH CENTURY SITE IN KALINGA
Four temples facing east remain standing in differing stages of completion and preservation in the small and remote village of Näräyanapuram. These temples are situated near the west bank of the Suvarnamukhi River
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about three miles east of Balijipeta on the border of Bobbli and Pälakondā taluk in Śrikakulam District, Andhra Pradesh .This area was included in the ancient and medieval principality of Kalinga which, from the fifth through tenth centuries
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was centered between the Bansadhara and Nägāvali Rivers , extended north to rushikulya (ganja,odisha)and south to Godavari, Andhra Pradesh.Although Prabhañjanavarman of the Mathara-kula (family),who ruled in the 5thcentury,
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called himself "Sakalakalingādhipati," ruler of all Kalinga, and stated in one of his grants that Kalinga extended from the Mahänadi to the Krisņa Rivers, Mathara copper-plate grants of land have been found only in the limited area deseribed above.
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The same area, from Ganjam in modern Odisha to Vizianagaram in Visakhapatnam District in Andhra Pradesh, was ruled and further settled by the Early -Eastern Ganga dynasty from the sixth century through at least the tenth century.
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Nāräyanapuram seems to have been located on the farthest southwest, or interior, border of this principality. Other temples within the medieval territory of Kalinga remain at Säripalli and Jayati in Visakhapatnam area, at Mukhalingam in Srikakulam
6/n
and on Mahendragri Mountain in Ganjam of odisha. This site is significant for several reasons. First, the temples at Närăyanapuram, and the Somesvara temple , are the latest extant temples constructed in the early medieval architectural tradition developed in Kalinga.
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This tradition began in stone in the mid-6 CE and,although some characteristics were shared with traditions prevalent at the time in the medieval kingdoms of Odisha, it continued with limited influence from those traditions to the Kalinga for a period of at least 300 years.
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Secondly, except for one image missing on the hall, all images remain on the temple and hall of the largest temple at Näräyanapuram, the Nilakanthesvara. This temple in Kalinga, maintained related traditions to the day Odia shilashastra
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Ganga and Nataraja in pic
possesses a sculptural program this complete.The set of images which was carved on the Nilakanthesvara temple appears like the most odishan temple at the same site, on the contemporary Someśvara temple, on the temple at Sarapalli and on the two extant temples at Jayati.
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'Unfortunately, other than foundation stones, the halls of these other ninth and tenth century temples in Kalinga have completely disappeared, making it impossible at this point to determine if a similar sculptural program was originally present on halls at these sites.
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The final point of importance is that even though there are only four temples at Näräyapapuram, three temple types are represented (pl. 1). The Rekha deula has a curvilinear tower (gandi) of straight horizontal courses (pidha deula) of
Kalinga architecture...
To be continued

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More from @VAdkri

3 Jun
ସେଦିନର କଥା କିଛି ଅବିକଳ ଛାପୁଛି
ଆଶା,ଆଜି ଦିନର ଅବସ୍ଥାକୁ ଚିନ୍ତାକରିବେ ଥରେ

*୧୯୩୭ ମସିହାରେ ମୁଁ ମହାରାଜାଙ୍କ ସଂସ୍କୃତ କଲେଜରୁ ଉଚ୍ଚଇଂରେଜୀ ବିଦ୍ୟାଳୟକୁ ଉନ୍ନୀତ ହେଲି।

କେତେଦିନ ଅନୁଭୂତିରୁ ବୋଧହେଲାଯେ ପିଲାଙ୍କର ଆଙ୍ଗଲୋ ଭାଷା ଦୃଷ୍ଟିରେ ମାତୃଭାଷାଅନଭିଜ୍ଞ।ଅଳ୍ପ ଅର୍ଥାତ Parsing,Gender,Case Ending,Prose order

1/n Image
ଯେତେଶୀଘ୍ର ନିପୁଣଭାବେ ବୁଝୁଛନ୍ତି,ଅବ୍ୟୟ ,ଲିଙ୍ଗ କାରକ ବିଭକ୍ତି କହିଲେ ସହଜେ ବୁଝିପାରୁନାହାନ୍ତି।

କେତେଠି ବିଶେଷ,ବିଶେଷଣକୁ Noun, adjective ବୋଲି ବୁଝାଇବାକୁ ହୁଏ।କାରଣ ଆଂଗ୍ଲୋ ଭାଷା ଭାରତର ରାଜଭାଷା ଥିଲା।ସେହି ଭାଷାରେ ଯେ ଯେତେ ବ୍ୟୁତ୍ପତ୍ତି ଲାଭକରିଥାଏ ତାହାର ସ୍ଥାନ ଏବେବି ଉଚ୍ଚରେହେବା ପ୍ରଥା ଏବେ ପର୍ଯ୍ୟନ୍ତ ରହିଛି
2/n Image
ଅଦ୍ୟାପି ମାତୃଭାଷା ଠାରୁ ବୈଦେଶିକ ଭାଷା ର ସ୍ଥାନ ଦୁଇ ଗୁଣରୁ ଅଧିକ।"

ଏହା କୁହନ୍ତି
ଓଡ଼ିଆ ଭାଷା ର ପ୍ରସିଦ୍ଧ " ବ୍ୟାକରଣ ଦର୍ପଣ ର ରଚୟିତା " ଗୋପୀନାଥ ରଥଶର୍ମା" ମହୋଦୟ

୩/n
ଚାଲନ୍ତୁ ଜାଣିବା ସେ ମହାନ ବ୍ୟକ୍ତିତ୍ୱ ଙ୍କ ବିଷୟରେ Image
Read 7 tweets
23 May
Thotlakonda Buddhist heritage:
Thotlakonda Buddhist Complex Lies about 15 km from Visakhapatnam city on the way to Bheemili town on a hill about 128 mts. Thotlakonda was well within the influence of ancient #Kalinga region which was an important source of dissemination of
1/n
Buddhist culture to Sri Lanka and various parts of south-east Asia. It provides an insight into the process of Trans Oceanic diffusion of Indian culture, especially Buddhism. A hill on the sea coast with salubrious climate was an ideal attraction for the Buddhist monks to
2/n
build a monastery complex here. The placid sea sheltered by the deeply in curved coastline here, provided a safe haven for anchoring ships. Thotlakonda came to light during an aerial survey by the Indian Navy for setting up a Naval Base. After its discovery, major
3/n
Read 10 tweets
22 May
ମଝିଘରିଆଣି ଙ୍କ ଇତିବୃତ୍ତି:
ନନ୍ଦପୁର ମହାରାଜା ବିଶ୍ୱନାଥ ଦେବ ପଞ୍ଚଦଶ ଶତାବ୍ଦୀରେ ଏକ ନୂତନ ଗଡ଼ ନିଜ ରାଜ୍ୟ ର ପୂର୍ବ ଭାଗରେ ନିର୍ମାଣ କରିଥିଲେ।
ଯାହା ଆଜି ରାୟଗଡ଼ା ନାମେ ଖ୍ୟାତ
ସେ ଇତିହାସରେ ନଉଣା ଗଜପତି ରୂପେ ପରିଚିତ
ଶୁଣାଯାଏ ତାଙ୍କର ୧୦୮ ରାଣୀ ଥିଲେ।
ରାଜା ତାଙ୍କ ଦୁର୍ଗର ମଧ୍ୟଭାଗରେ ଦେବୀଙ୍କୁ ପୂଜା
୧/n
କରୁଥିବା ଯୋଗୁଁ 'ମଝିଘରିଆଣି"ଭାବରେ ପରିଚିତ ହେଲେ |
ଏ କ୍ଷେତ୍ରରେ ପରେ ତେଲୁଗୁଙ୍କ ପ୍ରଭାବ ହେତୁ ସେ ମାଜିଗୌରୀ ବୋଲି ଅଧିକ ଲୋକପ୍ରିୟ ହେଲେ। କଳିଙ୍ଗ ଇତିହାସର ଏକ ବିବରଣୀ ଅନୁଯାୟୀ,୧୫୩୮ମସିହାରେ ଗୋଲକୋଣ୍ଡାର ଶାସକ ଇବ୍ରାହିମ କୁତବ ଶାହ ସେନାପତି ରୁତୁ ଖାନ ରାୟଗଡ ଉପରେ ଆକ୍ରମଣ କରି ବିଶ୍ୱନାଥ ଦେବଙ୍କୁ ହତ୍ୟା କରିଥିଲେ।
୨/n
ତାଙ୍କ ମୃତ୍ୟୁ ସହିତ ୧୦୮ରାଣୀ ନିଆଁକୁ ଡେଇଁ ଆତ୍ମହତ୍ୟା କଲେ | ସେ ସ୍ଥାନଟି ବର୍ତ୍ତମାନର ମନ୍ଦିର ପାଖରେ ଅଛି |
ଏହାକୁ 'ସତୀକୁଣ୍ଡ' କୁହାଯାଏ |
ରାଜାଙ୍କ ମୃତ୍ୟୁ ପରେ ଯେଉଁମାନେ ମନ୍ଦିର ଓ ରାଜ୍ୟ ର ଯତ୍ନ ନେଉଥିଲେ ସେମାନଙ୍କୁ ବହିଷ୍କାର କରାଯାଇଥିଲା। ସତୀଦାହ ପରେ ଦୁର୍ଗ ମଧ୍ୟ ଭୁଶୁଡି ପଡିଲା।
3/n
Read 7 tweets
3 Apr
ଦଣ୍ଡ ନାଚ କାହିଁକି ?
ଦଣ୍ଡ ନାଚ କଣ ?

ଆସନ୍ତୁ ଜାଣିବା କିଛି ଜଣା ଅଜଣା
ବୈଦିକ ଯୁଗରେ ଲୋକ ନାଟକର ଉବ୍ଦଭ ହୋଇଥିଲେ ମଧ୍ୟ ଏବେ ଏଗୁଡିକ ଲୋକ ସମାଜରେ ମୁମୂର୍ଷ ଅବସ୍ଥାରେ କେବଳ ବଞ୍ଚିରହିଛନ୍ତି।ସମଗ୍ର ବିଶ୍ବରେ ବିଭିନ୍ନ ପ୍ରକାର ଲୋକନାଟକ ପ୍ରଚଳିତ । ସେହିଭଳି ଓଡ଼ିଶାରେ ମଧ୍ୟ ପ୍ରସିଦ୍ଧ ଲୋକନାଟକ ମଧ୍ୟରୁ ଦଣ୍ଡନାଟ ପ୍ରଭାବଶାଳୀ
1/ନ
ପ୍ରାମାଣିକ ତଥ୍ୟ ଅନୁସାରେ ଦଣ୍ଡନାଚ ସର୍ବ ପ୍ରଥମେ ଗଞ୍ଜାମ ଜିଲ୍ଲାର କୁଲାଗଡ଼ ଠାରେ ହେଇଥିଲା।
ଦଣ୍ଡନାଚ ର ଉତ୍ପତ୍ତି ବିଷୟରେ ବହୁତ ପୌରାଣିକ ଆଖ୍ୟାନ ରହିଛି:
ଥରେ ଦକ୍ଷ ପ୍ରଜାପତି ଯଜ୍ଞର ଆୟୋଜନ କରି ନିଜ କନ୍ୟା ସତୀ ଓ ଜାମାତା ଶିବଙ୍କ ବ୍ୟତୀତ ସବୁ ଦେବତାମାନଙ୍କୁ ଆମନ୍ତ୍ରିତ କରିଥିଲେ । ଅନିମନ୍ତ୍ରିତ ଭାବରେ ସତୀ ଯଜ୍ଞସ୍ଥଳକୁ
2/n
ଯିବାରୁ ଦକ୍ଷ ତାଙ୍କୁ ଭର୍ସନା କରିବା ସହିତ ଶିବଙ୍କୁ ଅପମାନ ଦେଇ ଅନେକ କଥା କହିଲେ । ଏହା ସହି ନ ପାରି ସତୀ ଯଜ୍ଞକୁଣ୍ଡରେ ଝାସଦେଇ ପ୍ରାଣତ୍ୟାଗ କଲେ । ଏହି ସମ୍ବାଦ ପାଇ ଶିବ କ୍ରୋଧାନ୍ବିତ ହୋଇ ଦକ୍ଷଙ୍କର ଶିରଚ୍ଛେଦନ କରିଥିଲେ । ତାଙ୍କର ଉଗ୍ରରୂପକୁ ଶାନ୍ତ କରିବାପାଇଁ ଦକ୍ଷ ପତ୍ନୀ ପ୍ରସୂତୀ ଅର୍ଘ୍ୟ ଦେଇ ବନ୍ଦ କରିବାକୁ ଆସନ୍ତେ
3/n
Read 12 tweets
2 Apr
Malagangu pada

~ Pata Paderu in Visakhapatnam~

Modamamba festival is one of the most important tribal festival celebrated commemorating the centuries- old relations between rulers of plains (Vaddadi) and hills (Nandapur, presently near Jeypore of Orissa) hills,
1/n
and the marriage of Moda Kondamma's son Sanjiva Raja, bringing people together.
"At the festival,an odia song narrating the marital relations btn Nandapura and Vaddadi ruling families in 14-15th centuries, the subsequent rejection of a Vaddadi ruler to allow his daughters
2/n
to marry princes of Nandapuram and their "Gandharva vivaha' is narrated. The Vaddadi ruler humiliates his sons-in-law resulting in their suicide.
Moda Kondamma is pregnant by then. Later, her son Sanjiva Raja's marriage is performed with Malagangu overcoming the
3/n
Read 4 tweets
1 Apr
ROLE OF VERNACULAR NEWSPAPERS IN FORMATION OF SEPARATE ODISHA PROVINCE ~

Early years of Journalism in Odisha were remarkable for three distinguished features.
1. Their social reformist role.
2. Their contribution towards the development of Odia language and literature and
1/n Image
3. Role in the movement for unification of Odia speaking
areas.
During this period gradually nationalistic ideas and philosophy began to be reflected in newspapers and periodicals .The Press began to proclaim power and influence over masses and became a formidable
2/n Image
force for social reform and political awakening. It started demanding political power. Along with this a sizable section of the Press gradually tried to assert its Odia identity and began to demand for a separate state. As a result of the relentless demand Odisha
3/n Image
Read 31 tweets

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