As far as I can tell I provided everything that is required of a journalist. Name on masthead of @NYTmag and official website linking to account. Clarification would be welcome. Retweets of the above post would be appreciated 🙏🏽
I never used @Twitter regularly when verification was a free-for-all in the past, so never requested. But now that I do and @verified opened up again, I see it as a basic issue of fairness.
This is why it actually matters and is an issue of fairness:
A random audio engineer from a website that folded who now works in an entirely different industry can still be verified on @Twitter, just as the guy who simply replied to all of Donald Trump's tweets is. All good, but when it's arbitrarily denied it amounts to a soft censorship.
Appreciate everyone's responses. Thank you. I never used to think about verification until recently. Only reason any of this matters is because of the de facto monopoly Twitter wields both inscrutably and unaccountably while tacitly endorsing certain accounts and not others.
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Writing is not basketball or, better yet, a one-on-one sport like tennis. People like to invoke decorations as though they're ironclad. But winning a prize for one's writing is not an objective measure of anything. Winning prizes is also political.
Some of the best writers of the past 100 years have never won any number of the most coveted prizes.
James Baldwin never won a National Book Award, Pulitzer or MacArthur.
What an incredible essay by a student who is not just clever but wise: "I didn’t feel good. It felt as if I were trying to gain pity. I knew what I went through was tough and to overcome those challenges was remarkable, but was that all I had to offer?" nytimes.com/2021/05/09/opi…
"this was an experience not talked about enough: students of color trying to become poster children for trauma and pain."
"I felt like the college system was forcing us to embody something that was less than what we are. Were colleges just looking for a check on a checklist? Were they looking for a slap on the back for saving us from our circumstances?"
Hemingway as a journalist in France during WW2 is insane! Random village girls approach him thinking he’s an officer to tell him 3 Germans are hiding in a cellar so he goes and shouts a warning then drops 3 grenades inside! The townsfolk reward him with 2 magnums of champagne!
He just summarily killed three men while reporting!
He then moved into the Ritz with his soon-to-be fourth wife and took a picture of her absent husband, put it in the toilet bowl, and “shot it to pieces with a machine pistol” 😩
These anti-Asian hate crimes are despicable beyond words. The casualness and gratuity of the violence is like nothing I've really seen before. People are going to need to find a new vocabulary for this evil beyond "white supremacy."
I wrote about Viet Thanh Nguyen's op-ed calling on writers to take up overt activism in their work. Nguyen is a novelist who is often said to have been inspired by Ralph Ellison, but I show here where I think Ellison––and Baldwin––would vehemently disagree harpers.org/archive/2021/0…
Were this simply an idiosyncratic campaign by one decorated writer, it would be less disturbing. But Nguyen’s argument is related to a wider push to reset American literature entirely by conflating art with social science.
In fact, Ellison—the author of one of the greatest novels in American literature, Invisible Man, which is written from an exquisitely rendered black perspective—refuted exactly this line of thinking over a half-century ago