Today in pulp:I recast Blakes 7 with 1970s British sit-com actors to see if it still works!
Surprisingly it does...
#Blakes7 was the BBC's dystopian space opera, running from 1978 to 1981. Cynical, bleak and violent it captured the mood of the late '70s.
But what if David Croft and Jeremy Lloyd had written it? Who would they have cast in Blakes 7: The Sitcom?
Well for Roj Blake my money's on Richard O'Sullivan. Decent, craggy, a natural leading man and a versatile actor. He also played Dick Turpin on ITV so he knows how to portray an outlaw.
And for space smuggler Jenna Stannis I'm going with Richard's co-star from Robin's Nest, Tessa Wyatt. She has the sensible glamour for the part and the right chemistry with O'Sullivan to make the big scenes work.
For ruthless, cynical Kerr Avon there really is only one choice: Hywel Bennett. That cruel charm, those piercing eyes, the world-weary chops. He's just perfect for the part.
Ace thief Vila Restal is a tough one, but I've plumped for Dick Emery here: natural comic timing, a quick wit and good with the cowardly hero roles. His performance in the film Ooh You Are Awful seals the deal on this one.
Alien telepath Cally has a snooty, aloof charm so I think Webdy Craig fits the bill here. Her theatre work gives her the dramatic range, whilst her sit-com experience means she can play the foil to other characters with perfection - that was always Cally's role.
Supreme Commander Servalan? It had to be Yootha Joyce! Cruel, glamorous and waspishly funny when she needs to be, she was born to rule space.
Space Commander Travis needs a big presence as the big villain, so step forward Windsor Davies. He'd put the fear of God into the mutoids as well as Blake in any interrogation scene.
On to the secondary characters now, and for Olag Gan I'm choosing that stalwart character actor Derek Deadman. From the Sweeney to Never The Twain he could play the B-role bruiser to perfection. He also played a Sontaran in The Invasion Of Time, so he knows his sci-fi.
Ship's computer Zen needs a dull but stentorian voice, and who better to provide it than Frank Thornton. Never mind Captain Peacock, Frank was thr voice of some of the best Public Information Films of the '70s - he has the vocals for this.
And finally sarky, irascible, brilliant computer brain Orac. This is Leonard Rossiter to a tee. You can probably hear his querulous tones in your head as you read this. Perfect casting.
Would Blakes 7 work as a '70s sit-com? We'll never know. But it's always worth remembering the sheer range and brilliance of the talent that was available to TV producers on the 1970s. We will never see their like again.
More stories another time...
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Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
Today in pulp: how do you write a novel in two weeks?
Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!
But there are ways to make it work for you...
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.
That’s 25 novels a year: but at least they got Christmas off!
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle!
Did you have a twin tub? It was the miracle of 1960s washing machine technology that literally shook the kitchen!
Let's take a look at it...
The twin tub bridged the gap between the mangle washers of the 1950s and the front loaders of the 1970s. Finally the days of cranking washing between two rollers to wring it out were long gone!
A twin tub is just that: a washing machine with two upright tubs - one for washing, one for spinning. Genius!