Remembering Alan Turing on his birthday π
Photo: Elliott & Fry
bromide print, 29 March 1951 @NPGLondon
This portrait is featured on the new UK Β£50 note
The firm of Elliott & Fry was founded in 1863 by Joseph John Elliott & Clarence Edmund Fry, who opened their first premises at 55 Baker Street. The @NPGLondon has over 10,000 negatives in their collection. Here are some of my favourites.
Christina Rossetti, 1880s
"Cabinet cards" from Elliott & Fry, London's great photography studio
John Ruskin, 1867
Kate Greenaway, 1870s
More cabinet cards from Elliott & Fry, London's great photography studio
William Morris, 1877
Lily Langtree, 1880s. That waist!
More cabinet cards from Elliott & Fry, London's great photography studio
Charles Darwin, November 8, 1881
George Frederic Watts, 1890s. Looking very much the Old Master.
Lots of the Elliott & Fry portraits are dull shots of dull politicians & aristocrats. But a few have real personality; this one certainly does!
Dame Ethel Mary Smyth by Elliott & Fry
bromide print, March 1935 @NPGLondon
Another fine portrait of a great musician:
Franz Liszt by Elliott & Fry
chlorobromide print on cream card mount, 1880 @NPGLondon
... along with his buddy (& son-in-law), Richard Wagner.
This shot has a proper photographer credit:
Chevalier Luigi Bernieri, for Elliott & Fry
chlorobromide print on cream card mount, 1881 @NPGLondon
Elliott & Fry's studio was at 55 Baker Street, & with Sherlock Holmes just down the street at no. 221b, I wondered if Sir Arthur Conan Doyle had his portrait taken there. Sure enough, he did, around 1895.
(BTW, Baker Street only went up to no. 85 until 1930).
However, it looks like Sir John Everett Millais, a notorious bully, knocked down Sherlock Holmes & stole his hat on the way to his portrait session.
This photograph is by Alfred James Philpott, for Elliott & Fry
chlorobromide print on cream card mount, 1894 @NPGLondon
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Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.