My favourite jazz album was recorded 60 years ago today, on June 25, 1961 at the Village Vanguard in New York. Bill Evans's great trio, with Scott La Faro & Paul Motian. Great music captured from the five sets the trio played that Sunday.
Here's the Bill Evans Trio at The Village Vanguard.
Scott LaFaro, Bill Evans, Paul Motian
Photo: Steve Schapiro, 1961
"It is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section."
- @tedgioia
Producer Orrin Keepnews checks in with the trio.
Scott LaFaro, Bill Evans & Paul Motian, at the Village Vanguard, 1961
📷 Steve Schapiro
The trio performed five sets that Sunday; songs from each were recorded.
I find this astounding: The Trio was not booked as the headline act at The Village Vanguard; they were supporting the vocal group Lambert Hendricks & Ross.
The portrait of Bill Evans on the cover of the 1961 album Sunday at the Village Vanguard is by Donald Silverstein. Odd that they would say "featuring Scott La Faro" on the cover, without also mentioning drummer Paul Motian.
A photograph by Steve Schapiro of Scott LaFaro & Bill Evans rehearsing at The Village Vanguard in 1961
Scott LaFaro's composition Gloria's Step was dedicated to his girlfriend, dancer Gloria Gabriel. "The song name originated because LaFaro knew the sound of Gloria’s footsteps when she came up the stairs to their apartment, not because she was a dancer.”
Scott LaFaro died ten days after that Sunday, July 6, 1961 in a car accident on U.S. Route 20 between Geneva & Canandaigua NY.
"Bill was in a state of shock. Look at my gig book: nothing, nothing, nothing with Bill, until December. Bill was like a ghost."
- Paul Motian
A recording sheet from The Village Vanguard, June 25, 1961, 60 years ago today.
"I remember listening to the tapes and saying, ‘There’s nothing bad here!’ Normally, you can cut one or two things right away, and there was nothing bad."
- Orrin Keepnews
A second LP of material recorded that day was released in 1962: Waltz for Debby. Another great shot of Bill Evans by Don Silverstein on the back cover.
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Happy birthday to Nobel laureate Orhan Pamuk 🎂
📷 Ara Güler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial 🎂💯
📷 Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. 🧵
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola 🎂
📷 Kate Barry
"Coppola is a true auteur — a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
📷 Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial 🎂💯
📷 Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday 🎂
📷 Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
📷 Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
📷 Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.