#FilmTwitter
Ghost Rider: Spirit of Vengeance is a 2001 CBM made 10 years late. Expectations in 2011 were COMPLETELY different. Does this mean the film is “underrated?”

It’s respectably loony. Cage expresses it facially to a level of enjoyment that prevents it from being boring. Image
But it sidesteps its ability to be, even on its own terms, a "good movie."

Its problems are in conventions. The henchman villain is dramatically inert. The girl has no energy at all, not dramatic, not romantic, nothing. She really should have had crazy charisma. Image
They set it up that anything Ghost Rider "rides" transforms in his image …

so the natural punchline would have been a ridiculous sex scene, Cage screaming on fire as she transforms into a hardcore demon queen. Something WAY over-excessively, memorably, nonsensically perverse. Image
Instead, this is a PG-13 action movie that doesn’t quite embrace itself; it’s more like it’s trying to “get away” w/ things in a kids' movie. The constant crash zooms are hilarious and ACTUALLY keep the movie watchable. A scene where Cage interrogates a bad guy is amazing. Image
But the audience is miles away from caring about the plot, which needed to be subverted instead of used as a crutch. I wanted the lame villain to be unceremoniously scorched dead at the halfway point so new conflict could come up. This movie should be anything but boilerplate. Image
I’d be lying if I said I didn’t enjoy the action. It doesn’t recall comic books so much as the feeling of playing w/ a PLAYSET, like a boxed set Ghost Rider construction yard. The cinematography is strangely real, almost music video-esque, while the VFX are proud of fakery. Image
Here’s how I'd describe the problem. Cage mo-capped the Rider. So this means that if you think about it, the CAMERA got to see a transcendent Cage performance that they covered up w/ okay CGI. This film would be a masterpiece if they released a no-effects version, I’m serious!
This is almost like a lost film in a way.

However, one thing in contrast to other CBMs is that the film gets through exposition w/o continually relying on re-explaining the plot. This makes it more fun than Blade, Spawn, X-Men Origins, movies obsessed w/ unnecessary handholding. Image
And I know Blade has its fans. But when a film is SO loaded w/ repetitive, low-energy exposition scenes, the quality of the plot stands out more.

Ghost Rider being hilariously over-styled makes it a joy to watch in comparison.

Watch how each film handles an interrogation scene:
Note this is not the same as the plot being compelling (it isn't).

Ghost Rider knows what it SHOULD be - when I was laughing, I believe that Neveldine/Taylor (the guys behind Crank) intended for me to laugh. And that’s a really good feeling! Even if it’s not really a good movie. Image

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More from @filmobjective

2 Jul
#FilmTwitter
Polanski’s Bitter Moon (1992).

I rarely say this. But this is a demeaning film. Its POV is sexist in a way that makes everyone worthless. It's SO cynical. It has the rare dishonor of being a film I hate thematically far more than the actors and visuals deserve. Image
The reason is not just its execution, which prioritizes cheesy narration to sell every small emotional detail, falsely excusing the visuals from being as creative as they could be. That just makes it boring.

What makes it truly vile is its completely unempathetic worldview. Image
Movies that lack empathy for men are not uncommon but rarely are they this ambitious. Every male drive and desire is shown as evil in Bitter Moon, utterly condemnable. Even the capacity to love is portrayed as WEAKNESS. A man's desire to kill himself is portrayed as inevitable. Image
Read 10 tweets
2 Jul
#FilmTwitter
Glass (2019)
W/ its nice presentation, it's just so painful that the crucially flawed element is the script's dramatic priorities.

All I would do is rewrite the film to include a full character thread for David, including his relationship w/ his powers and his son. Image
Instead of him just vanishing from the entire 2nd act and waking up after a literal nap for the ending, I would include him!

I love the idea of the Clover Organization being beaten by a normal guy, not because of his strength, but his normalness. Image
And I know M. Night craved subversion. But David does NOT seem like he's been doing this for 20 years. He and his son are shown to be PITIFULLY disorganized and unambitious if you think about it.

Their last scene together is in the hardware store! It's so painfully underwritten. Image
Read 5 tweets
30 Jun
#FilmTwitter
Snow White is still one of the best animated films. It not only forged feature animation but recaptured the particular dark optimism of the European fables.

I think the scene where Snow White wakes up in bed is still THE most important scene in animation history. ImageImageImageImage
Why that one?
What we have to remember about animation is that it was not SELF-EVIDENT that it would stylize characters based on their personality. It could have been used (for someone less artistic, it would have been) simply to turn realistic people into animated forms. Image
Instead, however, Disney used animation to translate essential characteristics of personality into physical traits, which defined the art of animation forever.

When Snow White wakes up in bed, she names the dwarfs by SIGHT based on the artistic process of drawing them. Image
Read 5 tweets

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