November 21st, Age 762: after much finagling, Bulma and co head off to Namek in Kami’s old spaceship. Seven days later, Vegeta reaches Planet Vegeta No.79 and has a chat with his old rival Kewi, while in filler land Bulma and co run into some of Kewi’s victims. #HistoryofEver
Kewi’s not the only one in Freeza’s forces who’s been busy. Right around now, the Ginyu Force are attacking Planet Yardrat, home to a race who utilize Spirit Control for a variety of seemingly disparate techniques. Vegeta likes the Ginyu Force about as much as he does Kewi.
After the Saiyan battle, we skip to the hospital the next day. Kuririn and Gohan are due to be discharged in three days, while Goku will take far longer, barring any magic beans (fan lore has it that this is “Wukong Hospital, even though the sign looks more like “We—kong”)
Bulma checks out Kami’s spaceship and initially says it will take 5 days to remodel, but then revises this to 10 days when she learns she’ll have to change the Namekian language settings. Estimated trip time to Namek: one month.
So, using the Daizenshuu dates, the Saiyan battle is November 3rd, the hospital scenes are the 4th, basic spaceship remodeling finishes on the 9th (Bulma’s initially stated 5 days) and Namekian language conversion wraps up on the 14th (the full 10 day period).
With the spaceship ready, they take off (likewise on November 14th). 7 days later (Nov 21st), Bulma speculates about Vegeta’s whereabouts, and we see him arrive on Planet Freeza 79. The narrator says it’s been 18 days since he left Earth (this all checks out: Nov 3rd+18=21)
It’s at this point that DBZ ep.39-40 show Bulma and co encounter Zeshin and his fellow space orphans. Thanks to the orphans’ shortcut, they wind up on Fake Namek on the 10th day of their trip (so November 24th, though the Daizenshuu timeline doesn’t include this event)
DBZ ep.41-44 depict this narrative cul-de-sac on Fake Namek, which is intercut with scenes of Vegeta’s healing. So anime Vegeta takes at least 3 days to heal (if he started on Day 7 of Team Bulma’s trip and is still at it on Day 10), a far longer timespan than the manga implies.
In fact, the Daizenshuu timeline has Vegeta’s healing finish on December 13th, over three weeks after he began on November 21st. What’s that about? The assumption seems to be that it must take Vegeta 5 days to reach Namek, since that’s how long the Ginyu Force take to arrive.
The narrator says Bulma and co arrive on Namek 34 days after leaving Earth, with Vegeta showing up minutes later. If Vegeta’s trip from Planet Freeza took only 5 days, then this would leave a 22 day discrepancy (since he reached Planet Freeza on the 7th day of Team Bulma’s trip)
So the Daizenshuu timeline resolves this by having his healing take 22 days. However, for my money it’s much simpler to just say Vegeta’s trip lasted longer than the 5 days it took for the Ginyu Force. After all, shouldn’t they leave from Yardrat rather than Planet Freeza?
(Actually, there is a filler scene that shows them departing Planet Freeza No.79, made long before Yardrat was a twinkle in Toriyama’s eye. Even if we go by this, we can still just say Vegeta’s ship is slower. Surely the Ginyu Force must get all the best equipment, right?)
(Also: on the trip’s 7th day Bulma says they have 20 days to go, despite the narrator eventually saying they reach Namek after 34 days. Viz changes this to “20-plus days” to fix this minor discrepancy. Was the Fake Namek filler likewise made partially to plug this gap?)
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41
Rewatching the DBS panel, there’s a few things I want to note about the subtitles. They’re fine overall but there’s a few things I think are oversimplified or left out. Going through roughly in order of importance…
When discussing the artwork for New Character 1 and 2, in Japanese Hayashida says how it’s Toriyama’s original artwork, unlike the Piccolo/Pan/etc images that have been developed into full-fledged anime designs. The subtitles instead say it was made before movie production began
Now, it might indeed be true that Toriyama would’ve made the initial artwork before movie production began, but that’s not really what Hayashida is talking about. He’s contrasting this image with the earlier ones shown of Piccolo and co, which weren’t Toriyama’s original artwork