I'm just one stupid little pony in this horse race, so everyone coming in to discuss this is going to go face deep or leaf off depending on their little bit of what matters to them. Let's just quickly restate what I'm going off about.
I said "RIP Audacity" when it got bought.
Now, Tantacrul ("project lead", now "design lead" of Audacity) went a little extra at me, in a way that says "I'm probably not the best person to have defending all this", so it got my interest, and people can attest to what it's like when you have my interest (and attention).
Fundamentally, the pitch for "We Bought Audacity" is "Great News. We Bought Audacity From The Maintainers. We're Going to Make All Sorts of Improvements. This Is Amazing News" with a dash of "Boy, We Sure Avoided A Crisis of Maintenance And Persistence With This Acquisition".
My issue is that they're building off Audacity's "Brand", which, if I may boil it down, is "open and free audio editor that is a little clunky but gets the job done and has a very small footprint and even cool filters for the audio you're editing".
Cute, popular, 20 years old.
It's incredibly tricky, then, to pivot to where you KEEP that fanbase/userbase AND then start doing ENTIRELY NORMAL THINGS THAT COMPANIES NOW DO WITH MODERN SOFTWARE, which is where we get the confusion and rage and misdirection now.
Muse would have to be careful.
They aren't.
For the new folks in the room - as the Angel of Death, I stand at the transition point of when works and worlds, communities and allegiances fall apart. Greed, decay, evolution, acquisition, divestment... call it what you want. That's my domain and that's what I react to.
I don't particularly care about what happens next, the "thoughts and prayers" of the new company, the wasteland or blossoming garden that rises from the ashes. I just point out the fire and work with people to save that moment for the future.
The reason I call "RIP Audacity" is because they're going to Do The Things Companies Do To Software To Make Money Off It, and that will kill the original expressions of Audacity that made it so popular. In doing so, they will (probably) make money from it and support it better.
Since apparently Muse both wants the cake (the reputation and wonder of Audacity) and to eat it too (modify all aspects of the program into choices Audacity would never have made), a rebrand is in order. Therefore, I officially call "new audacity" by its proper brand: EARBALLS.
My prediction, which has come true twice and will continue to, is EARBALLS will make choices reflecting "proper maintenance" of a modern commercial software project (phones home, has gold support, encourages cloud usage or service) with a faded "Audacity" sticker slapped on it.
The "Privacy" policy situation of the weekend shows this to a T. As privacy law experts were quick to point out, it's a perfectly fine privacy policy, ASSUMING IT IS A MODERN NEW PIECE OF COMMERCIAL AUDIO SOFTWARE. No 13 year olds? Law Enforcement Can Raw Dog Us? We Collect Info?
But EARBALLS was in huge use by schools and children. It now explicitly says nah, fam, keep kids away. This is the sort of stuff that happens when the new company is completely divorced from what made the original project succeed.
A small and growing set of privacy lawyers have looked at EARBALLS and said "Well, this is a pretty good and standard privacy statement." I'm sure it is, to you. The same way this is a really well-built, properly level and solid parking lot.
Which used to be a meadow.
Anyway, EARBALLS is going to keep being EARBALLS and call itself Audacity, and this latest whopper has inspired others to make an Audacity that will call itself something else.
Audacity and it's super-nice-except-fuck-you-dude project leader seem to be getting ahead of schedule on the ruination.
Your personal data collected goes to Russia? Check.
A sound editing app that children should not touch until the magic age of 12, demolishing it as a teaching tool or inexpensive introduction to editing for young ones, in service of the terrible things it intends to do with data? Check.
1992: I have graduated from college! The world of potential is infinite!
2021: I just figured out there were only 16 episodes of Hong Kong Phooey
Whoops, this is taking off.
Hong Kong Phooey also appeared in the Laff-A-Lympics series, and probably got shoved in sideways through a bunch of Hanna-Barbera licensing and appearances. Here he is as late is 2017, in a Boomerang series, voiced by Phil LaMarr:
Laff-A-Lympics is 24 episodes, so since Hong Kong Phooey is all up in that (voiced by the same actor, Scatman Crothers), it's possible many tiny child brains combined it all into one big blob and so there's a lot of HK in memories.
Imagine writing a history essay that so drives people into anger, they decide to angrily make their OWN history book with the stated purpose (the quiet part out loud) to have it going around declaring all the parts your history essay mentioned that it doesn't agree with.
And it's always there, in your essay, because you know how this will be written: "Unlike as mentioned in OTHER essays, in fact that didn't happen" (meanwhile, pictures and writing everywhere that it happened). "The OTHER essay's mistake about this date is this" (gives wrong date)