December 18th, Age 762: Bulma and co finally arrive on Namek but discover the story arc has started without them. While Freeza already has three dragon balls, the Namekians rapidly deplete his supply of mooks. Even Cranberry is lost to Zarbon’s friendly fire. #HistoryofEver
Vegeta arrives soon after Team Bulma and makes short work of Kewi and Dodoria. Zarbon takes him a little longer, but by the 20th Freeza is completely out of staff on Namek. Fortunately he’s already summoned the Ginyu Force (on holiday from their Yardrat invasion). ETA: 5 days.
The supreme importance of Zarbon kicking Cranberry is spelt out in Toyotaro’s DBS vol.10 bonus manga, which explains how this is what enabled Cranberry to return to life, which by extension sets off the entire Galactic Patrol Prisoner arc in the fullness of time.
Despite all the back-and-forth shenanigans and the lack of any night, the Namek arc’s timeline is relatively straightforward. Bulma and Vegeta arrive at about the same time, Bulma phones home, and Goku leaves 2 hours after Roshi gets the call.
Goku’s trip is said to take 6 days, and once he gets there it’s all one battle after another, making for one super long day (the longest in the original manga, in fact). So that makes the time spent on Namek a total of 7 days counting from Team Bulma’s arrival.
Day 1 (December 18th per the Daizenshuu’s reckoning): Team Bulma/Vegeta arrive, Vegeta kills Kewi and Dodoria, and Kuririn+Dende set out for the Great Elder. On Earth, Goku begins his 6 day training cruise, and chats with Kaio about his new house guests.
Day 2 (December 19th): Zarbon beats Vegeta and takes him back to Freeza’s ship for healing and questioning. Freeza (via Appule) puts in a call for the Ginyu Force, who are due in 5 days. Kuririn+Dende are 5 hours away from the Great Elder, but decide to sleep first.
(Goku ends up arriving on the same day as the Ginyu Force, although slightly later for dramatic purposes. This checks out: he begins his 6 day journey, then a day passes before the Ginyu Force begin their 5 day trip. Who knows why Freeza apparently thinks in terms of Earth days)
(That said, the transition between Day 1 and Day 2 is never explicitly stated, although my best guess is that Goku’s talk with Kaio and co marks the spot, since Goku’s training scenes are used to mark later time skips. Though this means Goku works his way up to 50G pretty quick)
The narrator helpfully explains that Planet Namek has no nightfall, which is the lead-in to Day 3 (December 20th). Kuririn+Dende wake up and finally arrive at the Great Elder’s, while Vegeta recovers and kills Appule and (with slightly more difficulty) Zarbon.
(The Japanese narration explicitly says that a day or so passes, while Viz’s narration is more poetic than explicit)
Kuririn reunites with Gohan and they set out for a return trip to the Great Elder’s, while Vegeta sits and does his level best to sense them. The scene shifts to Goku in space, who the narrator says has been training for 4 days, thus putting this on Day 5 (December 22nd).
(In Japanese the narrator also starts out by describing this scene as two days later, which Viz leaves out)
Another day passes during Goku’s training montage, thus putting us on Day 6 (December 23rd). Goku has one day left to reach Namek, which he decides is best spent resting (a principle he later applies in the lead-up to the Cell Games)
Tomorrow: ‘twas the night before Christmas!
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Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41
Rewatching the DBS panel, there’s a few things I want to note about the subtitles. They’re fine overall but there’s a few things I think are oversimplified or left out. Going through roughly in order of importance…
When discussing the artwork for New Character 1 and 2, in Japanese Hayashida says how it’s Toriyama’s original artwork, unlike the Piccolo/Pan/etc images that have been developed into full-fledged anime designs. The subtitles instead say it was made before movie production began
Now, it might indeed be true that Toriyama would’ve made the initial artwork before movie production began, but that’s not really what Hayashida is talking about. He’s contrasting this image with the earlier ones shown of Piccolo and co, which weren’t Toriyama’s original artwork