December 24th, Age 762: the Ginyu Force arrive on Namek. Goku arrives on Namek. Goku beats the Ginyu Force. Freeza beats everybody else. Goku gets mad. #HistoryofEver
Yes, Goku’s S-Cells finally kick into high gear. It’s far too much for filler land’s computers to handle! Plus we learn an awful lot about Kewi’s race. Apparently Freeza wiped them out, but promised the survivors he’d make them prosper again. Talk about an abusive relationship.
To recap: Goku begins a six-day trip on Day 1 of the Namek arc, the Ginyu Force start a five-day trip on Day 2, so both arrive on Day 7. In the meantime, Vegeta kills Zarbon on Day 3 and spends the next four days trying to locate Kuririn+Gohan as they head for the Great Elder.
(As ever, it’s peculiar that Freeza seems to measure things in Earth days, but whatever. Toriyama was clearly trying to keep everything consistent. For a change)
So once again, it’s on Day 7 when the shit all hits the fan. Vegeta catches up with Our Heroes, they team up to face the Ginyu Force and win (with some help from Goku), and this leads into the long battle with Freeza, which rounds out the arc (minus the wishing aftermath).
In the original manga, this single day takes up 60 chapters, about 11.5% of the total run. In DBZ it takes up roughly 47 episodes, which Kai knocks down to 27. In comparison, DBS ep.88-131 consist of a single 24 hour period spread over 44 episodes, so even the ToP comes in second
(It’s harder to tell exactly how much of the manga version of the ToP arc takes place within 24 hours, but it seems to be no more than 600 pages, well below the 800+ pages that make up the final day of the Namek arc in the manga)
As for the infamous five minutes, in the manga this is about 9 chapters (126 pages) and in DBZ 10 episodes, which Kai cuts down to 5. The manga version’s the most plausible (or least implausible), but even there you have to assume everyone’s talking very, very quickly.
It’s during these five minutes of course that the wish is made to revive everyone killed by Freeza and co., which ends up reviving Zarbon’s mistreated underling Cranberry. He makes a beeline for Vegeta’s pod and escapes before the next wish teleports everyone to Earth.
Speaking of the revival wish: this is limited in scope to only those who have died within the past year, due to the massive amount of people Freeza and co have killed. In other words, the year limit only applies to big huge giant large groups, not individuals.
This is made extra clear by the nonchalant way Kaio tells Yamcha and co their resurrection will have to be postponed. They’re all A-OK with waiting a year, which of course would be rather foolish if the year limit wasn’t limited to large groups.
The main series of course never specifies any exact dates for the events on Namek, but Daizenshuu 7 places the seven days of the arc from December 18 to 24. Possibly it’s a reference to Toriyama’s Christmas bonus comic from the 1991 No.3-4 Jump double issue.
This brief gag strip ran in the same Jump issue that included both chapters 305 and 306 (Vegeta getting beat up by Freeza and Goku’s revival), so it was a big day for DB fans all around. It shows the supporting cast goofing off and sorta celebrating Christmas.
It’s debatable to what extent this strip should count as canon, but it’s not like there’s much else to go on for assigning a date to the Namek arc. Regardless, this strip marks Lunch’s final appearance as drawn by Toriyama, outside of the odd spine image or two.
(Also, how much of a bummer is it that they didn’t use this strip to make filler?)
Toriyama revealed the shocking true about Super Saiyans in his Saikyo Jump Saiyan Special Q&A, namely that it’s all due to things called S-Cells (short for Sidichlorian, no doubt). The key to a high S-Cell count is being strong and nice, so Goku’s a champ. kanzenshuu.com/translations/s…
Tomorrow: harder, better, faster, stronger!
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Toyotaro’s postscript for DBS vol.24 details the creation process of the ch.104 one-shot: originally this was a text prologue he got from Toriyama, which he revised and put into manga form. And now the Super Hero arc is really, truly done: “Look forward to future developments!”
Toriyama also designed the Red Pharmaceutical Company air truck for the Super Hero arc epilogue:
Toyotaro’s vol.24 author’s comment explains how Toriyama’s corrections were typically about how manga ought to be, rather than simply how DB should be. He was a manga artist above all. “I will never forget the approach to manga which sensei taught me, and continue to do my best!”
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41