Late Age 762 to early 763: rumors of Freeza’s death are greatly exaggerated. King Cold comes out of retirement to fetch his son from the remains of Namek and give him a cyborg upgrade. Hopefully they got charged a better rate than Tao. #HistoryofEver
Goku’s likewise not nearly so dead as supposed. While Kaio’s not looking, he escapes Namek in a Ginyu Force ship, which takes him to the group’s last target: Yardrat, a world outside Galactic Patrol jurisdiction but overseen by Elder Pybara, the master of Spirit Control.
Goku tells the Yardratians about his role in the Ginyu Force’s defeat (and even the part Vegeta played), thus earning their eternal gratitude. They give him some of their native garb to replace his beat-up clothes, and he begins learning Spirit Control from Pybara.
First, Goku spends 150 days balancing on a spike to learn how to keep his mind and body in harmony. During his time on Yardrat, Goku also masters the ability to turn Super Saiyan at will (did the mind/body balancing help with that too?)
130 days after Namek’s destruction, Goku (probably still balancing atop that big spike) is contacted by Porunga, who wants to bring him back to Earth to fulfill Bulma and co’s wish. He politely refuses, saying he will eventually return on his own.
Next, Goku moves on to learning the most basic of all Spirit Control applications: a form of teleportation that works by locking on to the ki of someone familiar. This is different from Kibito’s prized Kai-Kai teleportation, which goes to specific places, not people.
As part of his training, Goku also fights Pybara’s bigger, uglier, meaner brother: Soba. Or so I’m told.
Sadly, Goku never has time to learn more complex Spirit Control techniques (like healing others, making yourself big, splitting into multiple copies, and some boondoggle called “Forced Spirit Fission”) because he gets wind that Freeza is heading for Earth. But more on that later.
In the original manga we don’t see any Yardratians, just Goku’s borrowed clothes. The DBZ anime flashback gave them a design, while Toriyama later provided another for DB Online. Toyotaro dutifully used both for the DBS manga, explaining that there are “many types” of Yardratians
The U2 variant resembles the DBZ design but more smoothed down. Naturally, despite these physical variations, all Yardratians apparently wear roughly the same outfit, all the time.
On an unrelated note, around March of 763 is when Goku would’ve been finally ready to leave the hospital following his battle with Vegeta, if Yajirobe hadn’t come by with senzu. The doctor said it would take four months, and that he might never fully heal.
Tomorrow: downtime!
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Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41
Rewatching the DBS panel, there’s a few things I want to note about the subtitles. They’re fine overall but there’s a few things I think are oversimplified or left out. Going through roughly in order of importance…
When discussing the artwork for New Character 1 and 2, in Japanese Hayashida says how it’s Toriyama’s original artwork, unlike the Piccolo/Pan/etc images that have been developed into full-fledged anime designs. The subtitles instead say it was made before movie production began
Now, it might indeed be true that Toriyama would’ve made the initial artwork before movie production began, but that’s not really what Hayashida is talking about. He’s contrasting this image with the earlier ones shown of Piccolo and co, which weren’t Toriyama’s original artwork