October, Age 763: the planet Makyo swings by Earth for the first time in 5,000 years. Naturally this makes those on Earth of Makyo descent a gazillion times stronger, thus allowing Garlic Jr to break out of the movies and invade the main series. #HistoryofEver
There’s worldwide chaos as Junior and co turn Earth’s population into demons, but it’s all cleaned up in time to celebrate Sea Turtle’s 1,000th birthday. This might also be Hit’s 1,000th birthday for all we know. Nobody can prove otherwise.
The narrator says the Garlic Junior arc is ~10 months after the events on Namek, which sounds oddly specific until you remember all the post-Namek wishing lasted 260 days total (130 days x2). That’s a little under 9 months, so “10 months after Namek”=“1 month after the wishing”
Since the Daizenshuu timeline puts the Namek arc in December of 762, by extension it pegs the Garlic Junior arc as in October of 763. It also includes Makyo’s last visit 5,000 years ago, Kami/Garlic’s rivalry 300 years ago, and the events of Dead Zone in 761. They love Garlic!
Without getting into a long and tedious canon debate, I think the Daizenshuu timeline includes all this Garlic Junior stuff mainly because the movie/filler already conveniently specifies so many dates, thus making it low-hanging fruit when trying to fill out a timeline.
The Garlic Junior arc introduces Maron, not to be confused with Marron. Both names are taken straight from marron, the French word for “chestnut”, making them a match for Kuririn, who’s named after 栗/kuri, the Japanese word for chestnut.
So far as we know, Toriyama wasn’t involved in (filler girlfriend) Maron’s creation, and shows no recognition that the name was used before when asked about (canon daughter) Marron’s name pun in the guide DB Landmark. Apparently it’s just a coincidence.
From an in-universe perspective, Maron’s existence makes it look like Kuririn named his daughter after his ex, but again, this wasn’t the intention of Toriyama or the anime staff. It’s just that a marron-based pun was the obvious choice for a character connected to Kuririn.
As you may know, Kuririn’s name is spelt “Krillin” in the Funi English dub, giving some the false impression he’s named after krill. And “marron” just so happens to be the name of another type of crustacean, thus preserving this alternate name pun theme: en.m.wikipedia.org/wiki/Marron
Tomorrow: let’s do the time warp again!
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Toyotaro’s postscript for DBS vol.24 details the creation process of the ch.104 one-shot: originally this was a text prologue he got from Toriyama, which he revised and put into manga form. And now the Super Hero arc is really, truly done: “Look forward to future developments!”
Toriyama also designed the Red Pharmaceutical Company air truck for the Super Hero arc epilogue:
Toyotaro’s vol.24 author’s comment explains how Toriyama’s corrections were typically about how manga ought to be, rather than simply how DB should be. He was a manga artist above all. “I will never forget the approach to manga which sensei taught me, and continue to do my best!”
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41