Age 764 to 767: far out on the galaxy’s movie rim, Cooler belatedly learns of his brother’s loss to Goku…but not how he became a cyborg and went to Earth with their dad, where they both got killed by a completely different Saiyan. News travels slowly in space. #HistoryofEver
For the timing of DBZ Movie 5, Daizenshuu 6 notes Roshi’s line about “since Goku returned from Namek”, and so places it in the 3 years between Trunks and the androids’ arrival. The Daizenshuu 7 timeline follows suit and dates it to between 764 and 767.
The movie itself makes no mention of Trunks killing Freeza, and for good reason: it was released in July of 1991, right at the same time as Trunks debuted in the manga, so during the film’s production the staff were presumably unaware of these future plot developments.
In fact, Toriyama contributed designs not only for Cooler and co, but also a color image of Super Saiyan Goku so the anime staff would know which colors to use (Super Saiyan Goku appeared in the TV series a month before the film’s debut, but the film’s production began first)
(This color image is notable for showing Super Saiyan Goku with red eyes. Apparently Toriyama didn’t settle on the blue eyes until later) kanzenshuu.com/animation-prod…
DBZ movies 1 and 5 (Garlic Jr and Cooler) are the only two movies included in the Daizenshuu 7 timeline. Daizenshuu 6 places each (pre-BoG) DBZ film between two events from the main series, while often noting how they don’t really fit into the timeline.
For instance, Daizenshuu 6 places DBZ Movie 2 between Vegeta’s attack on Earth and Goku’s arrival on Namek, based on Goku still wearing the Turtle (亀) and Kaio (界王) marks, but it notes contradictions such as how Gohan should be on Namek.
For Movie 3, it notes how Goku now has the Go (悟) mark he wore on Namek, and so places the film between his arrival on Namek and the final battle with Freeza, while noting the obvious contradiction that the film is set on Earth.
Movie 4 is likewise placed between Goku’s arrival on Namek and his transformation into a Super Saiyan, since the film hinges on him not quite being a true Super Saiyan yet. However, it again notes the contradiction that Goku should be on Namek rather than Earth.
This sort of analysis is pretty old hat for fandom of course, but the internet was still in its infancy at the time these guidebooks were released, and even now it’s unusual for an official publication to point out contradictions so directly.
Meanwhile in other anime stuff: DBZ ep.125 shows Goku and Piccolo attempting to get drivers licenses, in a plot apparently inspired by two manga title pages of them driving. The narrator says the androids are 3 years away, so this is apparently still early on in their training
On Tuesday: retournament!
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Toyotaro’s postscript for DBS vol.24 details the creation process of the ch.104 one-shot: originally this was a text prologue he got from Toriyama, which he revised and put into manga form. And now the Super Hero arc is really, truly done: “Look forward to future developments!”
Toriyama also designed the Red Pharmaceutical Company air truck for the Super Hero arc epilogue:
Toyotaro’s vol.24 author’s comment explains how Toriyama’s corrections were typically about how manga ought to be, rather than simply how DB should be. He was a manga artist above all. “I will never forget the approach to manga which sensei taught me, and continue to do my best!”
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41