"Pretending" in An Inspector Calls

The words "pretend" and "pretence" appear 12 times in An Inspector Calls.

JBP uses them to reflect the insincerity and moral failure of the Birlings' society.

1/
"Pretend" is first used by Gerald, where it neatly highlights Mr Birling's ham-fisted class pretensions:

Mr B: It's exactly the same port your father gets.
Gerald: [...] The governor prides himself on being a good judge of port. I don't PRETEND to know much about it.

2/
Which is a nice swipe at Mr Birling, who is of course pretending to know something about port as one of the credentials for entry into a higher echelon of the middle class.

3/
In the same part of the play, Mr Birling tells Gerald "frankly, without any PRETENCES, that your engagement to Sheila means a tremendous lot to me. [...] You're just the kind of son-in-law I've always wanted."

4/
It's quite telling that Birling's insistence on authenticity and a lack of "pretence" is just the setup for hollow platitudes and insincerity. Gerald is the "kind of son-in-law" that Birling craves because of his business connections, not his match with Sheila.

5/
Later in the play, the word "pretend" is most often used by Sheila, who learns that the Birlings' respectability is a facade, and that maintaining it is a moral failure in the light of the Inspector's visit.

6/
For example, Sheila tells her family: "We really must stop these silly pretences. This isn't the time to pretend that Eric isn't used to drinking."

7/
"Pretending" is what Mrs B says about Eva/Daisy -- "She pretended" that Birling was "the first name she thought of". And it's what Gerald says of the Inspector -- "pretending to be a police officer".

8/
Significantly, "pretending" appears multiple times towards the end of the play, used in the same way by both Sheila and Eric:

SHEILA: I behaved badly too. I know I did. I'm ashamed of it. But now you're beginning all over again to PRETEND that nothing much has happened.

9/
ERIC: You're beginning to PRETEND now that nothing's really happened at all.

SHEILA: You're just beginning to PRETEND all over again.

10/
The repeated use of "pretend" by Sheila and Eric is interesting and levels a severe charge at Gerald, Mr B and Mrs B. They have had a truth about their society and their morality revealed, and they see it too, but they're *choosing* to ignore it.

11/
We might say that the Birlings begin the play in a state of ignorance about themselves and their world, but JBP is clear that ignorance is not innocence.

12/
To the Birlings, of course, it's the Inspector who is pretending. But what JBP wants the audience to grasp is that the truth of his social message is more urgent than the "truth" of his story about Eva/Daisy.

13/
Any pretence on the Inspector's part is secondary to the greater, far more damaging pretences on theirs.

And that was a thread on "pretending" in AIC.

Thanks!

14/14

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with GCSE Macbeth

GCSE Macbeth Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @GCSE_Macbeth

10 Sep
I love the opening sentence of A Christmas Carol:

"Marley was dead: to begin with."

Let's dig into it...

1/
Marley was dead to begin with. But obviously Dickens is foreshadowing his return in spectral form. Dickens knew the outlines of good storytelling. You don't say a character is dead unless you're going to have his ghost turn up a few pages later...

2/
So Marley is dead "to begin with" in the sense that Marley's death, and his return as a ghost, marks the "beginning" of the story of A Christmas Carol.

3/
Read 12 tweets
19 Aug
Eva Smith's body.

Eva's body is a construct. It may or may not exist: the Eva/Daisy that encounters each character could be identical, or not.

We might say it's ironic that although Eva is the subject of mistreatment by the Birlings, the Inspector also appropriates her.

1/
Eva's body is a commodity. It has value because of its youth and physical attractiveness.

Mr B remembers her as "good looking". Her looks help her get the job in Milwards, and they enable her to get "help" from Gerald. They give her a price when she turns to sex work.

2/
Eva's body is all she has of value. She has no other meaningful worth or possessions. Any time her personality shows through -- asking Mr B for a raise, smiling at Sheila, refusing Eric's money, navigating Mrs B's charity -- it ends in disaster.

3/
Read 11 tweets
23 Jul
A Grade 9 Analysis of the song "Alexander Hamilton" from the musical Hamilton.

How does a bastard, orphan, son of a whore and a Scotsman,

The song opens with a lengthy rhetorical question, suggesting that its subject will be something unintuitive or interesting to find out.

1/
Hamilton's life story will be almost unbelievable.

The phrase "bastard, orphan, son of a whore" uses tricolor to emphasise the severe obstacles that Hamilton faced to success. It introduces themes of class and parentage.

LMM uses humorous juxtaposition with "Scotsman"...

2/
...suggesting that have a Scots father is an impediment or a vice to rank alongside "bastard" and "whore".

3/
Read 34 tweets
21 Jul
I was thinking about how in Macbeth, Shakespeare uses one dramatic scenario over and over again. A big chunk of the play is based around one basic setup.

A character comes onto the stage and reports a death.

1/
There are almost too many examples to list:

- the "bloody man" reporting Macbeth's killing of Macdonwald to Duncan
- Malcolm's report of the Thane of Cawdor's death to Duncan
- Macbeth reports his murder of Duncan to Lady M
- Macduff relays his sight of Duncan's body

2/
- The murderers report back to Macbeth after killing Banquo
- Ross reports to Macduff his family's death
- Lady M sleepwalks on and remembers the murders M committed
- Seyton relays Lady M's death to Macbeth
- Ross informs Siward of his son's death

3/
Read 6 tweets
14 Jul
LONDON by William Blake.

What gives this poem its power is its ambiguity. It has a hallucinatory, nightmarish quality, created through a blurring of physical, psychological and sensory phenomena.

Examples of what I mean:

1/
The "marks of weakness, marks of woe" suggest physical signs, but "weakness" and "woe" can be seen psychologically. Is it physical weakness, mental weakness or both?

2/
"The mind-forg'd manacles I hear"

Again Blake is blurring a psychological aspect with a sensory one: the poet can "hear" others' state of mind. And the message here is ambiguous too: is it internalised weakness that causes imagined enslavement, or external factors?

3/
Read 10 tweets
10 Jul
Some quick, late thoughts about YA books on the curriculum.

@DavidDidau blogged on this today, and it got me thinking. This isn't meant as a point-by-point response or anything -- read this, then read his blog, and decide for yourself.

1/
I think YA books can happily co-exist on the KS3 curriculum with older and more canonical books. That's not to say they're the same, or there are no qualitative differences. I just think our subject can encompass both.

2/
While the concept of the "Canon" is problematic, most teachers would agree that there IS an academic discipline called "English" and at its core is a canon of agreed-upon "great works". And many would say those works should be at the centre of English in schools.

3/
Read 14 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Too expensive? Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal Become our Patreon

Thank you for your support!

Follow Us on Twitter!

:(