1/7 As a photojournalist covering Afghanistan for two decades, @lynseyaddario has seen how hard the country’s women have fought for their freedom, and how much they have gained. on.theatln.tc/lkEz7sv
2/7 Under the Taliban, women (except for select, approved female doctors) were not allowed to work outside the home or even leave the house without a male guardian. These four once-employed Afghan women, photographed in May 2000, were relegated to a life at home.
3/7 When the Taliban fell in late 2001, “women quickly proved themselves invaluable to the work of rebuilding and running the country,” @lynseyaddario writes—even though conservative values persisted in Afghan society.
4/7 After being beaten by Taliban militants in 1999, Shukriya Barakzai dedicated her life to activism. She would go on to help draft Afghanistan’s constitution and serve two terms in Parliament.
5/7 Under the Taliban, education was forbidden for women and girls in almost all circumstances. After the defeat of the Taliban, @lynseyaddario photographed women attending schools, graduating from universities, training as surgeons, and working as midwives.
6/7 Now, @lynseyaddario writes, these gains seem to be disappearing. “Militants have opened the doors of the prisons and released thousands of prisoners, sent women home from work, and removed girls from schools.” on.theatln.tc/lkEz7sv
1/5 Working-class Black women are “ingenious purveyors of fashion,” but their influence has been ignored, @charlienchargie writes. Designer Charles Harbison reflects on how women like his mom and grandmother wrote their own beauty narratives. theatlantic.com/culture/archiv…
2/5 Harbison’s mom worked at a tool factory, but on the weekends “she became a sexy Donna Karan power woman,” he writes.
3/5 Harbison’s grandma was a factory knitter. But the “smell of machinery” and “lint littering her short cropped hair” vanished on the weekends: “Her hair and cocoa complexion served as the perfect canvas for the silky sheaths and matching clutch-and-pump sets she preferred.”
1/5 New technologies are making it easy for historical Black images to be manipulated—and raising questions about who owns the Black body, Latria Graham writes. theatlantic.com/ideas/archive/…
2/5 One example: MyHeritage, an online genealogy platform that uses an artificial-intelligence software called Deep Nostalgia. The site’s users can upload photos of long-deceased relatives to the website, which animates their ancestors with motions such as smiles and head turns.
3/5 “The site tells users that the software ‘is intended for nostalgic use, that is, to bring beloved ancestors back to life,’ and warns that it is not built for more nefarious purposes, such as creating ‘deep fakes’ of living people,” Graham reports.
1/5 Since January, @emmaogreen has been interviewing newsmakers, scholars, and everyday people about some of the most challenging questions facing the country. Today, we’re giving a name to these conversations: “The Atlantic Interview.” theatlantic.com/projects/atlan…
2/5 Emma talked with John Seago, the legislative director of Texas Right to Life, who shepherded Texas’s new abortion law, about what it would mean for the country if the procedure was completely illegal: theatlantic.com/politics/archi…
3/5 A month after the Capitol insurrection, Emma spoke with Eric Metaxas, a staunch Donald Trump defender, Christian writer, and radio host, about why he had come to believe that he was righteous for questioning the 2020 election: theatlantic.com/politics/archi…
1/10 It was once a struggle to get Black characters on TV. Yet even today, as streaming services advertise “Black Lives Matter” and “Representation Matters” collections, Black screenwriters often navigate a set of implicit rules. @hannahgiorgis reports: on.theatln.tc/NdmL2GF
2/10 In the 1950s and ’60s, Sammy Davis Jr. and Nat King Cole headlined variety shows. Yet it wasn’t until 1972, when @TheNormanLear and Bud Yorkin launched “Sanford and Son,” that networks tried something more daring, with a show regularly addressing racism.
3/10 “‘Sanford and Son’ and ‘The Jeffersons’ proved that series with predominantly Black casts could be hits,” Giorgis writes. “Yet white executives continued to view Black shows as too much of a gamble.”
1/10 Bobby McIlvaine died when the Twin Towers fell—before his life truly began. His father dove into his grief. His mother pushed hers away. Twenty years later, it’s changed them both.
2/10 For Helen McIlvaine, nothing in this world has rivaled the experience of raising her two boys. “A few years down the road, I looked like I’d healed. And it wasn’t true.” At age 60, Helen took up running, not only because it felt good, but also because it allowed her to cry.
3/10 Bob McIlvaine Sr. knows little about his son’s final moments but is committed to exposing what he believes to be the truth about the 9/11 attacks, which is that they were an inside job. “Everything I’ve done in my life is based upon those seconds,” he says.
1/ Who were the first Americans? Did they come by land or sea? @andersen went on an expedition to California’s Channel Islands to find out what archaeology can tell us about humanity’s primeval ancestors. theatlantic.com/magazine/archi…
2/ The genomes of living Native Americans suggest that their ancestors first traveled from the polar cold of northeastern Eurasia to North America more than 15,000 years ago. This feat of exploration surely ranks among humanity’s greatest, Andersen writes—but who achieved it?
3/ Big-game-killing spear tips—the oldest known is more than 13,000 years old—offer some clues. The “Clovis-first” theory suggests that thousands of years ago, ice sheets rolled back, opening a new corridor east of the Rockies—and humans raced down to the North American interior.