Remembering Leonard Bernstein on his birthday π
π· Gordon Parks, 1955
"There had never been a communicator about music with anywhere near his brilliance, humor, energy, reach and importance."
- Zachary Woolfe
Seems like his 2018 Centennial was just yesterday!
Coffee with Lenny on his birthday βοΈ
That's Joe McNally's 1986 photo of Bernstein at Springate, his Fairfield, Connecticut home.
Leonard Bernstein by Arnold Newman, 1968 @smithsonian National Portrait Gallery
"In terms of conducting technique, he would offer tips. He used to say, 'Donβt imitate me β but do it like this'."
- Marin Alsop
Leonard Bernstein by Don Hunstein, 1958
"Outwardly, Bernstein has much of the actor about him. The bones of his face are arranged so theatrically that in shifting light he gives the impression, without moving a muscle, of being an entire cast of characters."
- Robert Rice
Leonard Bernstein outside the National Theatre in Washington DC, at the August 19, 1957 out-of-town opening
π· Robert H. Phillips @NYPL digital collection
"The score to West Side Story is a war zone of impetuous cross-rhythms."
- Jesse Green
Leonard Bernstein by Irving Penn, for Vogue, 1947
Even before he was named Music Director of the @NYPhil the drama critic Harold Clurman said: "Lenny is hopelessly fated for success."
Leonard Bernstein by Gordon Parks, 1956
His @NYTimes obituary quotes "an acquaintance":
"There is nothing Lenny can't do supremely well, if he doesn't try too hard."
Mario Dondero
Maria Callas, Luchino Visconti & Leonard Bernstein during the rehearsals of Bellini's La Sonnambula at La Scala, 1955
Another Mario Dondero shot of Maria Callas, Luchino Visconti & Leonard Bernstein in Milan in 1955. Lenny nearly holds his own, charisma-wise; a tough job when Callas is in the room!
Leonard Bernstein flanked by two of his mentors: Aaron Copland & Serge Koussevitzky
Photo: Ruth Orkin, Tanglewood, 1940
Celebrating Leonard Bernstein on his birthday.
With Virgil Thompson, Walter Piston, Aaron Copland & William Schuman
Photo: Bruce Davidson, 1970 @metmuseum
From Eugene Smith's 1951 "Recording Artists" photo-essay for Life Magazine, Leonard Bernstein with Marc Blitzstein. Blitzstein once said, "We are almost telepathically close. Sometimes we compose startlingly similar music on the same day, without seeing each other.β
Leonard Bernstein by Abbas, Paris, 1986
"Tallulah Bankhead once watched Bernstein conduct a Tanglewood rehearsal & said to him in her husky baritone: 'Darling, I have gone mad over your back muscles. You must come & have dinner with me'."
- Donal Henahan
Leonard Bernstein's final concert with @BostonSymphony
π· Kristina Jentzsch
"Those who had seen & heard Bernstein perform innumerable times over the years will never forget the sovereign authority of that interpretation, grave & noble, yet passionate, as well."
- John Rockwell
Leonard Bernstein, Jerome Robbins, Betty Comden, & Adolph Green in rehearsal for On the Town, 1943. @NYPL Digital Collections
"Its omnivorous musical style embodies the Bernstein ethos at its most daring and youthful."
- Joshua Barone
Alfred Eisenstaedt
Stephen Sondheim, Jerome Robbins & Leonard Bernstein work on West Side Story, 1956
"No one writing a musical has ever used rhythm as effectively as he did, to let us hear the human heart just as itβs leaping forward, just as itβs about to burst."
- Jesse Green
Leonard Bernstein by Henri Cartier-Bresson, 1960
"Yes, all conductors have highly personal characteristics, but has there ever been one as theatrical, as showy, as hammy as he was? Or as exciting, as persuasive, as dedicated?"
- Robert Gottlieb
Leonard Bernstein rehearses Carmen with Marilyn Horne at Lincoln Center @MetOpera
π· Burt Glinn, 1972
In New York in the 1960s the Three Bs of Classical Music were Leonard Bernstein, George Balanchine & Rudolph Bing.
Photo: Michael Rougier, Lincoln Centre, 1966
I don't believe Philippe Halsman got a #Jump shot with Leonard Bernstein, but no matter: here's Gjon Mili's great photo of Lenny up in the air.
Leonard Bernstein by David Attie, 1959
"I can't live one day without hearing music, playing it, studying it or thinking about it. And all this is quite apart from my professional role as a musician."
β’ β’ β’
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Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.