Rather than simply framing “The New Mutants” entirely from the students’ perspective, Claremont places a great deal of emphasis on the challenges faced by their educators, tasked with nurturing the young mutants through their individual challenges. #xmen#newmutants 1/10
The stories invest the reader in the pedagogical hurdles that the team presents by providing a great deal of internal narration from Professor X and later Magneto as they contemplates how to reach the students – how to help them overcome their individual challenges. 2/10
Rahne is sheltered and traumatized. Karma is traumatized and disinterested in superheroics. Magma is sheltered and entitled. Illyana is traumatized and obscenely powerful. Roberto is headstrong and prone to posturing in order to mask his insecurities (and also traumatized). 3/10
Dani comes to the school a bit headstrong, but already quite capable as both a leader of the team and as the protagonist of the series. X has to build trust with her and mentor her in the use of her telepathic powers, but she immediately takes on a leadership role. 4/10
Sam is complicated. He has a (charmingly) good heart, but he is socially dense, shy, struggles academically, a bit of a show-off with a poor understanding of his own limitations, and, in general, he can sometimes be easily manipulated – in essence, he’s naïve. 5/10
Collectively, the entire team is insubordinate (even rebellious), overconfident, and undisciplined. The entire series leans even further into this concept once Magneto becomes headmaster and struggles to keep control. 6/10
This also becomes one of the great underlying tragedies in the series: Magneto succeeds (mostly) in his internal moral conflict; he adopts the gentler way quite successfully. Where he fails is as an educator and caregiver. 7/10
We can also extend this heroic-educator narrative to a few side characters such as Stevie and Moira, both of whom likewise struggle with their responsibilities toward the development of the young mutants. The thread is even picked up by Cable late in the series. 8/10
Finally, we should note that the heroic quest of the educators comes to the surface quite directly with the established contrast to the Hellions and Emma Frost’s more villainous education methods – a perfect foil to Xavier’s approach. 9/10
Through this pedgagogical theme, New Mutants adds a secondary internal melodrama surrounding those entrusted with their education and upbringing. It’s an especially fun dynamic to revisit when re-reading the series as an adult. 10/10
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Though presented as the saner option within Excalibur’s love triangle, Kurt’s infatuation with Meggan – and vice versa – presents a number of symbolic complications that undermine the simplistic nice guy/trophy girl dynamic that we often see in the era. #xmen@GoshGollyWow 1/7
The most commonly discussed complication is the simple fact that Meggan takes on Kurt’s shape when attracted to him. Thus, his attraction to her could be narcissistic in nature, a projection of his desire to be desirable, despite his atypical features. 2/7
We also, of course, have to mention that when Meggan looks like Kurt, she’s incidentally taking on the appearance of Kurt’s biological mother as well. Kurt never knew Mystique in this capacity, as he was abandoned by her as an infant, but still. 3/7
There’s seemingly a fundamental friction between the progressive and inclusive sexual politics of Kurt Wagner as a person and the (arguably) misogynistic sexual politics of some of the established fictional genres that he fantasizes about participating in. #xmen 1/9
Let’s start by framing this more simply: Kurt respects women. Errol Flynn movies and John Carter novels tend to frame women as sexual trophies devoid of agency. I’m not saying these stories are bad or anyone is wrong to like them, just that the female characters are objects. 2/9
There are two ways then to approach this friction: either Kurt is a hypocrite, or there is a layer of irony that we can locate within his participation in these genres, one that might even hold the potential to produce critical insights int the tropes those genres perpetuate. 3/9
Nightcrawler’s fantastic difference can resonate with many kinds of Otherness, including disability, racial difference & gender or sexual deviance. This makes him very identifiable. It also makes his objectification very complicated—and fascinating. #XMen@GoshGollyWow 1/11
Beginning in Claremont-penned comics & continuing thereafter, Kurt’s body often becomes an explicit or commented-upon spectacle. One explanation is: Kurt is a sexy character with an exhibitionist streak. But because his body is also seen as monstrous, we need to dig deeper. 2/11
In Excalibur #1, Kurt is objectified in an intimate domestic space for an implied female gaze, actualized by Meggan. This is unusual for male characters. It would be a stretch to say Kurt's feminized, but scenes like this do place him in a stereotypically feminine role. 3/11
One of the ways that Claremont defines Jean as a 2nd wave feminist superhero is through her simple, consistent reluctance to fall into a domestic relationship against her wishes and to assert, instead, her independence and superheroism. #xmen 1/13
Betty Friedan is a major catalyst of American 2nd wave feminism who speaks to the confining effect of women’s forced domesticity. “Why should women accept this picture of a half-life, instead of a share in the whole of human destiny?” 2/13
We see Jean challenge this half-life early on with her assertion of power and agency in sacrificing herself to save her peers. Though a civilian at this time, she refuses Scott’s attempt to shield her and claims the role of martyr for herself – quite authoritatively. 3/13
The visual dynamism of any given comic is usually ascribed to the talent of the immediate visual team, but having something dynamic to draw is sort of step 1 and, in that light, Bob McLeod’s designs for the New Mutants are genuinely remarkable. #xmen#newmutants 1/7
With Cannonball, McLeod made the decision to have his legs literally disappear when he’s blasting (by which I obviously mean blastin’). It’s a simple, but very surreal choice that establishes through visual metaphor the synergy between Sam’s body and his eruptions. 2/7
Dani’s power doesn’t always have a consistent visual language, but the concept of it is carte-blanche for nightmarish horror images in which someone’s worst fear can be sprawled across the panel to dramatic effect whenever needed. 3/7
In UXM #108, Corsair and Storm lend Jean Grey their essence to stand beside her as she attempts to stitch the very fabric of reality together. It’s a dramatic moment that scholar Ramzi Fawaz isolates for its importance in terms of progressive representation. #xmen 1/3
“The double embrace unifies the previously rent identities depicted in the famous cover image to X-Men #101, joining categories of male and female, black and white, while bridging the gap between liberal and cultural feminist worldviews embodied by Storm and Jean.” 2/3
“In light of the internal divisions over questions of race and class privilege that plagued women’s liberation in the mid-1970s, to see a black woman join hands with a white woman to save the universe was no minor representational achievement” 3/3