one of the great boomer psychoses is the belief that the kennedys, had they lived, would have delivered america into some kind of peaceful, social democratic utopia. what really happened is that the assassinations occurred when their childhoods were ending.
This is more or less the explicit theme of JFK, in Garrison's monologue, he describes the American people as a "nation of Hamlets...children of a slain father."
Also he says: "Going back to when we were children, I think most of us in this courtroom thought that justice came into being automatically, that virtue was its own reward, that good would triumph over evil. But as we get older we know that this just isn't true."
as america's great bard axl rose said: in my first memories, they shot kennedy, I went numb when i learned to see."
• • •
Missing some Tweet in this thread? You can try to
force a refresh
this is not fully formed, but what is the genre or story type most "native" or best formed to feature film? something where two hours gets you all the stakes and character beats and development you need without dragging. i'm thinking heists and romcoms.
in both heists and romcoms (and the hybrid: lovers on the run movies), the action of the movie is the most dramatic time *in the lives of the characters* but it's also a naturally contained story that can be told in two hours
lol just realized i've worked my way to "all you need to make a movie is a girl and a gun," godard, smart guy!
"we want a european sized welfare state and complete decarbonization but we're also ruling out consumption and higher energy taxes forever"
i mean i get the politics — democrats will always give you more welfare state and more climate policy than republicans and middle class or consumption taxes will give you fewer democrats — but, like, yeesh
sure, the policy consensus is some mix of regulation and subsidy and investment, but does anyone think the plans the white house has proposed (let alone what will actually get passed) is sufficient on that front? newstatesman.com/world/north-am…
doing lots of abstraction here but i think lots of americans look to european parental leave and childcare arrangements and think that would fit their personal and ambitious professional goals better but the european model is also based around everyone just working less
i wrote this piece in 2013 so full warning, but there's interesting research showing that american women in the workforce are more likely to be managers than european women in part because so many european women work part time theatlantic.com/business/archi…
so for American women if you Work Like A Man (i.e. no kids or no kid-related career disruption) you can reach the commanding heights, while many European women are in a comfortable but professionally stagnant middle ground between work and non-work
it's totally good and fine to update and gender/race swap classics, but it would also be cool if more movies did what happens in theater where you just have a woman or a black guy (or, as i saw last year, a black woman) just play hamlet-as-hamlet and don't really comment on it
and it's not like this doesn't happen in movies, but recently it seems to mostly involve dev patel and english classics
which makes sense, so much UK cinema is shakespeare, jane austen etc that it becomes a matter of simple fairness if only white people can be cast in them