The Wimpy chain originally began in 1934 in Chicago. The name was inspired by the character of J. Wellington Wimpy from the Popeye cartoons created by E. C. Segar.
And in 1954 the company sold a license to J. Lyons & Co - owners of the Lyons Corner House - to use the Wimpy name in the United Kingdom.
For twenty years Wimpy was the dominant hamburger chain in the Britain. McDonald's would not enter the UK market until 1974, followed two years later by Burger King.
Wimpy built on the Lyons Corner House business model of fast table service for people wanting a quick meal: no cutlery, pre-packaged condiments and a wipe-clean table.
Sounds a bit like Nandos...
The Wimpy Bar was a well known feature of many towns and cities in Britain and Ireland throughout the 70s and 80s. In July 1977, the business was acquired by United Biscuits.
Under this new management Wimpy began to phase out table service and adopted the more traditional counter service of rivals McDonald's.
Wimpy's UK mascot was Mr Wimpy, an orange figure dressed as an oversized Beefeater. He was famous enough to feature in his own video game.
And no children's party was complete without a Mr Wimpy surprise: normally a badge and a comic rather than a personal appearance alas.
Wimpy did have some bizarre ideas though. In the early 1970s it stopped unaccompanied women coming in on their own after midnight as they might be prostitutes. In protest the Wembly Women's Lib group stormed the Golders Green branch after midnight demanding to be served!
In 1989 Wimpy was sold to Grand Metropolitan, who began converting many of them into more profitable Burger King outlets.
But 170 Wimpys still exist in the UK, owned by South African company Famous Brands.
In its heyday the Wimpy Bar was the place to go. Even Phil Lynott hung out there!
Perhaps in retrospect Wimpys wasn't the true taste of America was yearning for. But we loved it regardless, because it was there and it was ours.
Wimpy was the home of the Shanty Salad, the Big Bender and the lethal Brown Derby dessert. For many people it was a childhood right of passage and one of the few exciting places on the High Street.
Its glory days may be behind it, but Wimpy - Twitter sales you!
(Other restaurants are available...)
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Today I'm looking at a few books from New York publishing house Grosset & Dunlap...
London After Midnight, by Marie Coolidge-Rask. Grosset & Dunlap, 1928.
This is a movie tie-in version, although the last known copy of the film was destroyed in 1965 at a fire at MGM's vaults. It's one of the most sought-after lost silent films now.
A Thousand Years A Minute, by Carl H Claudy. Grosset and Dunlap, 1939. Cover by A C Valentine.
Part of the Adventures in the Unknown series, this is a time travel novel sending its heroes back to the prehistoric world.
One of the best #Christmas presents you could ever get was a View-Master! It sold over one billion reels across the world, but it's based on Victorian technology. How did one simple gadget get to be so popular?
Let's take a look at the toy that took over the planet...
Stereographs are cards with two nearly identical photographs mounted side by side. Viewed through a binocular device they give an illusion of depth. By 1858 the London Stereoscopic and Photographic Company had published over 100,000 of them.
Sawyer's Photo Finishing Service began in 1919 in Portland, Oregon. By 1936 they had teamed up with William Gruber, who had been experimenting with stereoscope photography using the new Kodachrome colour film.
Today in pulp I look back at a few forgotten '80s sci-fi movies and ask: is it time to reappraise them?
Spoilers: not all of these are available on Betamax...
There were a huge number of mid and low budget sci-fi movies released throughout the '80s, many of which went straight to video. Today they lurk in the far corners of your streaming service.
Should you watch them? Well let me take you through a few you might be tempted by.
Battle Beyond The Stars (1980) was Roger Corman's retelling of Kurosawa's Seven Samurai in space. James Cameron did an impressive job on the SFX with a small budget and the film certainly has a distinctive look.
"A dream to some. A nightmare to others!" As it's Christmas let's look back at a film that I think helped redefine an old genre, captivated the imagination and launched many successful acting careers.
Let's look at John Boorman's Excalibur!
For a long time the film industry found the King Arthur story amusing. Camelot (1967) was a musical comedy; Monty Python and the Holy Grail (1975) was pure comedy.
But director John Boorman had been thinking seriously about the Arthurian legend since 1969, particularly Sir Thomas Malory's 1469 telling of the story 'Le Morte d’Arthur'. The mythic theme greatly appealed to him.
Today in pulp I'm looking back at some Michael Moorcock books, and having a think about the New Wave of science fiction that started in the 1960s...
In Britain the New Wave is often associated with New Worlds magazine, which Moorcock edited from 1964 to 1970. Financial troubles caused the magazine to close in 1970, but it made sporadic comebacks over the subsequent years.
However he started as editor of Tarzan Adventures in 1957, where he introduced Sojan the Swordsman - perhaps his first stab at creating an 'eternal champion' character