The Gloucester Candlestick is an extraordinary survival. Dating from 1104-13, it’s a masterpiece of English metalwork, a gilt tangle of beasts clambering, clawing through fleshy foliage, struggling “to reach the light or sink into the darkness below”...
Incredibly, an inscription on the stem of candlestick clearly indicates its provenance: ‘The devotion of Abbot Peter and his gentle flock gave me to the Church of St Peter of Gloucester’. Peter was the abbot of the Benedictine Abbey in Gloucester in the early 12th century.
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However, somehow, Abbot Peter’s candlestick ended up in the treasury of Le Mans Cathedral, France. There are several points when it could’ve made its journey: the Abbey was destroyed by fire in 1122, was the candlestick stolen?
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About a decade later the Abbey was heavily looted. And at the end of century, the Abbey had to sell its silver in order to pay taxes… Was the candlestick one of the items sold?
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The candlestick was brought to @V_and_A
in 1861. Originally one of a pair, today only one survives.
Last year @GlosCathedral
embarked on an exciting project to create replicas of the candlestick using 3D printing.
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The replicas were created by building up aluminium powder layer-by-layer using. They then had a layer of gold leaf applied.
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We administer the Cottam Will Trust, which funds new art in churches.
We were delighted to offer a grant of over £5,000 towards this project, and last weekend were delighted to attend an event marking the return of the candlestick (sort of!) to Gloucester after 800yrs.
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Congratulations to all involved @GlosCathedral and beyond!
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.
Why is the English name for the festival of Christ’s resurrection so different from its name in almost every other language?
1/9 📷 East window of St Cadoc's, Llangattock-Vibon-Avel by Lavers & Barraud (1875).
In English, this most important Christian festival is known as Easter, whereas in most other languages, its name is markedly different: Pâques in French, Pasg in Welsh, and Páscoa in Portuguese.
2/9 📷 East window of St Beuno's, Penmorfa, Gwynedd by an unknown maker (c.1851)
This divergence between English and most other European languages is a hotly debated historical topic, relating to the transition from paganism to Christianity in England during the 6th and 7th centuries.
3/9 📷 East window of All Saints', Ballidon by C.E. Kempe