We continue from where we left off last time as we share the pod summaries from @FloorisRising, where the hosts @kaifuku_kizu & @SabretoothSG talk about the generative artists that they found interesting.
This is the 2nd part of a two-part series. Read on 👇
🔹 @mattdesl has done art drops on @artblocks_io and @onhicetnunc
🔹 Subscapes - floor price is around 7.5 $ETH
🔹 Interesting that Matt dropped Subscapes on Art Blocks but also a companion piece on Hic Et Nunc (HEN)
@FloorisRising@kaifuku_kizu@SabretoothSG@mattdesl@artblocks_io@onhicetnunc 🔹 Have not seen this before - usually artists try to segment the drops on each platform
🔹 Matt chopped up his works into easily identifiable series on different platforms
🔹 Audience can see different styles of work in different channels
🔸 Pencil style
🔸 Patchwork trait
🔸 Bright background typical of the pencil style
@FloorisRising@kaifuku_kizu@SabretoothSG@mattdesl@artblocks_io@onhicetnunc 🔹 Matt is chain-agnostic - rare because most developers are maximalist and very tribal
🔹 As crypto matures, a lot of low-level concerns are abstracted away
🔹 Developers don't need to know all the stuff - will use it like any other tools
🔹 An Art Blocks OG - done multiple drops before
🔹 @kGolid's Archetype drop was one of the earliest and most popular collections
🔹 Has the quintessential generative art look
🔹 This interlocking modules style has become his signature styles
@FloorisRising@kaifuku_kizu@SabretoothSG@mattdesl@artblocks_io@onhicetnunc@kGolid 🔹 One of his collections - Paper Armada - is dropped in the middle of an NFT bear market
🔹 Couldn't sell for weeks
🔹 Even the most popular generative artist experience the peaks and troughs of the NFT market
🔹 Now Paper Armada is one of the hottest things in the space
@FloorisRising@kaifuku_kizu@SabretoothSG@mattdesl@artblocks_io@onhicetnunc@kGolid 🔹 Most interesting work is Dual
🔹 Name refers to the struggle between a preset discrete system and a continuous ruleset that distorts the original restrictions with noise
🔹 It's in works like these where tension is felt that give rise to his strongest work
🔹 Not into collectible drop mechanic that other generative artists do
🔹 Does all his creation using an algorithm, curates and puts them up for sale
🔹 Audience only sees a small subset of the infinite variety of outputs from the algorithm
🔸 Like Wassily Kandisnky's art, this piece uses colours and geometry
🔸 Only has circles and triangles
🔸 Has the feel of Sonia and Robert Delaunay
@FloorisRising@kaifuku_kizu@SabretoothSG@mattdesl@artblocks_io@onhicetnunc@kGolid 🔹 The artist has a strong say in dictating the boundaries of works produced by the algo
🔹 A lot of his styles are strikingly similar to other signature styles known by modern and contemporary artists from the 21st century
🔹 E.g. Wassily Kandisnky, Sonia Delaunay, Max Ernst
"After a certain point, I believe that the maturity of my style was formed by making small errors because I was discovering as I went along. From these errors, I take an idea and it stays. I learn how to manipulate from these errors."
@FloorisRising@kaifuku_kizu@SabretoothSG@mattdesl@artblocks_io@onhicetnunc@kGolid@artnome 🔹 On-chain generative art is so successful because it cannot be done on any medium except in blockchain
🔹 In the traditional art world, the art that pushes boundaries are historically vindicated as the most important
🔹 Seems to be happening in generative art space right now
"The error is central to the work of generative artists apart from the rules, and the rules become text that converts into an image. It is impossible to have what you imagine become what you see. The beginning is errors, errors, errors, errors. They are beautiful errors."
Today we share the pod summary from The Metaverse Podcast with host @jamie247, featuring DeFi's high-quality meme generator, @pplpleasr1. Here, she talks about her journey into crypto and how she accidentally got into the niche space between DeFi and the NFT space.
🔸 Featured on @FortuneMagazine's crypto cover and NFT series
🔸 PleasrDAO started because of her - honorary member in the DAO
🔸 Influenced by Chinese/Japanese art animated films, underground music scene and video game in her art
@jamie247@pplpleasr1@FortuneMagazine "You're best known as DeFi high-quality meme generator. Who would have thought that was a career? Interesting to know what your family thought of that career choice. I'm sure they're over the moon about it now, but doing it is probably quite weird."
In conjunction with @bootfinance release of the Litepaper, we're going to share a few highlights of it. Hopefully, the Litepaper will become even lighter for a quick review of what's important. Will still highly recommend everyone to read the entire thing for context.
@bootfinance What is Boot Finance?
🔸 Aims to let projects control their own liquidity
🔸 One massive single liquidity pool cannot persist as projects move to L2
🔸 Arbitrage bots 🤖 can arb the price across multiple liquidity pools cheaply and easily
🔸 Boot Finance aims to reboot 🥾 that
@bootfinance Problems with current AMM
🔸 Constant product swap curve needs to be relooked
🔸 Massive value leak 💧 as tokens are speculated on but not flowing back to the project
3-pronged 🔱 proposal
🔸 Stableswap public AMM on newer EVM chains
🔸 Customswap AMM
🔸 Unified cross-chain AMM
How on earth did it happen, @gabrielhaines used to wonder
that a whole city—arches, pillars, colonnades,
not to mention vehicles and animals—had all
one fine day gone under?
@gabrielhaines I mean, he said to himself, the world was small then.
Surely a great city must have been missed?
he miss his old city —
white pepper, white pudding, @cjhtech and him meeting
under fanlights and low skies to go home in it. Maybe
what really happened is
@gabrielhaines@cjhtech this: the metaverse-makers searched hard for a word
to convey that which is gone can be found anew.
And so, in the best traditions of
where they came from, they gave their project
life and call it Atlantis World @atlantis0x
@Psycheout86 has a pretty interesting backstory. He was a competitive gamer, worked for the government, and then started up @AxieInfinity with his co-founders.
Learn about his story in this episode of the Zima Red podcast 👇
🔹Competitive gamer that represented Norway in Warcraft 3 and @DOTA2
🔹Went to 1 of the top business schools
🔹Dropped out to work for the gov
🔹Discovered crypto through his father
🔹Set up Axie Infinity with @trungfinity and @Jihoz_Axie
🎮 Loved playing games
🎮 Played Warcraft 3, which was tactical and micromanagement intensive
🎮 Evolved into Dota. Played for 10 years
🎮 Peak achievement was beating Sweden. Norway and Sweden had some rivalry in Dota
🔹 His journey resembles English Premier League ⚽️ teams
🔹 Started off on @onhicetnunc selling his works for $20 - $30 / piece
🔹 Now his works are selling > $20k
🔹 Very prolific & high quality - was discovered and invited to @artblocks_io to do a drop
@FloorisRising@kaifuku_kizu@SabretoothSG@shvembldr@onhicetnunc@artblocks_io 🔹 Good example of an artist who started off on a smaller platform and moved up to a bigger one
🔹 Sees a parallel in the traditional art world as well
🔹 Some galleries are more famous than others
🔹 An artist start out in a smaller gallery and move on to 'blue chip' galleries
Recently, we collaborated with @bootfinance to do up a series of articles to highlight their protocol. Today, we talk about their interesting custom swap curve. What's that?
But let's not talk about that first. Let's talk about one of our favourite RPGs of all time - Witcher!
🔹 We're great fans of the @witchergame series by Andrzej Sapkowski
🔹 The series traces the story of a monster hunter, or a witcher, named Geralt of Rivia
🔹 Ever wondered why Geralt straps two swords ⚔️ behind his back?
@bootfinance@witchergame 🔹 One is made of silver - to slay monsters born of magic
🔹 The other is made of steel - to slay everything else
🔹 Geralt chooses his sword depending on the situation
"It's said, spitefully, the silver one is for monsters and the iron for humans. A lie, of course." - Geralt