Remembering Mark Rothko on his birthday π
π· Bert Stern for Life Magazine, 1959
"I'm the most violent of all the American painters. Behind those colors there hides the final cataclysm."
Mark Rothko by Consuelo Kanaga, 1940s
@brooklynmuseum
"The most important tool the artist fashions through constant practice is the faith in his ability to produce miracles when they are needed."
Another portrait of Mark Rothko by Consuelo Kanaga
Yorktown Heights, ca. 1949
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"He loved Mozart. And he was a great, loyal, wonderfully affectionate friend."
- Stanley Kunitz
Mark Rothko, Robert Motherwell & Bradley Walker Tomlin in the John D. Rockerfeller 3rd Guest House, 1951
The paintings:
Rothko's Number 18, 1948
Motherwell's The Voyage, 1949
Tomlin's Number 9: In Praise of Gertrude Stein, 1950
"In the two soft-edged and rounded rectangles of Mark Rothkoβs matured style there is an enveloping magic, which conveys ... a sense of being in the midst of greatness. It is the color of course."
- Duncan Phillips
@PhillipsMuseum
Ochre and Red on Red, 1954
"Dear Lee: I wish I could find some way to tell you how I feel about Jackson."
- Mark Rothko's letter to Lee Krasner, August 16, 1956, five days after Jackson Pollock's death.
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@ArchivesAmerArt
The rest of Mark Rothko's letter to Lee Krasner.
"I wish I had been there, too, for my own sake."
"There are no beautiful surfaces without a terrible depth."
When Irving Sandler encountered this quote from Nietzsche, he mailed it to Mark Rothko.
π· Timothy A. Clary, New York, 2020
Mark Rothko at the Sidney Janis Gallery
π· Fred W. McDarrah, 1961
"His painting accumulated resonance by appealing to myth; but myths were in decline..."
- Robert Hughes
The photographer Hans Namuth's point of view often underlines psychological insights. His shot of Mark Rothko, from 1964, is in retrospect very sad. As the painter himself said, 'There is only one thing I fear in life, my friend: one day, the black will swallow the red.'
Mark Rothko by Hans Namuth, 1964
Today we're celebrating the great artist's birthday. π
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@ArchivesAmerArt
Looking at Mark Rothko's No. 5/No. 22, 1950
π· Thomas Hoepker, @MuseumModernArt, 2005
Mark Rothko by Kay Bell Reynal, 1952
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Dorothy Seiberling quoted Rothko in a 1959 Life magazine feature:
"A painting is not a picture of an experience; it is an experience."
Mark Rothko by Kate Rothko, 1961
"However you paint the larger picture, you are in it. It isn't something you command."
A wonderful portrait! Kate was only 10 or 11 when she took this.
Mark Rothko, "How to Combine Architecture, Painting, and Sculpture", 1951 symposium
@MuseumModernArt
Here's Mark Rothko talking about his contemporaries in a letter to Barney & Annalee (Barnett Newman & his wife), 1946.
Bob is Robert Motherwell.
More of a social whirl than lone artists in their garrets!
Such is the panorama.
Mark Rothko by Ben Martin
"No other painter can occasion feelings so intense, so directly."
- Peter Schjeldahl
Kate Rothko Prizel in front of her father's No. 36 (Black Stripe)
Munich Rothko Retrospective 2008
π· Johannes Simon
Mark Rothko by Rudy Burkhardt, 1960
"Mark said many times he felt that tragedy was the only theme noble enough for art."
- Arne Glimcher
β’ β’ β’
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Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.