Behind a thicket of fleshy, fuchsia rhododendrons, a rugged granite church hides. Inside, the stippled plaster walls are daubed in burnt sienna, the ceiling soars in royal azure.
But the Mediterranean vibe doesn’t end there... #thread
St Mark’s, Brithdir was built in the 1890s. Louisa Richards commissioned Henry Wilson to design the church in memory of her husband, the Rev’d Charles Tooth, founder of St Mark’s church in Florence.
He had died within a few months of their marriage.
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Wilson was inspired by Tooth’s legacy in Florence, but also by “those delightfully simple churches just south of the Alps”.
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The buttery yellow walls in the nave glow. The chancel is lower, darker, closer, creating an air of mystery. The walls are curvaceous. The squinches throw shadows. The small space seems cavernous.
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Right at the back, a cast copper altar glitters. On it, the Virgin Mary receives the Holy Spirit before a trellis laden with roses, lilies and daffodils. Two figures with bowed heads bear witness. It's thought these are Charles and his brother Arthur…
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Mice, squirrels and rabbits scurry around the legs of choir stall. Owls and kingfishers watch silently from the shadows. The top of each pew has a stylised tree spelling ‘SM’, for St Mark’s.
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Love-hearts and grapevines feature heavily – from glazing to gutter brackets, pews to pulpit.
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Wilson wanted this church to appear is if it had sprung out of the soil, rather than set down upon it.
Through the richness and boldness of his design, he created a church of unparalleled wonder and warmth.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.
Why is the English name for the festival of Christ’s resurrection so different from its name in almost every other language?
1/9 📷 East window of St Cadoc's, Llangattock-Vibon-Avel by Lavers & Barraud (1875).
In English, this most important Christian festival is known as Easter, whereas in most other languages, its name is markedly different: Pâques in French, Pasg in Welsh, and Páscoa in Portuguese.
2/9 📷 East window of St Beuno's, Penmorfa, Gwynedd by an unknown maker (c.1851)
This divergence between English and most other European languages is a hotly debated historical topic, relating to the transition from paganism to Christianity in England during the 6th and 7th centuries.
3/9 📷 East window of All Saints', Ballidon by C.E. Kempe