Glittering alder trees once filled the valley of Gwernesney. Among the lime green leaves and yellow catkins, an Old Red Sandstone church has sat for 800 yrs.
Weathered heads watch with blank expressions as visitors pass under the broad chamfered arch of the south door..
Carved in the 1200s, this doorway, along with the lancet windows and the trefoil-headed lights in the east window are the oldest parts of the church. The windows at St Michael’s span seven centuries of styles creating an architectural collage - a fenestration i-Spy.
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Forget the pews, the monuments or the font... inside, the eye is immediately drawn to the heavily stained rood beam and screen. Spilling over the chancel arch, the 15th-century beam is carried by three stone corbels and is pierced with a delicate foliate trail.
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The panels at the base of the screen have a simple stencilled decoration of fleur-de-lys in golds and reds. This was added in the 19th century.
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From there, the eye travels up to the nave’s 15th-century wagon roof. Here, a single curving vault with moulded ribs covers the ceiling.
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At the west end you’ll find a baptistry. Made from recycled medieval screen, it’s roughly joined together. Time hasn't been kind to the woodwork. But there is a poignant beauty in its rusty hinges, missing tenons and wormy panels… A reminder of frailty and temporality...
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… And on that cheery note: GOOD MORNING! Happy St Michael’s Day from St Michael & All Angels, Gwernesney, Monmouthshire.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.