It's #LibrariesWeek this week, so today I'm asking you to something very brave and noble.
I'm asking you to visit your local public library... #MondayMotivaton
The Public Libraries Act of 1850 (And the 1853 Act in Scotland) established the principle of free public libraries for the self-improvement of all citizens in Britain, irrespective of their income.
It was a hard-won battle...
Opponents of the Act believed public libraries would become sites of social agitation: extending education to the lower orders of society would lead to libraries becoming working class "lecture halls" full of radical ideas and demands.
Later Acts built on these noble ideas of 1850, and the Public Libraries and Museums Act 1964 created a statutory duty for local authorities ‘to provide a comprehensive and efficient library service for all persons.'
But things have been tough for libraries for a while now. Statistics from the 2018 Libraries Taskforce showed a continuing decline in public library use (both in visits and book issues) in England...
...and then came COVID19.
Look, librarians are tough cookies. We fight on the front line of ideas every day. And we need you guys to back us up!
So that's where YOU come in! Rather than tweet about the need for public libraries I need you to take a brave pill, get on the bus, and go visit yours.
As it's #LibrariesWeek Your local public library will have made itself especially alluring for lapsed library patrons, as well as making itself COVID secure. They'll do all they can to encourage you to come back to the habit of borrowing books for free.
FOR FREE!!!
I mean, think about it: these are FREE BOOKS they're offering. You'd queue up in the rain for a half-priced Starbucks cinnamon latte, so why not go somewhere where stories and knowledge are FREE?
How much do you spend on books? Go on, add it up. Gulp!
Now let me tell you - you can more than double your reading without spending a penny more! You just need to visit your local library. They're online too if that's easier, and they'll probably have kerbside pick-up as well.
Put it this way: in Escape From New York what did Snake Plissken do to save the President, defeat The Duke and his hoodlums and escape across the Queensboro Bridge?
Rob a gun store?
Hack into the internet?
No: he went... TO THE PUBLIC LIBRARY!
Today in pulp I'm looking back at one of the greatest albums of all time.
What are the chances...
By 1976 Jeff Wayne was already a successful composer and musician, as well as a producer for David Essex. His next plan was to compose a concept album.
War Of The Worlds was already a well known story, notorious due to the Orson Wells radio play production. For Wayne it seemed like a great choice for a rock opera.
Today in pulp I'm looking back at a very popular (and collectable) form of art: Micro Leyendas covers!
Micro Leyendas (mini legends) are a Mexican form of fumetto, small graphic novels normally pitting the everyday hero against the weird, the occult and the unfathomable.
The art of Micro Leyendas is bold, macabre and very funny. The books often tell a cautionary tale of revenge or humiliation, much like a modern folk tale.
Today in pulp: what makes a good opening sentence for a pulp novel?
Now this is a tricky one…
The opening sentence has an almost mythical status in writing. Authors agonise for months, even years, about crafting the right one. Often it’s the last thing to be written.
Which is odd, because very few people abandon a book if they don’t like the first sentence. It’s not like the first sip of wine that tells you if the Grand Cru has been corked! Most people at least finish Chapter One.
The Time Machine, Brave New World, 1984: these weren’t the first dystopian novels. There's an interesting history of Victorian and Edwardian literature looking at the impact of modernity on humans and finding it worrying.
Today in pulp I look at some early dystopian books…
Paris in the Twentieth Century, written in 1863, was the second novel penned by Jules Verne. However his publisher Pierre-Jules Hetzel rejected it as too gloomy. The manuscript was only discovered in 1994 when Verne’s grandson hired a locksmith to break into an old family safe.
The novel, set in 1961, warns of the dangers of a utilitarian culture. Paris has street lights, motor cars and the electric chair but no artists or writers any more. Instead industry and commerce dominate and citizens see themselves as cogs in a great economic machine.