It's #LibrariesWeek this week, so today I'm asking you to something very brave and noble.
I'm asking you to visit your local public library... #MondayMotivaton
The Public Libraries Act of 1850 (And the 1853 Act in Scotland) established the principle of free public libraries for the self-improvement of all citizens in Britain, irrespective of their income.
It was a hard-won battle...
Opponents of the Act believed public libraries would become sites of social agitation: extending education to the lower orders of society would lead to libraries becoming working class "lecture halls" full of radical ideas and demands.
Later Acts built on these noble ideas of 1850, and the Public Libraries and Museums Act 1964 created a statutory duty for local authorities ‘to provide a comprehensive and efficient library service for all persons.'
But things have been tough for libraries for a while now. Statistics from the 2018 Libraries Taskforce showed a continuing decline in public library use (both in visits and book issues) in England...
...and then came COVID19.
Look, librarians are tough cookies. We fight on the front line of ideas every day. And we need you guys to back us up!
So that's where YOU come in! Rather than tweet about the need for public libraries I need you to take a brave pill, get on the bus, and go visit yours.
As it's #LibrariesWeek Your local public library will have made itself especially alluring for lapsed library patrons, as well as making itself COVID secure. They'll do all they can to encourage you to come back to the habit of borrowing books for free.
FOR FREE!!!
I mean, think about it: these are FREE BOOKS they're offering. You'd queue up in the rain for a half-priced Starbucks cinnamon latte, so why not go somewhere where stories and knowledge are FREE?
How much do you spend on books? Go on, add it up. Gulp!
Now let me tell you - you can more than double your reading without spending a penny more! You just need to visit your local library. They're online too if that's easier, and they'll probably have kerbside pick-up as well.
Put it this way: in Escape From New York what did Snake Plissken do to save the President, defeat The Duke and his hoodlums and escape across the Queensboro Bridge?
Rob a gun store?
Hack into the internet?
No: he went... TO THE PUBLIC LIBRARY!
He was the terror of London; a demonic figure with glowing eyes and fiery breath who could leap ten feet high. The penny dreadfuls of the time wrote up his exploits in lurid terms. But who was he really?
Today I look at one of the earliest pulp legends: Spring-Heeled Jack!
London has always attracted ghosts, and in the 19th Century they increasingly left their haunted houses and graveyards and began to wader the capital's streets.
But one apparition caught the Victorian public attention more than most...
In October 1837 a 'leaping character' with a look of the Devil began to prey on Londoners. Often he would leap high into the air and land in front of a carriage, causing it to crash. It would then flee with a high-pitched laugh.
Today in pulp I look back at New Zealand's home-grow microcomputer, the 1981 Poly-1!
Press any key to continue...
The Poly-1 was developed in 1980 by two electronics engineering teachers at Wellington Polytechnic, Neil Scott and Paul Bryant, who wanted to create a computer for use in New Zealand schools. Education Minister Merv Wellington liked the idea and gave it the green light.
Backed by government finances, and in partnership with Progeni Computers, Polycorp was formed in 1980 to began work on the prototype for the official Kiwi school computer.
It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.