First thread regarding the history of Prenuragic Sardinia. Next part will be about the domus de janas.
The first human remains in Sardinia date back to the Mesolithic Age, that is 10,000-6,000 BCE, and found mostly in caves.
Around the 6,000BCE, the first Indo-Europeans arrived in Europe, bringing the tradition of agriculture and stationary life.
In the early Neolithic, we find corded ware in Sardinia too and a thorough use of the obsidian, precious stone found in great measure around Monte Arci. Sardinians traded it and created fine blades, with little effort to find the first matter.
During the Middle Neolithic, 4700-4100BCE, in Sardinia we have the rise of the Culture of Bonu Ighinu (or Bonuighinu). Thanks to the contact with Eastern populations, the cult of the Mother Goddess starts spreading. The first statuette that we have-
-shows an anthropomorphic Mother Goddess, known today as Venus from Macomer.
Later statuettes have rounder shapes, exalting the idea of a giver of life. It's the example of the Mother Goddess found in the hands of an inumate in Cuccuru Is Arrius, in the Sinis peninsula.
This necropolis also gives us information on the kind of tombs which were used. In fact this person was found buried in a pit grave, dug vertically and furnished with food, utensils, weapons and the statuette.
There's a "little" transitional phase that is referred to as the -
-Culture of San Ciriaco, which leads to the Late Neolithic, 4000-3000BCE. This is the period of the Culture of Ozieri, well-known for its ceramics and peculiar constructions. In this period we start seeing the first villages and the domus de janas, collective tombs.
The domus de janas will have another thread for more detailed explanation. They are tombs with very small entrances, excavated in the rock. Sardinians were masters in this and dug out these tombs in all the Sardinian territory.
From this period derive also more stylised versions
-of the Mother Goddess, with abstract and triangular shapes, highlighting only the breasts.
There's a site that still holds many mysteries. It's the Altar of Santo Stefano, which doesn't have a clear date but nearby domus de janas make people think it can be of this same period.
It presents stones with peculiar circular, triangular or square shapes engraved, probably some kind of niches for religious offerings. A series of circular holes led some to think about some sort of lunar calendar.
During all this time, Sardinia was at the centre of Mediterranean trading and influences from east and west. From West, Celtic and Druid land, arrived the megalithic culture. Since the end of late Neolithic, we see menhirs and dolmen rising everywhere in Sardinia.
Menhirs often side already sacred sites; dolmens (two vertical and a horizontal stones) are somewhat rarer.
This is the age of metals. Iron, silver, copper are all present in Sardinian territory and again Sardinians trade them. The Copper Age dates approximately to 3300-2200BCE-
This is the period of Sub-Ozieri culture, transition which leads to the Cultures of Filigosa and Abealzu. Menhirs get fancy and get engravings, decorations, glyphs that in part are still mysterious.
We have menhirs differentiated in male and female ones, some have eyebrows-
others bear daggers (the male ones). Some show a peculiar sign ⬇️ that archaeologists interpreted as a dead person, offered to the Mother Goddess. We find this sign also in domus de janas.
The Prenuragic Altar of Monte d'Accoddi dates to this period too, the only "ziggurat-like"
-construction in the Mediterranean. The site shows domus de janas, Mother Goddesses, decorated menhirs and probably altars for sacrifices.
For more information about Monte d'Accoddi, here is a whole thread about it:
As we reach the end of the Copper Age, we have the Culture of Monte Claro, characterised by potteries decorated with parallel lines.
In this period we have also megalithic walls, like in Monte Baranta, probably for defensive use of each tribe against another.
We finally enter the Bronze Age (2500-2100BCE), which brings from Europe the Beaker culture. In Sardinia we see some of it only in north Sardinia, with the Culture of Bonnanaro. This is characterised by simpler vases.
We have now left Prehistory behind and we're approaching the-
-Nuragic Era, typical of Sardinia which thanks to eastern (the Mother Goddess) and western (megalithism) influences, created a unique culture and which in total (Pre+Nuragic) counts up to 10.000 archeological sites in the whole Sardinia.
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📜Extemporary thread about the art of poetry in Sardinia, especially the poetic contests 🎶
Oral tradition in Sardinia has always been a strong component of the conservation of memory. Most people were illiterate, but they could still create poetry. This is a particular characteristic of shepherds, which also relates to the traditional singing technique.
A tradition that remained for long in Sardinia is that of poetic contests. People (usually men, but also women could make poetry) would challenge each other in improvised rhymes centering a topic. They could be 2 people, or 4, or more. Poetic contests were typical of village -
Thread about, you guessed it, the festival of Saint Antiochus, patron of Sardinia.
Antiochus was born in North Africa and was likely a doctor. He was raised in the Christian faith, in a period in which Romans still persecuted Christians. The hagiography says he was pretty vocal about his faith and for this reason the Roman governors tried to kill him, -
-eventually forcing him at sea on a boat. This boat is said to have reached the Sardinian island of Sulci (today, Sant'Antioco), where Antiochus carried on his preaching. He was found by the Romans again, who sentenced him to death, but Antiochus miraculously and peacefully died-
🌊 Thread about the archaeological remains of an important centre of Punic and Roman Sardinia. 🌊
Nora is located in the South Sardinia, today in the municipality of Pula, at close distance from Cagliari. It is famous for being the site of the martyrdom of Sant'Efisio and back in the day, it was probably even more important than Karales (Cagliari).
The archaeological site was known already in the 16th century but it was mostly covered by the sand. In the 19th century, a strong sea-storm uncovered part of the mosaics, arising interest and leading to a series of excavations that revealed what was underground.
✨Today is the launch day of SONG AMONG THE RUINS!✨
My little YA historical gothic book set in Sardinia officially releases today (Amazon link below ⬇️). So, I wanted to say a couple of words.
As you might know by now, the main setting is Cuglieri, a village in the Montiferru. Today is the 1st anniversary of the fire that burned down large part of the forest and destroyed the millennial oleaster. Exactly one year ago, I was preparing to begin-
-drafting when this all happened. I am now working on the Italian translation of the book, for which I have different plans regarding publication, but in one way or another it will be out eventually.
Thread about the still surviving and recognisable castles of the Middle Age.
Sardinia had a different medieval history than the rest of Europe. By the 1000s, we had 4 different kingdoms, likely born from the division of an original single entity. The subdivision meant also a different kind of local administration. Differently than the rest of Europe, -
-castles in Sardinia developed along the confines of the kingdoms (as watchtowers towards the neighbours) and not in the countryside as a creation of a local feudal power. This means castles are relatively few (~120 in the whole Island for ~350 towns/villages).