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Oct 9, 2021 10 tweets 4 min read Read on X
St Giles’, Tadlow is a “well-lit by jewelled blue-grey windows; a characteristic floor, delicate strips of pink and yellow on the sanctuary walls, and a delicious font of pinkish grey on a white base”.

And it’s on the Heritage at Risk register.

#thread
The quotation above is from Paul Thompson, William Butterfield’s biographer. You see, this is a medieval church “pleasantly placed, in a leafy position”  that had a Butterfield restoration in the late 1800s.

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If, like us, you keep an eye on the Church Commissioners’ consultation page on closed churches, you will see that there is a live consultation which seeks to put this Grade II* Cambridgeshire church into our care.

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St Giles’ has its origins in the 13th century with walls and windows built from fieldstones and dressed but irregular blocks of Clunch.

The chalky tower was added in 1472.

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It appears that the chancel was reduced in length some time before 1748 and appears to retain that footprint. Inside, the much-decayed floor slab with the ghost of an effigy just inside the south door is to Margaret Brogriffe of 1493.
 
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But really, the inside is all about Butterfield. He spent the best part of 20 years (1855-1874) restoring this church. We are yet to learn what condition it was in when he began this restoration campaign.

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As well as improving the internal environment of old churches, the aim of the Victorian High Movement was to reclaim the architectural nirvana of the 14th century – to return to this high point of religious expression in architecture. Colour was a hugely important part of this.
In most of Butterfield’s churches colour is confined to the sanctuary, floor, and font, and often only the east window has stained glass. The east window is by Butterfield’s favourite stained-glass artist, Alexander Gibbs.

Medieval fragments survive in some nave lights.

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The church comes with a mega list of repairs. It’s suffering severe structural movement, needs new roofs, drains, stone stitches, glazing repairs…

All going well, this church will be in our care next month. We can’t wait to start mending it, and welcoming people back.

9/
Huge thanks to @badger_beard for all of these great photos, and for being a friend to St Giles' over the past few years.

Commissioners' consultation: churchofengland.org/resources/pari…

10/10

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More from @friendschurches

Oct 24, 2023
Red and yellow and pink and green ... most children can tell you that rainbows contain seven colours, and many of us use 'ROYGBIV' to remember them. But people haven't always seen rainbows this way. Photograph of St Mary's, Tal-y-Llyn, Anglesey by Wynne Jones, with a rainbow in a grey stormy sky. The simple church is lit up with yellow light.
Rubens' 'The Rainbow Landscape' of 1636 was painted just three decades before major new scientific theories about colour and light emerged. The rainbow lights up surrounding clouds with highlights of lemony yellow and blue.

© The Wallace Collection Painting by Rubens: The Rainbow Landscape. A rainbow forms an arc across most of this landscape painting. Below it is a idealised rural harvest scene, with agricultural workers (men and women), cows, and carts with horses at the edge of a stream. From the Wallace Collection (licensed under Creative Commons).
In 1664, Robert Boyle conducted experiments with prisms, and in the 'artificial rain-bow' he produced, he observed five colours: Red, Yellow, Green, Blew and Purple. ... The frontispiece of Boyle's book, 'Experiments and Considerations Touching Colours'
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Sep 23, 2023
The church at Skeffling was built from glacial clutter and recycled masonry in the 1400s. It sits in Holderness. A landscape of mudflats and salt-marshes washed into existence by the North Sea.

Here ‘leaves unnoticed thicken, hidden weeds flower, neglected waters quicken’. An aerial view of Skeffling, with the church tower peeking out above the trees, surrounded by flat marshes and fields
Those are the words of poet, Philip Larkin. Larkin explored this area after he moved to Hull in 1955 to take up the position of librarian at the Brynmor Jones Library at the University of Hull. He lived there and held that job for thirty years, until his death in 1985.
Of Hull, he wrote "I never thought about Hull until I was here. Having got here, it suits me in many ways. It is a little on the edge of things, I think even its natives would say that. I rather like being on the edge of things.” A view of the salt marshes at Skeffling, with a brooding dark blue sky lit by the sunrise, and a man-made glow on the horizon
Read 5 tweets
Jun 18, 2023
The next time you're lying in bed counting sheep, you might like to try out the counting system that was used by shepherds In medieval Lincolnshire.

From 1-20, the numbering sequence ran as follows: Yan, Tan, Tethora, Pethera, Pimp, Sethera, Lethera, Hovera, Covera, Dik ... Aerial view of St John the ...
... Yan-a-dik, Tan-a-dik, Tethera-dik, Pethera-dik, Bumfit, Yan-a-bumfit, Tan-a-bumfit, Tethera-bumfit, Pethera-bumfit, Figgit.
If there were more than 20 sheep in the flock, he could note the first 20 when he reached Figgit by putting a pebble in his pocket, and then starting the sequence from Yan again.

(info from 'Alex's Adventures in Numberland' by Alex Bellos)
Read 4 tweets
Mar 19, 2023
In about 1300, five massive oak legs were pushed into the soil at Boveney to raise a belltower out of the clay tile roof of the 12th-century church. Inside, in the 1800s fielded panelling was installed, hiding those hardworking legs.

#thread
Perfect as that panelling looked, it obscured the most important timbers. Noticing that the bellcote was somewhat slumped, our architect removed some panels, and we found the legs were rotten. Boveney church was *almost* without a leg to stand on.

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Many things contributed to the decay-the high water-table of the river-bank church, deathwatch beetle, fruiting bodies… The panelling concealed this until it was almost too late. The words, ‘catastrophic collapse’, were used. Panic set in. The £60,000 repair bill quadrupled.

3/
Read 6 tweets
Mar 18, 2023
Between 1666 and 1680, the English parliament sought to protect the wool trade, by requiring the dead to be buried in nothing but a shroud of English sheep's wool. Plague victims and the destitute were the only exceptions. A section of a 17th century affidavit shows a wood-cut print
The 'Burying in Woollen Acts' required an Affidavit within 8 days of burial, proving before a JP that the law had been complied with. Those who didn't comply were fined £5, half of which went to the poor. This blog has some terrific examples of affidavits:buff.ly/3YkB33B This signed affidavit from Worcestershire for Burying in Woo
Many wealthy families preferred to simply pay the fine and bury their loved ones in clothing or shrouds of finer materials, such as linen.
Read 6 tweets
Mar 17, 2023
St Patrick was ripped from his home as a teenager. After six years as a slave in the west of Ireland, he trekked the breadth of the island to get home to Britain. He would become the patron saint of Ireland, yet at the end of his life, he felt he had failed.

#thread Image
Patrick lived in the 5th century. Upon leaving Ireland in his early 20s, he devoted his life to Christ. He returned to Ireland after hearing Vox Hiberionacum – the voice of the Irish – in a dream.

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He became the patron saint of Ireland in the 7th century when the embellishment of St Patrick’s story began. Some of the biographers got quite creative, attributing all manner of miracles to the man – from snakes to sprouting staffs.

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Read 8 tweets

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