Remembering Melina Mercouri on her birthday π
π· Slim Aarons, Athens, 1961
"To laugh for the camera is hard. Dassin taught me. To laugh in life? I would die without!"
Melina Mercouri with Romy Schneider & Jules Dassin on the set of 10:30 PM
Summer, 1966
What a wonderful photo; the still photographer on the set was Antonio Luengo.
This Roger Corbeau portrait of Melina Mercouri, taken on the set of Jules Dassin's Phaedra in 1961, is in the full-blown glamour style of 1930s Hollywood.
Another shot of Melina Mercouri on the set of Phaedra, by Roger Corbeau, 1961 @MAPatrimoine
Melina Mercouri by William Lovelace, November 16, 1960
Who do you think of when people say "the camera loves her, or him"? Mercouri is close to the top of my list.
Melina Mercouri by Henry Groskinsky, 1960s
"A creature you'd be happy to take home to mother, if mother was out."
- Walter Kerr, @NYTimes
Melina Mercouri at the United Nations, August 29, 1967
π· Harry Benson
Melina Mercouri on the set of Vittorio de Sica's The Last Judgment
π· Herbert List, 1961
A completely fearless actress
"If we lose our culture," said Melina Mercouri when she was the Greek Minister of Culture, "we are nothing. We are our culture." She never stopped fighting for the return of the Parthenon Marbles from the @BritishMuseum
"I was born a Greek, and I will die a Greek. Pattakos was born a Fascist and will die a Fascist."
- Melina Mercouri
Melina Mercouri and Jules Dassin on the set of Phaedra
π· Constantine Manos, Hydra, 1961
Mood
Melina Mercouri in Vittorio de Sica's Last Judgement
π· Herbert List, Naples, 1961
To end my Melina Mercouri birthday thread the way it began, I'll go back to the Slim Aarons photoshoot in Athens.
Remembering Melina, born 101 years ago today π
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Happy birthday to Nobel laureate Orhan Pamuk π
π· Ara GΓΌler
"His books are multi-layered, allegorical, sometimes fanciful, Proustian in their attention to detail and Borgesian in their dazzling complexity."
- Sarah Lyall
Orhan Pamuk by Sophie Bassouls, 1990
"Books, which we mistake for consolation, only add depth to our sorrow."
It's so great that other photographers have continued Philippe Halsman's #jump! tradition. Here's Orhan Pamuk by Alex Majoli.
This was taken at Cannes in 2007, when Pamuk was a member of the Festival Jury.
Celebrate the Richard Avedon Centennial ππ―
π· Irving Penn, Vogue, August 23, 1993
"He was small, dark & electric with his own sort of vitality. Crackling. Sparks seem to fly out of him. He flashes his fingers like tiny rapid moths."
- Ginette Spanier
On Richard Avedon's Centennial, my favourite portraits
Carson McCullers & Tennessee Williams, April 25, 1950 #Avedon100
On Richard Avedon's Centennial, my favourite portraits
Buster Keaton, 1952 #Avedon100
I'm listening to Concerto Italiano play Bach's Brandenburg Concertos, in their 2005 recording under Rinaldo Alessandrini.
I've always loved the cover photo; it's by Julia Fullerton-Batten. I'll start a thread of some of my favourites of her photos here. π§΅
Julia Fullerton-Batten
The Lady of Shalott, 2018
... which is, of course, a reinterpretation of John Waterhouse's 1888 painting of Lord Tennyson's poem.
Happy birthday Sofia Coppola π
π· Kate Barry
"Coppola is a true auteur β a filmmaker with a distinct worldview and sensibility and a personal set of quasi-autobiographical interests."
- J. Hoberman
Sofia with her dad on the set of Godfather 2
π· Steve Schapiro, 1974
The Coppola family by Ted Streshinsky, 1974
Eleanor & Francis Ford Coppola with their kids Sofia, Roman & Gian-Carlo
Celebrate the Red Garland Centennial ππ―
π· Bill Spilka, c. 1957
"Garland's style was understated and harmonically sophisticated; he would delineate a melody, then shade it with distinctively voiced block chords and hints of counterpoint."
- Jon Pareles #RedGarland100
Esmond Edwards' great album cover for Red Garland's "Red in Bluesville", from 1959. Edwards took the photo, & designed the album as well.
Remembering Bea Arthur on her birthday π
π· Martin Mills, 1972
"Those of us working with her knew we were working with a golden comedic touch." - Norman Lear
Beatrice Arthur with Bill Callaway & Carl Ballantine in Bruce Jay Friedman & Richard Adler's musical A Mother's Kisses
π· Jack Mitchell, 1968
Angela Lansbury & Beatrice Arthur in Mame
π· Friedman-Abeles, 1966
Arthur won the Best Featured Actress in a Musical Tony for her performance. She was Beatrice on the stage & Bea on TV.