‘4 of the naughtiest kids in the class, at the end of the play we were all in tears. 4 of these big burly lads in tears at this play, that just blew my mind. I had no idea drama, acting a play could create that kind of magic’ @DavidHarewood on seeing King Lear for the first time
‘It wasn’t until I came out of drama school that I realised there was a difference, the moment in my head I started to understand the significance of my colour… that was the beginning of my unravelling’ - @DavidHarewood
‘What’s scary, and what comes out in your book, is you don’t even realise you’re carrying it until something happens, something breaks or opens.’ @garyyounge in conversation with @DavidHarewood@britishlibrary
‘I want to talk about class - when I think of reading, I remember I didn’t read for pleasure until I saw posh kids that had read. Then I started reading out of spite. And then I realised how much I liked it.’ @garyyounge#LiteratureMatters#RSL200
As an actor, the reality of only being able to play what people could see me as was crushing. This panic started to overwhelm me. I believed I could play anything but I couldn’t see myself reflected anywhere, in any theatre posters. @DavidHarewood
‘There was a bit of me that thought, while writing this book, I’d be letting the side down with people saying “you’re being weak.” Actually, it’s anything but that. The amount of people - particularly young Black men - who have come up to me to say thank you. It’s incredible.’
Making the documentary showed me how I fell apart; writing the book helped me to work out my way back to myself as a young boy. @DavidHarewood#LiteratureMatters#RSL200
With my book and going through my history it felt like a final piece in the jigsaw being put in place. After 30 years, I’m in possession of my full story. @DavidHarewood in conversation with @garyyounge#LiteratureMatters
‘One of the things I find interesting in these conversations is the amount of heavy lifting we have to do. Our stories are intertwined - sometimes I wish white people would do more heavy lifting in terms of finding their connection to us.’ @garyyounge
‘The book that first got me fixated on fiction was “The Color Purple”… it electrified me and made me think that there’s something in this reading thing!’ @garyyounge at the @britishlibrary#LiteratureMatters#RSL200
For @DavidHarewood, ‘“The Master and Margarita” was just so imaginative and extraordinarily funny. It set me alight and, I thought, “I love the idea of books and want to get some more”’! #LiteratureMatters#RSL200
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Today on our 200th birthday we're excited to also launch #RSLInternational Writers. This programme recognises the contribution of writers worldwide to literature in English, & the power of literature to transcend borders.
We are accepting public recommendations. (1/4) #RSL200
We invite readers & writers to recommend writers not resident in, or citizens of, the UK, whose works have made great contribution to literary culture. They will have published two works of outstanding literary merit (translated into English/written in English). (2/4)
We seek recommendations of writers of drama, fiction, graphic fiction, non-fiction, poetry, and screenplays. Guided by your recommendations, our panel of RSL Fellows, led by @danielhahn02, will make a recommendation of writers to be appointed RSL International Writers. (3/4)
Today on our 200th birthday we launch #RSLOpen –celebrating the excellence of writers from communities under-represented in UK literary culture. We believe literature is at its best when it includes voices from the greatest breadth of backgrounds and experiences. (1/6)
We're celebrating the great diversity of outstanding writers & writing in Britain by electing 60 Fellows over 2 years from communities under-represented in UK literature. We're seeking recommendations of excellent writers from these communities for nomination to Fellowship. (2/6)