In 1914, Emile de Vynck, his wife and baby arrived in North Wales. Their home in Malines, Belgium had been bombed. Lloyd George found houses for several displaced families in Gwynedd, and took the de Vynck family into his own home in Criccieth. #thread
On 16th October 1914, Emile was interviewed by The Cambrian News:
“I left Malines when the Germans bombarded it for the fifth time. Nearly everyone fled the day after the German brutes entered the town. In terror we rushed to another village. 2/
A kindly farmer hid us in his barn and we lay there on the straw. When we woke we escaped to Duffel and from there to Bruges where we arrived at midnight and found the town in darkness. Two ladies gave us hospitality and the next day at a very early hour we went on to Ostend. 3/
We stayed there only a quarter-of-an-hour and then took the boat for Folkestone. Everyone gave us food and dainties and when we arrived in London we were taken to St Giles Home where we stayed 4 days. Then they sent us down to Criccieth where we have been very kindly received. 4/
My wife and I and the baby (Pauline) thank from our hearts the ladies of the Committee for all their kindness to us and also the people of Criccieth. I desire to be excused, being a Fleming, for writing such a short account but I have done all I can to make myself understood”. 5/
Emile and his family eventually moved to a property of their own in the small village of Pentrefelin. Here, you will find the church of St Cynhaearn. Being a talented wood carver, Emile created beautiful objects for several churches in the area. 6/
At St Cynhaearn, he carved the cross above the altar. He carved items for St Beuno’s, Penmorfa. And at Tremadog, he carved a reredos in a Renaissance style that had been designed by C R Ashbee. 7/
The de Vynck family stayed in North Wales until the 1920s, when they returned to Belgium, but their legacy remains.
All images are of our church St Cynhaearn’s at Ynyscynhaearn.
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A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.