The restoration of Papworth St Agnes is one of our greatest success stories. But in 1979 it looked like this. The stained glass had been cut out, the roof tiles lay in piles ready to be sold, the font was thrown into the churchyard. A demolition order had been published. #thread
The Domesday Book of 1086 records a church in this Cambridgeshire village, but today, the earliest surviving fabric dates to the 15th century. Interestingly, at this time, the hamlet was the family seat of Sir Thomas Malory, author of Le Morte d’Arthur in 1469. 2/
In the mid-19th century, the distinguished Ecclesiologist, J.H. Sperling arrived as the new rector. Sperling had a habit of rebuilding churches and Papworth St Agnes would be no different. He's responsible for the distinctive chequerboard patterning of flint and clunch. 3/
Sperling also introduced stained glass by William Wailes. Most of this was sold on the salvage market, but one panel, featuring Noah’s Ark, had been sent to the Stained Glass Museum at Ely. 4/
We thought this church was too important to face the wrecking ball. We rallied against the demolition. In its vulnerable state, we took it under our wing. Then, something miraculous happened: the locals came and asked if they could use the church as their community centre. 5/
As we do not receive any public funding in England, it took many years, immense generosity from our supporters and an unfailing determination from the locals to piece this church back together and restore it to its community. 6/
Now it is used regularly, has a full programme of events, services and is there for you – any time you want to visit.
All the good, colour photos are courtesy of @badger_beard 7/7
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A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.
Caught Moss-Handed: how the rare mosses on the roof of St James’s, Llangua enabled the conviction of two criminals in the 1950s.
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In the summer of 1951, a farmer spotted two men climbing on the roof of Llangua church at dusk. Unfortunately, by the time the police arrived, the men had fled the scene.
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After committing further criminals acts in the local area — namely the theft of tools and car batteries — the authorities caught the men, who turned out to be two brothers that had come to Monmouthshire from Cardiff.
Across the centuries, the saintly dedication of a parish church can change — and at Manordeifi in Pembrokeshire, it is thought that the church's dedication has shifted several times throughout its long history.
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A Christian place of worship at Manordeifi is believed to have stood on the site of the present church since the 7th century. The earliest church here was reportedly dedicated to St Llawddog.
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A son of the Prince of Usk and a renowned as a miracle-worker, Llawddog became the focus of a popular local saintly cult. As such, there are thought to be four other churches in the region that were also originally dedicated to him.